1) A doom metal super… Read Full Bio ↴There are multiple artists named named Clouds:
1) A doom metal supergroup based in Europe.
2) A dubstep / experimental electronica duo from Finland.
3) A psychedelic band from Edinburgh, Scotland, active in the 1960s.
4) An alternative rock band from Australia.
5) A rock band from Boston, United States.
6) A duo of techno producers from Perth, Scotland.
7) An indie pop band from Glasgow, Scotland, active in the 1980s.
8) A Polish synthpop band.
9) A rock band from England, active in the late 1960s.
10) A garage rock band from Los Angeles, United States, active in the 1960s.
11) An electro/thrash/indie group from Roseburg, Oregon.
12) An indie-pop band from Oslo, Norway.
13) A hiphop/electro producer from Detroit, Michigan.
1) Clouds is an international doom metal group assembled in 2013 by Daniel Neagoe. Bandcamp page: https://cloudsofficial.bandcamp.com
2) Clouds from Finland is an electronic music production team that consists of Tommi Liikka and Samuli Tanner. Tommi is a Helsinki native and Samuli comes from a small village deep in rural Finland. The pair met through mutual friends in 1999, and ever since planned on working on some music together, hindered by both working on various projects and shows of their own. The plan was finally realised after a string of coincidences and happy accidents led them to sharing a house in the northern suburbs of Helsinki.
Tommi is a veteran DJ and promoter who has been working hard to introduce people to the strange sounds emerging from the US west coast hip-hop underground, while keeping an ear open for various musical styles all sharing a common thread: bass weight. He has brought the music he believes in to the people of this cold northern nation by releasing numerous mixtapes, organising shows for artists he felt needed to be heard and by running his record label, Anti-Party Music.
Samuli has been producing and releasing electronic music under various aliases such as Ponytail and as part of the Dubbing Mixers project, as well as playing drums in noise/punk bands and co-running the Tuulanauhat record label. Samuli's signature production style, most audible in his Ponytail project, is a healthy mashup of lo-fi drones and sample-heavy cut n'paste workouts built into hip-hop instrumentals.
The combination of these musical influences is evident in Clouds - both members share an interest in the DIY aesthetic often connecting all kinds of music made with passion, not brains. And passion is a trait that overlaps any genre or style boundaries, leading to music that is willing to break the mold.
By 2006, Tommi was already deep into dubstep, and when the pair finally got together for a few fun and productive sessions trying to nail down the style, Clouds was born. The Clouds sound is like a soundtrack to the invasion of earth by little and green, but dubwise, aliens. It's a fresh take on the standards of dubstep, combining elements from video games, experimental music and hip-hop with deep melodic meditations and dancefloor-shredding basslines. Always keeping it fresh, Clouds tracks rarely tread a path they've previously stepped on. This has been noted by many of the scene's top DJ's, leading to Clouds being championed by people like Joe Nice, Geiom, Skream, N-Type, L-Wiz, DJ/Rupture and Tes La Rok. Not ones to leave the footwork for others, Clouds has also been travelling to spread their sound to various places such as China, France, UK (DMZ and Subdub among others), Russia, Ireland and Sweden.
3) Clouds was a Scottish psychedelic / prog rock band active from 1964 through 1971. Initially called The Premiers, and then 1-2-3, the band consisted of Ian Ellis (vocals, bass), Billy Ritchie (organ) and Harry Hughes (drums). As 1-2-3, the band had a headlining Marquee residency in 1967, attended by future rock luminaries such as David Bowie, Keith Emerson, Rick Wakeman, Yes, and King Crimson. Playing an early form of progressive rock two years before it became fashionable, the band were signed by Brian Epstein and Nems, but crucially, did not release any recordings, ironically leaving the progressive scene to flourish and leave them behind, though they much to do with influencing it in the first place.
The band was then signed to Chrysalis, and released three albums on the labels Island and Chrysalis: Scrapbook (1969), Up Above Our Heads (1970) and Watercolour Days (1971). Many headlining tours in Europe and the USA followed, but the band were unable to creat sufficient public interest, and disbanded in late 1971.
Only some years later, a critical reappraisal of 1-2-3 led to the band being properly credited as a definitive precursor of the progressive rock movement. Billy Ritchie (the keyboard player) was credited as being the first keyboard player in rock to stand and take a leading role, paving the way for others like Emerson and Wakeman.
