There has never been an anomaly in hip-hop quite like the southern trio CunninLynguists. Sampling genres from psych-rock to blues, New Romantic to polka, they have been musically compared to UGK and Atmosphere in the same breath. They have toured and shared stages with Kanye West and Aesop Rock to equal success. They have produced for Lil' Scrappy as well as KRS-One. They have crafted songs with international soul superstar Cee-Lo Green and politically charged indie-favorite Immortal Technique … on the same album. CunninLynguists have eschewed categories, boxes and labels for 10 years, 5 albums and 4 official mixtapes, all while having what XXL Magazine described as the "Most Hated Name In Rap".
The result? If you want labels...Southern boom-bap. Too white for BET, too black for MTV2. A preacher's son, a caucasian guy from rural Georgia and a convicted felon. But mainly … a self-made career, one of the most consistent catalogs of any current hip-hop act and one of the most loyal, worldwide fanbases in all of indie rap music.
Backed with gritty beats, quality rhymes and 808 thump, the 'Lynguists intend on recapturing the soul in southern hip-hop. With what Spin Magazine calls "Outkast's tragicomic poignancy", Deacon The Villain, Kno and Natti follow in the footsteps of artists like Goodie Mob, Ya'll So Stupid, Geto Boys and the aforementioned 'Kast in painting a picture meant to remind the world that politics, death, racism, relationships, religion and struggle are just as relevant to life below the Mason-Dixon as anywhere else.
Their critically acclaimed debut LP, Will Rap For Food, was released in October 2001. CunninLynguists were joined by Floridian emcee Mr. SOS for their 2nd LP, Southernunderground, which was independently released April 1, 2003 on Freshchest Records and QN5 Music and re-released in 2004. Guests included Masta Ace, Tonedeff and RJD2. Between Southernunderground and A Piece of Strange, they released two mixtapes titled Sloppy Seconds Vol. 1 and Sloppy Seconds Vol. 2. Their third LP, A Piece of Strange, was released in January of 2006 via LAU Records. Their fourth album, Dirty Acres, was released 2007. In 2009, they released two more mixtapes titled Strange Journey Volume One and Strange Journey Volume Two, featuring such artists as Freddie Gibbs, E-40, Slug, and Killer Mike. Their most recent LP, Oneirology, was released in 2011. Guests included Big K.R.I.T., Tonedeff, Freddie Gibbs, and Anna Wise of Sonnymoon.
The group has toured worldwide, appearing onstage alongside acts like Nappy Roots, Cee-Lo Green, Bun B, Kanye West, Raekwon of Wu-Tang Clan, Brand Nubian and more.
Kno, hailing from Georgia and currently residing in Lexington, Kentucky, has been described as "one of the top loop-miners east of the Mississippi" by URB. He produced the majority of Will Rap For Food and Southernunderground, all of A Piece of Strange, and has also recieved critical acclaim in The NY Times, Rolling Stone and other magazines for his remix of Jay-Z's Black Album, entitled Kno vs. Hov : The White Al-bu-lum in 2004. Kno released a solo LP in 2010 titled Death is Silent.
Born in Versailles, Kentucky, Deacon has also established himself as a producer. His beats have been rocked by the likes of KRS-One, King Tee as well as local Kentucky artists such as Rob Jackson and Bonafide Circle. The son of a reverend, his ear for melody and church trained voice have also landed him hook work for Ruff Ryders, Sean Price and more. Deacon released an album with Sheisty Khrist titled Niggaz With Latitude in 2010.
The duo has already begun work as a production duo under the name A Piece Of Strange, currently producing for Lil' Scrappy, Devin The Dude, D-12, Immortal Technique, Warner Brothers' rock and roll outfit Melee and others. They are managed by Lee "Skill" Resnick, whose only other clients are platinum producers Denaun Porter, Naughty By Nature's Kay Gee and Mr. Lee from Houston.
The group now officially counts emcee Natti as the third and final piece of the CunninLynguists' puzzle. After turning to music as a positive release after a 2 year prison stint in the early 2000's, Lexington, Kentucky native Natti's gravely drawl and streetwise lyrics give the group a decidedly interesting 3rd angle on the group's already broad range of subject matter.
