There has never been an anomaly in hip-hop quite like the southern trio CunninLynguists. Sampling genres from psych-rock to blues, New Romantic to polka, they have been musically compared to UGK and Atmosphere in the same breath. They have toured and shared stages with Kanye West and Aesop Rock to equal success. They have produced for Lil' Scrappy as well as KRS-One. They have crafted songs with international soul superstar Cee-Lo Green and politically charged indie-favorite Immortal Technique … on the same album. CunninLynguists have eschewed categories, boxes and labels for 10 years, 5 albums and 4 official mixtapes, all while having what XXL Magazine described as the "Most Hated Name In Rap".
The result? If you want labels...Southern boom-bap. Too white for BET, too black for MTV2. A preacher's son, a caucasian guy from rural Georgia and a convicted felon. But mainly … a self-made career, one of the most consistent catalogs of any current hip-hop act and one of the most loyal, worldwide fanbases in all of indie rap music.
Backed with gritty beats, quality rhymes and 808 thump, the 'Lynguists intend on recapturing the soul in southern hip-hop. With what Spin Magazine calls "Outkast's tragicomic poignancy", Deacon The Villain, Kno and Natti follow in the footsteps of artists like Goodie Mob, Ya'll So Stupid, Geto Boys and the aforementioned 'Kast in painting a picture meant to remind the world that politics, death, racism, relationships, religion and struggle are just as relevant to life below the Mason-Dixon as anywhere else.
Their critically acclaimed debut LP, Will Rap For Food, was released in October 2001. CunninLynguists were joined by Floridian emcee Mr. SOS for their 2nd LP, Southernunderground, which was independently released April 1, 2003 on Freshchest Records and QN5 Music and re-released in 2004. Guests included Masta Ace, Tonedeff and RJD2. Between Southernunderground and A Piece of Strange, they released two mixtapes titled Sloppy Seconds Vol. 1 and Sloppy Seconds Vol. 2. Their third LP, A Piece of Strange, was released in January of 2006 via LAU Records. Their fourth album, Dirty Acres, was released 2007. In 2009, they released two more mixtapes titled Strange Journey Volume One and Strange Journey Volume Two, featuring such artists as Freddie Gibbs, E-40, Slug, and Killer Mike. Their most recent LP, Oneirology, was released in 2011. Guests included Big K.R.I.T., Tonedeff, Freddie Gibbs, and Anna Wise of Sonnymoon.
The group has toured worldwide, appearing onstage alongside acts like Nappy Roots, Cee-Lo Green, Bun B, Kanye West, Raekwon of Wu-Tang Clan, Brand Nubian and more.
Kno, hailing from Georgia and currently residing in Lexington, Kentucky, has been described as "one of the top loop-miners east of the Mississippi" by URB. He produced the majority of Will Rap For Food and Southernunderground, all of A Piece of Strange, and has also recieved critical acclaim in The NY Times, Rolling Stone and other magazines for his remix of Jay-Z's Black Album, entitled Kno vs. Hov : The White Al-bu-lum in 2004. Kno released a solo LP in 2010 titled Death is Silent.
Born in Versailles, Kentucky, Deacon has also established himself as a producer. His beats have been rocked by the likes of KRS-One, King Tee as well as local Kentucky artists such as Rob Jackson and Bonafide Circle. The son of a reverend, his ear for melody and church trained voice have also landed him hook work for Ruff Ryders, Sean Price and more. Deacon released an album with Sheisty Khrist titled Niggaz With Latitude in 2010.
The duo has already begun work as a production duo under the name A Piece Of Strange, currently producing for Lil' Scrappy, Devin The Dude, D-12, Immortal Technique, Warner Brothers' rock and roll outfit Melee and others. They are managed by Lee "Skill" Resnick, whose only other clients are platinum producers Denaun Porter, Naughty By Nature's Kay Gee and Mr. Lee from Houston.
The group now officially counts emcee Natti as the third and final piece of the CunninLynguists' puzzle. After turning to music as a positive release after a 2 year prison stint in the early 2000's, Lexington, Kentucky native Natti's gravely drawl and streetwise lyrics give the group a decidedly interesting 3rd angle on the group's already broad range of subject matter.
Origin: Atlanta, GA
Year Formed: 2001
Members: Deacon The Villain
Kno
Natti
Former Member: Mr. SOS
Official Site: www.cunninlynguists.com
Since When
CunninLynguists Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Take you through church in a verse til you view fact
Holy ghost, from the lowly coast, spit humility
Facin critics cold fronts, blockin our humidity
(We own rap) fo sho as Cognac'll twist yo dome back
Our tracks? See, they be nappy (but you can't comb that)
Call it el natural sound of soul
You ain't seen these darts or how fast they've flown
My slang bang with a twang and hang on earlobes
You hear Natti, hot as Caddies with no steering column on 'em)
With enough lines to dry all the clothes that you own
(Since when did the south) get pinned in a drought?
