1. A roots regg… Read Full Bio ↴There are at least two artists that have used this name:
1. A roots reggae band from Jamaica
2. A straight edge metalcore band from Florida, US
1. Culture was a Jamaican roots reggae group founded in 1976. Originally they were known as the African Disciples.
The members of the trio were Joseph Hill (lead vocals), Albert Walker (backing vocals) and Kenneth Dayes (backing vocals).
Shortly after Culture came together, they began working with the "Mighty Two" – producer Joe Gibbs and engineer Errol Thompson. While at Gibbs’ studio, they recorded a series of powerful singles, many of which ended up on their debut album ‘Two Sevens Clash’. After their success with Gibbs, the group went on to make a string of albums for producer Sonia Pottinger. Culture began working with some of the premier musicians of the day including Robbie Shakespeare, Sly Dunbar, Ansel Collins, Cedric Brooks and the ever-present percussionist Sticky. Virgin Records picked up the albums, and that added distribution enabled Culture to gain an even larger following outside of Jamaica.
Critically considered one of the most authentic traditional reggae acts, at the time of the first Rolling Stone Record Guide publication, they were the only band of any genre whose every recording received a five-star review (of bands with more than one recording in the guide).
In 1982 the three singers went their own ways. Hill carried on using the Culture name, and recorded the Lion Rock album, which was released in the United States by Heartbeat Records. For their part, Walker and Dayes recorded a handful of songs on their own – a few of which turned up on an album titled Roots & Culture. In 1986 the original line-up reformed to record two highly regarded albums – Culture in Culture and Culture at Work. These releases marked the beginning of a very busy period for the group, including annual albums and countless tours. The U.S. label Shanachie released a steady stream of new and old Culture albums up to Wings Of A Dove in 1992.
Joseph Hill, who came to symbolize the face of Culture, died in Germany on 19 August 2006 while the group was on tour. His son, Kenyatta Hill, now is the lead singer.
2) Classic mid/late 90s hardcore from Florida, celebrated for, among a handful of others, helping to cultivate the burgeoning metallic hardcore sound that became synonymous with the era.
CULTURE was known for aggressive social/political/ecological commentary, cautionary tales of reckless consumerism and industrial sprawl, and advocacy of the straightedge lifestyle.
Former members went on to Morning Again, Terror, As Friends Rust, Shai Hulud, Throwdown, Blood Has Been Shed and (most recently) ON BODIES.
In 2012, CULTURE played its first show since disbanding in 1998 (The Reel & Restless Fest in Miami, Florida). This fall, in August of 2013, the band will revisit Europe for Belgium's famed Ieper Hardcore Festival, and will then play three dates in Japan, including Tokyo's Bloodaxe Fest.
Members included:
Rich Thurston (Guitar: 1993-1997, Bass: 1993, Vocals: 1993, Drums: 1996)
Josh Williams (Drums: 1993-1997)
Stan Obal (Bass: 1993)
Mark Mitchell (Vocals: 1993, Vocals: 1996)
Pete Carreno (Bass: 1994)
John Wylie (Guitar: 1994-1995)
Damien Moyal (Vocals: 1994-1995, Vocals: 1997-1998)
Gordon Tarpley (Bass: 1995-1997, Guitar: 1998)
Louie Long (Vocals: 1995)
Anthony Conte (Vocals: 1995)
Steve Looker (Guitar: 1996-1997)
Jason Dooley (Drums: 1997)
Timothy Kirkpatrick (Drums: 1997-1998)
Joe Simmons (Guitar:1997-1998)
Floyd Beckham (Bass: 1998)
Kenneth Brian (Guitar: 1998)
Calling Rastafari
Culture Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Calling Rastafari
Calling Rastafari (for who)
For I and for I (ooh yeah)
For I and for I (shout it out)
For I and for I
Send I and I on (oh Jah)
Send I and I on
For I come to Zion
For I come to Zion (eeh-yeah)
For I come to Zion (and that's why)
Calling Rastafari
Calling Rastafari
Calling Rastafari
For I and for I (eeh-yeah)
For I and for I (only Jah Jah knows oh-yeah)
(..)
Many will be called
Many will be called
Many will be called
A few shall be chosen (eeh-yeah)
A few shall be chosen (and dats a fact dat)
A few shall be chosen (and that's why)
Calling Rastafari (?..by my head..)
Calling Rastafari (oh Jah)
Calling Rastafari (for who)
For I and for I (shout it out)
For I and for I (Jah Rasta for I)
For I and for I (oh Jah)
For I and for I (Rootsman I & I ay)
For I and for I (faster Babylon on-ya)
For I and for I (stay away leader)
For I and for I...
The song "Calling Rastafari" by Culture is a anthem-like tribute to the Rastafarian movement, which originated in Jamaica in the 1930s. The lyrics are a call to action, urging the listener to embrace Rastafarian ideals and values. The repetition of "Calling Rastafari" emphasizes the importance of this message and encourages all who hear it to join in.