4) Clouds was formed in Sydney, Australia in 1989. The nucleus of the group was Jodi Phillis (born in Australia and raised USA) and the New Zealand born Tricia Young. Prior to being in the Clouds Jodi was a member of the short-lived 'The Nu-Genes', while Tricia had never been in a band at all. They met when mutual friends introduced them at a BBQ.Within a year, they were signed to Red Eye Records, having added Stuart Eadie on drums and Dave Easton on guitar. Later Raph Whittingham would replace Eadie, with Ben Nightingale stepping in for Easton.
Between 1990 and 1997, The Clouds put out seven singles (Hieronymus, Anthem, Say It, Bower Of Bliss, Alchemy's Dead, Here Now, Down From The Sky, Never Say Forever), 5 EPs (Clouds, Loot, Beetroot, Aquamarine Panel Van) four albums (the classic Penny Century, Octopus, Thunderhead, Futura), two compilations (Pre-Raphaelite, Collage) and numerous videos.
Starting out with a very strong pop element, their sound evolved into something tougher, darker and more experimental. The Clouds never achieved mainstream success in Australia however their records sold a consistently with Penny Century going gold. They had a large and loyal fanbase and toured in the US and Europe. In particular, Jodi Phillis continued to perform in numerous other bands and as a solo artist.
Part of the flourishing Australian independent music scene in the early 90's, that included The Falling Joys, The Hummingbirds, Ratcat and The Underground Lovers, The Clouds left an enduring legacy of articulate and gutsy rock and roll.
5) Clouds is a rock band from Boston, United States. They deliver unbridled action-rock harking back to the mid/late '90s Man's Ruin garage onslaught - which, in turn, owes its collective hearing loss to the likes of the Wipers, Bad Brains, Stooges, and MC5.
They say you can take the kid out of the rock, but you can’t take the rock out of the kid…or some shit like that. This is especially difficult when “the kid” in question is Cave In’s Adam McGrath, fearless leader and vocalist/guitarist of Clouds, an outfit that delivers unbridled action-rock harking back to the mid/late-’90s Man’s Ruin garage onslaught—which, in turn, owes its collective hearing loss to the likes of the Wipers, the Bad Brains, the Stooges, and the MC5. So you can see what kind of lineage we’re talking about here. But wait—that’s not all these Boston gents have to offer: From nasty psych and Southern power grooves to (believe it or not) “Party Grunge” and sax’d-out dub, Legendary Demo has it all. Unlike anything else in Hydra Head’s vast back catalogue, this is truly a revelation.
6) Clouds from Perth, Scotland, is a duo formed by Calum Macleod and Liam Robertson. With a sound that has seen steady development from frenzied banger to subtle, inventive techno, they have garnered huge support from the reigning heavyweights of electronic music, it’s not often that an artist can count a list of artists like Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore as ardent supporters.
Part of Turbo Recordings core of young ‘New Jack Techno’ artists, Tiga has championed their first releases, paving the way for a breakthrough year in 2013. A series of club 12″s entitled ‘Tannhauser Acid Works’, and a stockpile of dance floor weaponry is set for release on Gary Beck’s new label and Fifth Wall, as well as remixes for the likes of Hot Chip, and indie upstarts Blue Hawaii and Suuns.
Most significantly, the duo have just finished their debut album and it’s a brilliant and subtle collection of techno that comfortably situates them in the same league as UK masters Actress and Zomby. First listeners and key press have been blown away. The album is set for release in June, on Turbo Recordings.
Increasingly versatile as DJs, Clouds centre themselves with a foundation of powerful, big-room techno, but they skillfully incorporate influences that range from UK bass music, Electro, and House. In the tradition of the best UK DJs, they exhibit knowledge and range that is remarkable for their age. Watch out… Clouds are unequivocally one of the brightest talents in electronic music.
7) Clouds was an indie pop band from Glasgow, Scotland, active in the 1980s. They released the single "Tranquil / Get Out of My Dream" in 1988 on the Subway Organization label.
8) Clouds is a synthpop band from Suwałki, Poland. The band consists of Artur M. Janiec, who is an author of the music and Eliza Machnik - vocalist. Clouds performs synth-pop and downtempo music. They are from city.
9) Clouds from England was a late 1960s East Anglian band. http://www.davewagstaffe.com
10) Clouds was a garage rock band from Los Angeles, United States, active in the 1960s.
11) Clouds from Roseburg, Oregon, had a constantly changing line-up and eventually broke up in 2006. http://www.myspace.com/cloudsmusic
12) Clouds from Oslo, Norway. After having released albums and/or EPs as Lasse And The Dirtydogs, The Dirtydogs and Best Laid Plans, some new members were added and the band changed their name to Clouds. https://www.facebook.com/cloudsoslo
13) Clouds is a hiphop / electro producer from Detroit, Michigan, United States.