Origin: Atlanta, GA
Year Formed: 2001
Members: Deacon The Villain
Kno
Natti
Former Member: Mr. SOS
Official Site: www.cunninlynguists.com
Caved In
CunninLynguists Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But I just hold on, I just hold on
Lord why's everybody's puzzle missing pieces
Struggling, grinding, greaseless
No rhyme or reason in sight
I'm seeing the pain off their eyes
I'm seeing that often we lie, lost in our cries
Blaming unsuspecting children
I'm seeing in patients, critical
Streets are dead from the killings
I'm like damn, block's hot, not from the ozone
Through camera's cops watch these lil boys hold chrome
Stuck, teenagers, foxes and pups
On blocks rocks in they chucks, choppers watchin above
They need love, not snug cuffs, federally fucked
Tis all orchestration Hanz Zimmer couldn't conduct
But whattawedo, most problems dun been discussed
But talk bout actions on the backend, and hush
I guess most of y'all must listen to Rush
Long as you all good, then erebody under you flush
Every time I try and help myself
Reaching out and finding no one else
I can't hold on
So anytime you feel your soul's in need
Realize you can depend on me
And let's just hold on
We slippin far under the ghoul yard
In grim tooms we some dim stars, batteries full barred
At birth, but it's hard to stay charged on earth
Cause world wide like girth, the wise are in the dirt
Grandmama's used to bus us to church
Humming hymms
Strech out a fat meal on the table from something slim
Now we starving, faith on the back of a carton
To find it, follow tracks down arms
And boulevards in the south, park
Watch as mouth art paints audio visuals
Call it rhythmical miracles
And parts what your eyes red see
Throwing change ups in your medley through headpiece
Still Judge, but don't Dredd each day, instead feast
Life's and unfed beast that eats bread and meat
That's, either your cash or your corpse
So I just pray that the Lord helps me last through these wars
Ya know?
Every time I try and help myself
Reaching out and finding no one else
I can't hold on
So anytime you feel your soul's in need
Realize you can depend on me
And let's just hold on
I can't hold on, I can't hold on
But I just hold on, I just hold on
The lyrics to CunninLynguists' "Caved In" featuring Cee-Lo Green tell a story about the struggles of life and the need for connection and support. The opening lines, "I can't hold on, I can't hold on, but I just hold on, I just hold on," capture the desperation and hopelessness that many people feel in difficult times. The following lines describe the pain and suffering that the artist sees in the world around him, from the struggles of parents and children to the senseless violence in the streets.
The chorus offers a glimmer of hope, a reminder that we can rely on each other in times of need. "Anytime you feel your soul's in need, realize you can depend on me, and let's just hold on," sings Cee-Lo, offering a message of empathy and support for anyone struggling. Throughout the song, the lyrics paint a picture of a world that is often cruel and unforgiving, but also one that is filled with moments of beauty and connection.
Overall, "Caved In" is a powerful song about the need for human connection and support in times of adversity. It speaks to the struggles of people from all walks of life and offers a message of hope and compassion to anyone who may be feeling lost or alone.
Line by Line Meaning
I can't hold on, I can't hold on
Feeling overwhelmed and unable to cope, but trying to hold on anyway.
But I just hold on, I just hold on
Despite feeling helpless, still finding the strength to persevere.
Lord why's everybody's puzzle missing pieces
Questioning why everyone seems to be struggling and unable to find a solution to their problems.
Struggling, grinding, greaseless
Describing the difficulty of trying to get ahead, without any lubrication or support to ease the way.
No rhyme or reason in sight
Feeling like there's no logic or explanation for the struggles and suffering around us.
I'm seeing the pain off their eyes
Observing the pain and suffering in the eyes of those around us.
I'm seeing that often we lie, lost in our cries
Recognizing that we often deceive ourselves and get lost in our own emotional pain.
I'm seeing, impatient parents
Noticing how parents can sometimes be too demanding and critical of their children.
Blaming unsuspecting children
Putting the responsibility for their own problems on innocent children.
I'm seeing in patients, critical
Witnessing patients in hospitals who are in critical condition.
Streets are dead from the killings
Referring to the violence and death that are prevalent in many urban areas.
I'm like damn, block's hot, not from the ozone
Expressing surprise and concern at the dangerous conditions in the neighborhood, which are not caused by pollution.
Through camera's cops watch these lil boys hold chrome
Police surveillance cameras capture the actions of young men carrying guns.
