1) A doom metal super… Read Full Bio ↴There are multiple artists named named Clouds:
1) A doom metal supergroup based in Europe.
2) A dubstep / experimental electronica duo from Finland.
3) A psychedelic band from Edinburgh, Scotland, active in the 1960s.
4) An alternative rock band from Australia.
5) A rock band from Boston, United States.
6) A duo of techno producers from Perth, Scotland.
7) An indie pop band from Glasgow, Scotland, active in the 1980s.
8) A Polish synthpop band.
9) A rock band from England, active in the late 1960s.
10) A garage rock band from Los Angeles, United States, active in the 1960s.
11) An electro/thrash/indie group from Roseburg, Oregon.
12) An indie-pop band from Oslo, Norway.
13) A hiphop/electro producer from Detroit, Michigan.
1) Clouds is an international doom metal group assembled in 2013 by Daniel Neagoe. Bandcamp page: https://cloudsofficial.bandcamp.com
2) Clouds from Finland is an electronic music production team that consists of Tommi Liikka and Samuli Tanner. Tommi is a Helsinki native and Samuli comes from a small village deep in rural Finland. The pair met through mutual friends in 1999, and ever since planned on working on some music together, hindered by both working on various projects and shows of their own. The plan was finally realised after a string of coincidences and happy accidents led them to sharing a house in the northern suburbs of Helsinki.
Tommi is a veteran DJ and promoter who has been working hard to introduce people to the strange sounds emerging from the US west coast hip-hop underground, while keeping an ear open for various musical styles all sharing a common thread: bass weight. He has brought the music he believes in to the people of this cold northern nation by releasing numerous mixtapes, organising shows for artists he felt needed to be heard and by running his record label, Anti-Party Music.
Samuli has been producing and releasing electronic music under various aliases such as Ponytail and as part of the Dubbing Mixers project, as well as playing drums in noise/punk bands and co-running the Tuulanauhat record label. Samuli's signature production style, most audible in his Ponytail project, is a healthy mashup of lo-fi drones and sample-heavy cut n'paste workouts built into hip-hop instrumentals.
The combination of these musical influences is evident in Clouds - both members share an interest in the DIY aesthetic often connecting all kinds of music made with passion, not brains. And passion is a trait that overlaps any genre or style boundaries, leading to music that is willing to break the mold.
By 2006, Tommi was already deep into dubstep, and when the pair finally got together for a few fun and productive sessions trying to nail down the style, Clouds was born. The Clouds sound is like a soundtrack to the invasion of earth by little and green, but dubwise, aliens. It's a fresh take on the standards of dubstep, combining elements from video games, experimental music and hip-hop with deep melodic meditations and dancefloor-shredding basslines. Always keeping it fresh, Clouds tracks rarely tread a path they've previously stepped on. This has been noted by many of the scene's top DJ's, leading to Clouds being championed by people like Joe Nice, Geiom, Skream, N-Type, L-Wiz, DJ/Rupture and Tes La Rok. Not ones to leave the footwork for others, Clouds has also been travelling to spread their sound to various places such as China, France, UK (DMZ and Subdub among others), Russia, Ireland and Sweden.
3) Clouds was a Scottish psychedelic / prog rock band active from 1964 through 1971. Initially called The Premiers, and then 1-2-3, the band consisted of Ian Ellis (vocals, bass), Billy Ritchie (organ) and Harry Hughes (drums). As 1-2-3, the band had a headlining Marquee residency in 1967, attended by future rock luminaries such as David Bowie, Keith Emerson, Rick Wakeman, Yes, and King Crimson. Playing an early form of progressive rock two years before it became fashionable, the band were signed by Brian Epstein and Nems, but crucially, did not release any recordings, ironically leaving the progressive scene to flourish and leave them behind, though they much to do with influencing it in the first place.
The band was then signed to Chrysalis, and released three albums on the labels Island and Chrysalis: Scrapbook (1969), Up Above Our Heads (1970) and Watercolour Days (1971). Many headlining tours in Europe and the USA followed, but the band were unable to creat sufficient public interest, and disbanded in late 1971.
Only some years later, a critical reappraisal of 1-2-3 led to the band being properly credited as a definitive precursor of the progressive rock movement. Billy Ritchie (the keyboard player) was credited as being the first keyboard player in rock to stand and take a leading role, paving the way for others like Emerson and Wakeman.
