1) Cul… Read Full Bio ↴There are at least four bands/projects named Culture Shock:
1) Culture Shock is James Pountney, a drum and bass DJ/producer from London who is signed to RAM Records.
2) Culture Shock are an influential anarcho-punk / punk-dub-ska band formed in Warminster, Wiltshire, UK, in 1986 by Dick Lucas, previously of the Subhumans and of Citizen Fish.
3) Culture Shock is a hardcore punk band, with thrash influences, from Syracuse, New York.
4) Culture Shock are a Denver straight edge hardcore band.
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1) James Pountney aka Culture Shock has gone from the passing of an unmarked demo, to arguably the drum & bass scene’s most groundbreaking producer.
Since his first release on Moving Shadow in 2004,Culture Shock has consistently pushed boundaries with his sonic artwork, creating a diverse discography which has become symbolic within one of the UK’s most withstanding genres. With a classically trained background and finding a natural talent in writing music, it was only a matter of time before he refined his interests. After first discovering jungle on pirate radio stations, percussion and drums quickly became his passion. Alongside mentorship from one of the most technically adept producers in the scene, namely Dom & Roland, James honed in on both his creativity and aptitude to become a figure in his own right.
After his aforementioned first release on Moving Shadow, he would shortly after sign exclusively to drum & bass’ biggest label, RAM Records, and neither party have looked back since. Over his decade spanning tenure on the label he would release a series of now legendary tracks, with underground club focused cuts like ‘Troglodyte’ ensuring his music would be a mainstay of dancefloors and festival tents around the world, while anthemic tracks like the highly anticipated and long awaited ‘City Lights’ and the euphoric ‘Have It All’ would rule the radio airways.
However, it was in late 2017 that Culture Shock
really took his musical output to the next level, as he initiated ‘The Sequence Series’, a series of singles over the following 18 months which would culminate in the release of ‘Sequence’, his most accomplished work to date. The bundle included Radio 1 Hottest Record ‘There For You’, club mainstays ‘Get Physical’ & ‘Take Control’, ‘Bunker’ one of the most successful tracks of the last five years and ‘Renaissance’, which was championed by Annie Mac and spent five weeks on Radio 1 playlist. The leading UK tastemaker describes Culture Shock as “one of the most innovative d&b producers out there, delivering quality time and time again”.
To coincide with the release, Culture Shock
hosted ‘Sequence’ to a sold out room 1 of the iconic fabric nightclub in London, the most significant headline show of his extensive live career as a touring DJ, which has included tours of North America, Australia & New Zealand, Japan, South Africa and across Europe, and appearances at festivals including Glastonbury, EDC Las Vegas, Tomorrowland, Creamfields and
many more.
With the sequel to ‘Sequence’ in the works, and an upcoming London headline show at Night Tales in Hackney in November 2019, it seems like we are only starting to see what Culture Shock is really capable of.
2) Culture Shock are an anarcho-punk / punk-dub-ska band formed in Warminster, Wiltshire, UK, in 1986 by Dick Lucas, previously of the Subhumans.
Their three LPs, "Go Wild", "Onwards and Upwards" and "All The Time!", were released on Bluurg Records. They also did 205 gigs between 86-89.
Culture Shock mixed their punk roots with ska and reggae music to a previously unheard extent and influenced the styles of bands like AOS3, Radical Dance Faction, Back to the Planet, Bender, The AK 47's, The Dicemen at a time when the free festival scene was under state attack following the cessation of the Stonehenge Festival; Culture Shock were one of a heap of bands playing as many festivals as possible, alongside their more regular gigs and this earned them a broard range of support.
Dick’s lyrics were mostly concerned with social and political issues, from cruelty to animals, Northern Ireland, war, and social alienation, but were far from angry rants, often finding a positive and empowering perspective. Culture Shock split in 1989, as Bill and Nigel both had young families to support. Dick went on to form Citizen Fish with Jasper, the bassist for Culture Shock’s final 80s album, and two other former members of the Subhumans. Nigel died in 1993.
The band returned in the 2010s and released the album Attention Span in 2016.
Members:
* Dick Lucas (vocals)
* Nige (guitar, vocals)
* Paul (bass - on Go Wild, and Onwards and Upwards)
* Bill (drums)
* Jasper (bass - on All the Time)
Discography
LPs
* Go Wild (Fish 18)
* Onwards and Upwards (Fish 20)
* All the Time (Fish 23)
Cassette only
* Living History Demo 86 (Bluurg Tapes 66)
* Reality Stop No.44 (Bluurg Tapes 71)
* Hot and Sweaty live compilation (Bluurg Tapes 79)
In 2011, Bluurg records (Dick Lucas) released "Everything", a three CD package with detailed lyric / interview / biography booklet. This is also available from Active Distribution (Active 25)
CD1: Go Wild and All The Time
CD2: Onwards and Upwards + "Stonehenge" from the EP of the same name and two live tracks ("Home Economics" and "New York, New York".