Alchemy's Dead
Clouds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't want to know
About how your garden grows
Alchemy's dead
Escaping our extinction
Has brought it on early
Longer than life
Time is right when mother calls me
To her bed
Won't eat the fruit from the three
Of lies and vanity
Yeah
Don't want re-create her
Scared of how mad we'll make her
I don't believe in perfection
If it only has one face
Alchemy's dead
All the creatures of your dreams
Let them be memory
Yeah
Don't want you back
Don't want you back
Don't want you back
Don't want you back
The lyrics to Alchemy's Dead by Clouds express a desire to detach oneself from the negative aspects of life and live in harmony with nature. It suggests that humanity's pursuit of perfection has led to the destruction of nature and that escaping extinction by embracing technology only prolongs the inevitable. The lyrics argue that there is a time to die, and humanity needs to accept that and let go of their fear of mortality.
The songs mention of the garden growing suggests that the singer has moved on from a past relationship and does not care about how their former partner is doing. The reference to alchemy being dead speaks to the idea that humans have lost touch with their spiritual and natural connection to the world. The singer refuses to eat the fruit from the tree of lies and vanity, symbolizing a rejection of the illusions of perfection that society promotes.
The lyrics also suggest that humanity's fear of death and their desire for immortality has led to their downfall. By living lives disconnected from nature and embracing technology, people have created a world that is unsustainable and destined for collapse. By letting go of the pursuit of perfection and embracing mortality, humanity can rediscover its spiritual and natural roots and live in harmony with the world.
Overall, Alchemy's Dead is a powerful song that expresses a deep desire to reconnect with nature and reject the illusions of perfection that modern society promotes.
Line by Line Meaning
Don't want you back
I have no desire to be with you again.
I don't want to know
I am not interested in hearing about your life.
About how your garden grows
I have no interest in learning about the progress of your personal projects.
Alchemy's dead
The concept of alchemy - changing things into gold - is obsolete and mistaken.
Escaping our extinction
Trying to avoid or resist our own destruction.
Has brought it on early
Which has hastened it instead of delaying it.
Don't want to live
I have no wish to continue existing.
Longer than life
Not even for an extended period of time.
Time is right when mother calls me
The appropriate moment to pass away is when nature takes its course.
To her bed
To return to the earth, our original mother.
Won't eat the fruit from the three
I refuse to be deceived by obvious lies.
Of lies and vanity
The source of these falsehoods stems from a sense of excessive self-regard.
Yeah
Don't want re-create her
I do not want to replicate or replace the natural world.
Scared of how mad we'll make her
I am frightened of the dangerous consequences of our misuse and abuse of the environment.
I don't believe in perfection
I do not accept the idea of an ideal or flawless state of being.
If it only has one face
If there is only one aspect or perspective to it.
Alchemy's dead
The idea that alchemy can transform something into a higher state is unrealistic.
All the creatures of your dreams
All of the fantastical creatures and illusions you have envisioned in your imagination.
Let them be memory
Allow them to remain solely in your past and mental history
Yeah
Don't want you back
I have no desire to have you return to my life.
Don't want you back
Again, I have no wish for you to re-enter my life.
Don't want you back
Once more, the prospect of your return is undesirable to me.
Don't want you back
In conclusion, I have no wish to be associated with you again.
Contributed by Jayden C. Suggest a correction in the comments below.
@lehah4333
Discovered this band when I was gifted a stack of CDs from a closing radio station around 1997. Each one was a miracle, but Thunderhead and the self-titled album from Ednaswap is still in my regular rotation. I need to go back and pick up the rest of The Clouds. Good times.
@circaaeon6033
I remember reading about them in the music magazines back in the 90's. This is dream-pop at its best. Love the harmonies between the women. A really optimistic and up-lifting song. Sounds as fresh as a rose.
@BudoReflex
Saw them live in Fremantle in early 90s, those harmonies melted me from the inside.
@julieharrington342
OMG, the drumming!!! Amazing 🤩
@Parrish_Muhoberac
I think the whole THUNDERHEAD album is only JUST short of a MASTERPIECE. One song.
@00Mindi00
I remember when Thunderhead was being released. This record was BIG for Clouds, and for the scene.
@davidandrew9678
Hi. Still have the cassette single from back in the day. Far out. xx
@robertsmith-iu7hm
Wish I met Jodi when I was young and single. Love this song! Love that Rickenbacker sound!
@AndrewTBP
Ha!
After I became the band’s first fan, Jodi & I learned that we’d gone to school in the same suburb.
😉
@mmmbass6068
Jodi looks so happy in this clip - infectious.
Looking forward to seeing you all in June ❤️