4) Clouds was formed in Sydney, Australia in 1989. The nucleus of the group was Jodi Phillis (born in Australia and raised USA) and the New Zealand born Tricia Young. Prior to being in the Clouds Jodi was a member of the short-lived 'The Nu-Genes', while Tricia had never been in a band at all. They met when mutual friends introduced them at a BBQ.Within a year, they were signed to Red Eye Records, having added Stuart Eadie on drums and Dave Easton on guitar. Later Raph Whittingham would replace Eadie, with Ben Nightingale stepping in for Easton.
Between 1990 and 1997, The Clouds put out seven singles (Hieronymus, Anthem, Say It, Bower Of Bliss, Alchemy's Dead, Here Now, Down From The Sky, Never Say Forever), 5 EPs (Clouds, Loot, Beetroot, Aquamarine Panel Van) four albums (the classic Penny Century, Octopus, Thunderhead, Futura), two compilations (Pre-Raphaelite, Collage) and numerous videos.
Starting out with a very strong pop element, their sound evolved into something tougher, darker and more experimental. The Clouds never achieved mainstream success in Australia however their records sold a consistently with Penny Century going gold. They had a large and loyal fanbase and toured in the US and Europe. In particular, Jodi Phillis continued to perform in numerous other bands and as a solo artist.
Part of the flourishing Australian independent music scene in the early 90's, that included The Falling Joys, The Hummingbirds, Ratcat and The Underground Lovers, The Clouds left an enduring legacy of articulate and gutsy rock and roll.
5) Clouds is a rock band from Boston, United States. They deliver unbridled action-rock harking back to the mid/late '90s Man's Ruin garage onslaught - which, in turn, owes its collective hearing loss to the likes of the Wipers, Bad Brains, Stooges, and MC5.
They say you can take the kid out of the rock, but you can’t take the rock out of the kid…or some shit like that. This is especially difficult when “the kid” in question is Cave In’s Adam McGrath, fearless leader and vocalist/guitarist of Clouds, an outfit that delivers unbridled action-rock harking back to the mid/late-’90s Man’s Ruin garage onslaught—which, in turn, owes its collective hearing loss to the likes of the Wipers, the Bad Brains, the Stooges, and the MC5. So you can see what kind of lineage we’re talking about here. But wait—that’s not all these Boston gents have to offer: From nasty psych and Southern power grooves to (believe it or not) “Party Grunge” and sax’d-out dub, Legendary Demo has it all. Unlike anything else in Hydra Head’s vast back catalogue, this is truly a revelation.
6) Clouds from Perth, Scotland, is a duo formed by Calum Macleod and Liam Robertson. With a sound that has seen steady development from frenzied banger to subtle, inventive techno, they have garnered huge support from the reigning heavyweights of electronic music, it’s not often that an artist can count a list of artists like Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore as ardent supporters.
Part of Turbo Recordings core of young ‘New Jack Techno’ artists, Tiga has championed their first releases, paving the way for a breakthrough year in 2013. A series of club 12″s entitled ‘Tannhauser Acid Works’, and a stockpile of dance floor weaponry is set for release on Gary Beck’s new label and Fifth Wall, as well as remixes for the likes of Hot Chip, and indie upstarts Blue Hawaii and Suuns.
Most significantly, the duo have just finished their debut album and it’s a brilliant and subtle collection of techno that comfortably situates them in the same league as UK masters Actress and Zomby. First listeners and key press have been blown away. The album is set for release in June, on Turbo Recordings.
Increasingly versatile as DJs, Clouds centre themselves with a foundation of powerful, big-room techno, but they skillfully incorporate influences that range from UK bass music, Electro, and House. In the tradition of the best UK DJs, they exhibit knowledge and range that is remarkable for their age. Watch out… Clouds are unequivocally one of the brightest talents in electronic music.
7) Clouds was an indie pop band from Glasgow, Scotland, active in the 1980s. They released the single "Tranquil / Get Out of My Dream" in 1988 on the Subway Organization label.
8) Clouds is a synthpop band from Suwałki, Poland. The band consists of Artur M. Janiec, who is an author of the music and Eliza Machnik - vocalist. Clouds performs synth-pop and downtempo music. They are from city.
9) Clouds from England was a late 1960s East Anglian band. http://www.davewagstaffe.com
10) Clouds was a garage rock band from Los Angeles, United States, active in the 1960s.
11) Clouds from Roseburg, Oregon, had a constantly changing line-up and eventually broke up in 2006. http://www.myspace.com/cloudsmusic
12) Clouds from Oslo, Norway. After having released albums and/or EPs as Lasse And The Dirtydogs, The Dirtydogs and Best Laid Plans, some new members were added and the band changed their name to Clouds. https://www.facebook.com/cloudsoslo
13) Clouds is a hiphop / electro producer from Detroit, Michigan, United States.