Stuck, teenagers, foxes and pups
Feeling like young people are trapped and helpless, like animals in a hunt.
On blocks rocks in they chucks, choppers watchin above
Describing impoverished youth wearing sneakers with hard soles, while helicopters fly overhead watching them.
They need love, not snug cuffs, federally fucked
Suggesting that what these young people need is not to be arrested and punished, but to be shown love and care.
Tis all orchestration Hanz Zimmer couldn't conduct
Implying that the chaotic and violent conditions in these neighborhoods are not accidental or random, but are instead part of a larger plan or system.
But whattawedo, most problems dun been discussed
Acknowledging that many of these issues have been talked about at length, but little has been done to solve them.
But talk bout actions on the backend, and hush
Demanding that instead of just talking, people need to take real actions to address these problems.
I guess most of y'all must listen to Rush
Suggesting that many people are more interested in political talk shows than in doing something to help the less fortunate.
Long as you all good, then erebody under you flush
Implying that people who are doing well financially or socially tend to forget about those who are struggling and marginalized.
We slippin far under the ghoul yard
Using a metaphor to describe how people are sliding deeper into despair and misery.
In grim tooms we some dim stars, batteries full barred
Comparing people to stars that are losing their light, with no energy to shine brightly because their batteries are depleted.
At birth, but it's hard to stay charged on earth
Remarking how even though we all start out with potential as newborns, it can be difficult to maintain that energy and drive throughout our lives.
Cause world wide like girth, the wise are in the dirt
Suggesting that everywhere in the world, wise and knowledgeable people are being overlooked, neglected, or underestimated.
Grandmama's used to bus us to church
Remembering a time when family and community were more supportive and involved in each other's lives.
Humming hymms
Reflecting on the spiritual comfort and solace that can be found in religious music and rituals.
Strech out a fat meal on the table from something slim
Recalling a time when people were more resourceful and creative in making the most out of what little they had.
Now we starving, faith on the back of a carton
Describing how things have changed and how many people are now going hungry and lacking in faith or hope.
To find it, follow tracks down arms
Suggesting that people might need to search within themselves and their own physical bodies to find hope and meaning.
And boulevards in the south, park
Referring to different places or types of environments where people might seek out help or inspiration.
Watch as mouth art paints audio visuals
Marveling at the power of music and poetry to express complex emotions and ideas.
Call it rhythmical miracles
Describing the beauty and wonder of poetic language and song lyrics.
And parts what your eyes red see
Implying that the things we see in the world can sometimes be overwhelming or emotionally draining.
Throwing change ups in your medley through headpiece
Suggesting that music can help us to shift our perspective or mood.
Still Judge, but don't Dredd each day, instead feast
Encouraging people to stay positive and hopeful, to savor life's pleasures or blessings.
Life's and unfed beast that eats bread and meat
Comparing life to a ravenous animal that needs constant nourishment and sustenance to survive.
That's, either your cash or your corpse
Suggesting that people need to be constantly working to support themselves, or else they will perish or be neglected by society.
So I just pray that the Lord helps me last through these wars
Expressing a heartfelt hope for divine guidance and strength in the face of struggles or conflict.
Ya know?
Asking rhetorically if the listener understands or shares these perspectives.
Every time I try and help myself
Expressing a sense of frustration or despair at the difficulty of trying to improve one's own life.
Reaching out and finding no one else
Feeling like there is no support or community to turn to.
So anytime you feel your soul's in need
Promising to be there for others who might be struggling and in need of help or support.
Realize you can depend on me
Offering reassurance that the artist can be relied upon to provide help or companionship.
And let's just hold on
Encouraging everyone to keep going and not give up hope, despite the challenges and difficulties they might face.
Lyrics © BMG Rights Management
Written by: GUY ZABKA, KEVIN SAVIGAR
Lyrics Licensed & Provided by LyricFind
Passthekind
on 616 Rewind - Feat. Tonedeff, Sankofa, Kashal Tee & Celph Titled
They got too many ?s on the lyrics.
The first one, you're gone in 60 seconds, like Nicholas Cage is.
2nd one, In the stretcher you went into a physical rubix cube.
3 n 4 got me too, I gotta listen again.
5 What kind of man are you I bet you sit on a urinal too.