CD3: The "Living History" demo and the "Reality Stop #44" demo (19 tracks)
Myspace fan site:
http://www.myspace.com/civilizationstreet
3) Culture Shock is a hardcore punk band, with thrash influences, from Syracuse, New York. The band formed in late 2005 with members TJ (v), Andrew (v), Trevor (g), Richard (b) and Eddie (d). After the band’s first few shows, in early 2006, Andrew left to focus on other bands. Andrew would later rejoin on drums when Eddie left the band in the spring of 2007.
The band released their first, self-recorded/self-released demo in the spring of 2006, and a re-recorded (and less distributed) version of the same demo later the same year with one less track. A second album, recorded by a friend of the band and self-released, features 9 new songs, and was released at a Syracuse locals fest (Assault City Hardcore Fest) with 100 copies personally spray painted.
The bands lyrical content focuses on political, economic and social realities in the greater society as well as within the hardcore punk scene, and generally manifests in expressions of anger, cynicism and disgust. Several songs also include personal life experiences of the band’s vocalist.
4) STRAIGHT EDGE FUCK YOU
Visions
Culture Shock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Distorting all reality
It's taking all my energy
So, will you be my remedy?
'Cause you lift me up, way above the ground
And when you're around, I ain't coming down
'Cause you lift me up, way above the ground
I ain't coming down
And when you're around, I ain't coming down
'Cause you lift me up, way above the ground
And when you're around, I ain't coming down
'Cause you lift me up, way above the ground
And when you're around, I ain't coming down
I ain't coming down, yeah
Visions keep on haunting me (visions keep on haunting me)
Distorting all reality
T-t-taking all my energy (taking all my energy)
So, will you be my remedy?
'Cause you lift me up, way above the ground
And when you're around, I ain't coming down
'Cause you lift me up, way above the ground
And when you're around, I ain't coming down
I ain't coming down
And when you're around, I ain't coming down
The lyrics to Culture Shock's "Visions" convey a sense of desperation and a desire for escape from distressing thoughts that keep plaguing the singer. The "visions" are haunting and distort reality, which is draining the singer's energy. The singer is asking for someone to function as their "remedy," someone who can lift them up and help them escape from the visions that are consuming them. The singer is pleading for someone who can provide a sense of safety and normalcy in a world that is increasingly becoming unstable and scary for them.
The repeated refrain of "I ain't coming down" suggests that the singer has found a temporary escape from their distressing thoughts when they are around the person who can provide them with a feeling of safety and protection. The singer is fighting to hold onto this sense of normalcy and avoid sinking back into their distressing thoughts. The entire song reflects the struggles of dealing with intense anxiety and the importance of having people in our lives who can support and uplift us.
Line by Line Meaning
Visions keep on haunting me
Persistent mental images continue to appear in my mind and are distressing to me.
Distorting all reality
These visions are causing me to lose touch with what is real or to experience it abnormally.
T-t-taking all my energy
These visions require a lot of mental and emotional effort and are draining me completely.
So, will you be my remedy?
Can you help me through this? Can you be the cure I need for the pain I'm feeling?
'Cause you lift me up, way above the ground
Being with you helps me to feel better. You take away my troubles and make me feel weightless.
And when you're around, I ain't coming down
When you're with me, I feel like I'm on top of the world and nothing can bring me down.
I ain't coming down
I won't let anything bring me down.
And when you're around, I ain't coming down
Having you by my side won't let me feel down.
'Cause you lift me up, way above the ground
Your presence elevates me to a higher level where everything is good.
I ain't coming down, yeah
I refuse to come down, to get back to a negative state again.
Writer(s): James Pountney, Matthew Wilson
Contributed by Addison N. Suggest a correction in the comments below.
UKF Drum & Bass
We're doing a livestream from 5 PM BST tonight with Delta Heavy, Fox Stevenson, Koven, Metrik, Oliverse, ShockOne and Tantrum Desire. Tune in here: http://onair.ukf.com/
Jon Langthorne
Damn I missed it, any chance the Koven and Fox sets will be uploaded?
Tina Fox
🙌🙌❤️🎵🔊💥🙌🙌
THe iNTeLLiGeNT MiNDS & DeSiGNZ MUSiC ViDeO MANiA
Dope!
mrbongoman100
Oooooooooooosh
H K
He actually never disappoints, no matter what subgenre
Travis Johnson
@H K Nah personally I'd say all his stuff is Dancefloor, but Dancefloor is a broad spectrum and he's made tunes across the whole of it. The heavy end is stuff like Bunker and Take Control, the middle of the spectrum is stuff like Rush Connection and this, and then the melodic end is things like Love To Give and There For You 👌🏼🔥
H K
Long Shanx Id probably say this is Dancefloor, but he’s done minimal stuff, liquid stuff and more and smashed it every time
Long Shanx
So what sub genre is this? And what does he usually produce?
NPC #76
Yh Hese extremely consistent with how his drums and bass are made