White Girl
Clouds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Walking along the sidewalk
Leave a trail of blue and black
Up to you fighting back
Steel chains
A noose of charms on our necks
I find out nothing when we talk and sit
Easy to fall
Part of your skull
Starts to break away
Cheaters walk
Down the block
Behind this evil street
She's a white girl
But I'm living with a white girl
She's a white girl
But I'm living with a white girl
Nineteen
Missing her man for an old girl
Drain every beer left over at home
Listen to ghosts in the other room
Why not?
You're alone inside his keeping
Oh, I'll replace your drunk old man
Sit in the parking lot and hold your hand
Easy to fall
Part of your skull
Starts to break away
Drunk and in love
Out at a club
Pulling me outside
She's a white girl
But I'm living with a white girl
She's a white girl
But I'm living with a white girl
Easy to fall
Part of your skull
Starts to break away
Drunk and in love
Out at a club
Pulling me outside
She's a white girl
But I'm living with a white girl
She's a white girl
But I'm living with a white girl
The lyrics of Clouds's song White Girl depict a complex and tumultuous relationship between two individuals, one of whom is a white girl. The song begins with a description of the girl, who is blonde and walking along the sidewalk leaving behind a trail of "blue and black," possibly referring to bruises or marks on her skin. The line "up to you fighting back" indicates that there may have been some sort of physical altercation or violence involved in the relationship. The image of steel chains and a noose of charms around the necks of the two people could signify a feeling of captivity, as if they are bound to each other despite knowing that they should not be together.
The second verse introduces a new character, a nineteen-year-old girl who is missing her man. The mention of draining every beer left over at home implies a sense of desperation or numbness, as if trying to forget the pain of being alone. The singer of the song offers to replace the girl's drunk old man, indicating a desire to save her from a toxic relationship. The chorus repeats the lines "She's a white girl, but I'm living with a white girl," perhaps emphasizing the singer's confusion and inner turmoil about his feelings for the woman he is with.
Overall, the lyrics of White Girl are raw and emotional, touching on themes of violence, captivity, and the desire for escape from toxic relationships. It is a complex and deeply personal song that reveals the struggles of individuals caught in harmful and difficult situations.
Line by Line Meaning
She's blonde
The girl being described has blonde hair.
Walking along the sidewalk
She is walking on the pavement by the side of the road, possibly on her way somewhere.
Leave a trail of blue and black
She leaves a trail of marks, possibly bruises, that are blue and black in color.
Up to you fighting back
It is unclear what led to the marks on the person, but it seems that the victim may have tried to fight back.
Steel chains
Refers to chains made of steel.
A noose of charms on our necks
People wear necklaces with charms, but the singer is saying that these necklaces feel like nooses around their necks.
I find out nothing when we talk and sit
Despite talking and sitting, they were unable to gain any information about each other.
Blue hot passion and watch the set
This line is quite ambiguous and the meaning is unclear.
Easy to fall
It is easy to lose control.
Part of your skull
Part of your head.
Starts to break away
It is starting to fall apart.
Cheaters walk
People who cheat.
Down the block
Along the street.
Behind this evil street
There are unpleasant things happening behind this street.
She's a white girl
The girl being described is of Caucasian ethnicity.
But I'm living with a white girl
The singer is living with a girl of the same ethnicity as himself.
Nineteen
The age of the girl being described.
Missing her man for an old girl
The girl misses her ex-partner, who may be older than her.
Drain every beer left over at home
She is drinking all the beer left at home.
Listen to ghosts in the other room
Hearing imaginary things in another room.
Why not?
An open-ended question that does not require an answer.
You're alone inside his keeping
You are alone under his control.
Oh, I'll replace your drunk old man
The singer is offering to take the place of her drunk partner.
Sit in the parking lot and hold your hand
He wants to sit in the parking lot with her and hold her hand.
Drunk and in love
Both the singer and the girl are intoxicated and romantically involved.
Out at a club
They are outside a club.
Pulling me outside
She is pulling the singer outside of the club.
She's a white girl
The girl being described is of Caucasian ethnicity.
But I'm living with a white girl
The singer is living with a girl of the same ethnicity as himself.
Contributed by Leo K. Suggest a correction in the comments below.
Max Dawson
Do you possibly have the other b-side from this CD - "Looking For Rain"? would love to hear it, have physical copies of everything else they've released...
Miles Ellis
Max Dawson I went looking for rain and I found the sky