The refrain "For I and for I" is a reference to the individuality of the Rastafarian belief system, which emphasizes free will and personal responsibility. This is reinforced by the line "Only Jah Jah knows", which suggests that each person must find their own path to enlightenment.
The verse "Many will be called, a few shall be chosen" is a reference to a biblical passage (Matthew 22:14) that speaks to the idea that many people will hear the message of righteousness, but only a few will truly embrace it. This reinforces the idea that Rastafarianism is not a casual or superficial pursuit, but a serious commitment to a way of life.
Overall, "Calling Rastafari" is a powerful invocation that seeks to inspire a deep and abiding commitment to Rastafarianism and its values of love, freedom, and equality.
Line by Line Meaning
Calling Rastafari
A plea to connect with the spiritual and cultural movement of Rastafari
Calling Rastafari (for who)
A question posed to understand the intended audience for this call to Rastafari
For I and for I (ooh yeah)
This call is intended for myself and others like me
For I and for I (shout it out)
Emphasizing the importance of this call to others by shouting it out
Send I and I on
Asking for guidance and strength to continue on this path
Send I and I on (oh Jah)
Seeking guidance and strength from Jah (God)
For I come to Zion
I am making a pilgrimage to the spiritual homeland of Rastafari, Zion
For I come to Zion (eeh-yeah)
Affirming my commitment to this spiritual journey
Calling Rastafari
Reiterating the call to Rastafari
For I and for I (eeh-yeah)
Continuing to emphasize that this call is for myself and others like me
For I and for I (only Jah Jah knows oh-yeah)
Knowing that only Jah knows the true meaning and impact of this call to Rastafari
Many will be called
Acknowledging that many people will be called to Rastafari
Many will be called (eeh-yeah)
Affirming that many people will answer this call
A few shall be chosen
Recognizing that not everyone who answers this call will be chosen for this spiritual journey
A few shall be chosen (and dats a fact dat)
Affirming that only a select few will be chosen for this journey, and this is a fact
Calling Rastafari (?..by my head..)
Repeating the call to Rastafari
Calling Rastafari (oh Jah)
Calling on Jah for guidance and strength in this journey
For I and for I (shout it out)
Continuing to emphasize that this call is for myself and others like me
For I and for I (Jah Rasta for I)
Affirming my connection to Rastafari as a defining aspect of my identity
For I and for I (oh Jah)
Seeking guidance and strength from Jah (God)
For I and for I (Rootsman I & I ay)
Affirming my connection to the roots and culture of Rastafari
For I and for I (faster Babylon on-ya)
Expressing a desire to move away from the negative influence of Babylon (oppressive society)
For I and for I (stay away leader)
Rejecting the influence of leaders who do not align with Rastafari principles
For I and for I...
Reiterating that this call to Rastafari is for myself and others on this spiritual journey
Contributed by Bailey F. Suggest a correction in the comments below.
@mulengaernest8879
I loved the man as a boy, am now a grandfather and he is still my inspiration... Continue resting in peace my legend.....
@user-ik5hn4qd8b
He is a real legend ❤❤❤rest in peace my king I salute you
@henrydemonfreid1985
Both versions of the tune are so great. Love the relaxed vocal delivery on this one with the lyrics one beat behind the album version.
@leandrorastarasta3563
Som de qualidade
@ringobandito
R.I.P Culture you live on through your golden songs respect!!!!!!!!!!!!
@Nic-rh8ri
🇯🇲 music is the only music to play. Rastafari lives with us all.. roots at the greatest form.culture are the finest example of jah working in the heart of his people 🇪🇹 .love Jah and give thanks and praises everyday to him
@Nic-rh8ri
🇯🇲 is were the best music is in the hole universe. Give thanks and praises to Jah Rastafari 🇪🇹 .Roots Reggae for ever.Culture are wicked.great teaching for us all to live by. Respect as ever to Jah
@brunoantonio7778
Se as pessoas entendesse o significado do reggae parariam com esse preconceito de que quem curte reggae gosta de maconha ou qualquer outra droga e sim de um bom gosto musical.
Essa música é uma musica religiosa criada com sofrimento e dor atraves dos negros jamaicanos e que mostrou para o mundo o seu potencial no cenário musical. O reggae é um estilo musical como rock ou sertanejo mas porém ela te mostra a realidade das coisas. Ela não se associa a políticos e religiosos mas porém se associa com jah rastafari i apenas ele. Eu amo reggae! E não vejo mal nessa música e sim só o bem para as pessoas. Até mais
@charleskemei5042
Refreshing every moment ❤
@toughboy25
The mighty Culture, respect Rasta 💚💛❤️🎵🇯🇲