Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
Barcarole in der Nacht
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Du hast viele Tränen mir gebracht
Barcarole in der Nacht
Du hast Tränen mir gebracht
Er heißt Pierrot und es gibt
Eine andere, die er liebt (die er liebt)
Du gingst schnell vorbei
Doch das Lied, es klingt in mir
Und es gibt die Gedanken nicht frei
Barcarole in der Nacht
Du hast Tränen mir gebracht
Er heißt Pierrot und es gibt
Eine andere, die er liebt
Du sagst nur „Auf Wiedersehen“
Und ich sag' „Goodbye“
Doch die Zeit wird weitergehen
Und es blühen die Rosen aufs neu
Barcarole in der Nacht
Du hast Tränen mir gebracht
Er heißt Pierrot und es gibt
Eine andere, die er liebt
"Barcarole in der Nacht" is a wistful ballad that explores the pain of unrequited love. The singer is addressing someone who has brought her many tears and is represented by the metaphor of a barcarole in the night. The lyrics suggest that the person is named Pierrot and is in love with someone else. The singer is left alone and lost in thought, unable to free herself from the sadness that has been brought on by this person.
The opening lines of the song, "Barcarole in der Nacht, Du hast viele Tränen mir gebracht" ("Barcarole in the night, you have brought me many tears") set the tone for the melancholy mood that prevails throughout the song. The use of the term "barcarole" is interesting and suggestive, as it refers to a traditional Venetian boat song often sung by gondoliers. The image of a lone gondolier making his way through the darkened waterways of a city at night is both romantic and haunting, and it perfectly captures the mood of the song.
The refrain, "Er heißt Pierrot und es gibt eine andere, die er liebt" ("His name is Pierrot and there is another he loves"), underscores the central conflict of the song. The singer is hopelessly in love with someone who is devoted to someone else, creating a bitter sense of unrequited longing. Despite this, the song ends on a slightly optimistic note, with the acknowledgement that time will pass and new roses will bloom. The use of roses as a symbol of renewal and hope is a common literary trope, and it suggests that the singer will be able to move on from her heartache over time.
Line by Line Meaning
Barcarole in der Nacht
A beautiful but mournful song sailing on water at night
Du hast viele Tränen mir gebracht
You have brought me many tears
Er heißt Pierrot und es gibt
Eine andere, die er liebt (die er liebt)
His name is Pierrot, but he loves another woman
Blaue Nacht im Sternenschein
Du gingst schnell vorbei
A blue night shining with stars, but it passed quickly
Doch das Lied, es klingt in mir
Und es gibt die Gedanken nicht frei
But the song lingers in my mind, not allowing me to be free from thoughts
Du sagst nur „Auf Wiedersehen“
Und ich sag' „Goodbye“
You say 'Goodbye' and I say 'Goodbye' in a different language
Doch die Zeit wird weitergehen
Und es blühen die Rosen aufs neu
But time will keep moving forward and the roses will bloom anew
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Kurt Feltz, Werner Scharfenberger
Lyrics Licensed & Provided by LyricFind
Der kleine Professor
Wenn schon Schnulzen, dann so eine wie diese - wunderschöne Stimme, da glaubt man wirklich, in Italien zu sein
Hess Sabine
Barcarole in der Nacht.Es gibt eine andere die er Liebt.Wunderbares Lied.Von Connie Francis.21.06.2020-17.12.2020
Margit Neumann
இڿڰۣ-ڰۣ— eine Rose für den Song ,ganz Super!
Oll B
So etwas gibt es niemals wieder
Marianne Splettstößer
sie haben eine super guten Musikgeschmack, tiefe Gefühle, bin 49 Jahre alt, dieses Lied trifft mich, das berührt mich sehr, danke,alles Gute
Stefan Woehlke
Unvergleichlich schön.
Alexander Haubner
Masterpiece
Marc defaïsse
superbe
Karsten Nielsen
Kann nicht schöner werden.
Silvia Rühsen
Thank you! - british army