(Not never been clever since big pens been about
Reachin whateva levels that'll suspend any doubt
That we as bad as yo kids when this mics to our mouth)
I hear 'em talkin 'bout Southern folks can't rhyme
Some of y'all must be out your God damned mind
Yeah, it's about that time, we got that shine
Cause niggas been about them lines
Since when? E'ry since a "Pocket Full of Stones"
Ridin dirty in a Chevy sittin heavy on chrome
Ever since Goodie Mo' had Food for Soul
And them dirty red dawgs done hit the do'
(The Mason-Dixon Line, been across ya mind like night-sticks
Rain down on the game and fuck it up like white kicks
I might switch, south-paw), knuckle to jaw
(If another broke nigga spit about spendin it all
I spit the gems that you splurge to put around neck
So save that to pay back all your loans and debts)
A Maybach and a plaque, is that all you get? Shit
(We struggle to juggle talent with a helluva sales pitch)
Standin on southern dirt that helped America get rich
Ye' ain't gotta struggle with a shovel to dig this
Cold as no power, after hours in the winter months
Hot though (crock-pot flow)
So here dinner comes
Walk them shell toes down underground railroads
(Niggas fresh outta jail clothes, spittin like hell's close)
And these words at slurred, maybe how you listen's blurred
You ain't feelin sickness served? Muhfucka kiss a curb
I hear 'em talkin 'bout Southern folks can't rhyme
Some of y'all must be out your God damned mind
Yeah, it's about that time, we got that shine
Cause niggas been about them lines
Since when? E'ry since a "Pocket Full of Stones"
Ridin dirty in a Chevy sittin heavy on chrome
Ever since Goodie Mo' had Food for Soul
And them dirty red dawgs done hit the do', since when
The lyrics to CunninLynguists's "Since When" depict the group's pride in their southern roots and their rejection of any notion that Southern rappers cannot rhyme. The opening lines, "We flavor the music, chop this screw that / Take you through church in a verse til you view fact," suggest that the group is skilled at manipulating their sound and message to create something both appealing and insightful. The reference to church also implies that there is a spiritual element to their lyrics - they seek to enlighten their audience and make them view the world in a new way.
The next few lines - "Holy ghost, from the lowly coast, spit humility / Facin critics cold fronts, blockin our humidity" - suggest that the group has faced resistance and criticism in their career, perhaps from those who do not value their unique style. However, they remain humble in the face of these obstacles, recognizing that their success and influence is due in part to their origins on the "lowly coast" of the South. They refuse to let critics dampen their passion and energy, which they describe as "humidity."
The following lines reaffirm their commitment to their distinctive sound and "el natural" approach, and promise that listeners will be engrossed and entertained by their rapid-fire lyrics. Throughout the song, CunninLynguists defends the Southern rap genre against detractors and stereotypes, arguing that they have been producing groundbreaking music for many years. Ultimately, the song is a proclamation of their own abilities and an assertion of their rightful place in the rap canon.
Line by Line Meaning
We flavor the music, chop this screw that
We add our own unique twist to the music and make changes as necessary
Take you through church in a verse til you view fact
We provide an enlightening experience through our music until you understand the truth
Holy ghost, from the lowly coast, spit humility
Our music is inspired by a higher power and we remain humble despite our success
Facin critics cold fronts, blockin our humidity
We face criticism and negative attitudes but it doesn't affect our creativity and authenticity
(We own rap) fo sho as Cognac'll twist yo dome back
We have a strong presence in the rap industry that can't be denied
Our tracks? See, they be nappy (but you can't comb that)
Our music is raw and authentic, and can't be changed or tamed
Call it el natural sound of soul
Our sound is natural and soulful, reflecting our roots and influences
You ain't seen these darts or how fast they've flown
You haven't witnessed our lyrical abilities or how quickly we can deliver them
(From, 'tween these parts and the ones 'nere known
Our lyrics are a combination of different influences and experiences
My slang bang with a twang and hang on earlobes
Our slang is unique and catchy, and stays with listeners long after the song is over
You hear Natti, hot as Caddies with no steering column on 'em)
When you hear Natti's verses, they're intense and powerful like a hot Cadillac with no steering
With enough lines to dry all the clothes that you own
We have endless lyrics, enough to fill a clothesline
(Since when did the south) get pinned in a drought?
When did the southern rap scene become stagnant or uninteresting?
(Not never been clever since big pens been about
Southern rappers have always been creative and clever, since the rise of hip-hop
Reachin whateva levels that'll suspend any doubt
We aim to reach new heights and prove any critics wrong
That we as bad as yo kids when this mics to our mouth)
We're skilled and talented on the mic, just like your favorite rappers
I hear 'em talkin 'bout Southern folks can't rhyme
People still believe that southern rappers lack lyrical ability
Some of y'all must be out your God damned mind
Anyone who doubts southern rappers is foolish
Yeah, it's about that time, we got that shine
It's time for southern rappers to shine and prove their worth
Cause niggas been about them lines
Southern rappers have always been focused on their lyrics
E'ry since a 'Pocket Full of Stones'
From the early days of southern rap, like UGK's 'Pocket Full of Stones'
Ridin dirty in a Chevy sittin heavy on chrome
Inspired by the classic southern rap anthem 'Ridin Dirty'
Ever since Goodie Mo' had Food for Soul
From the days of Goodie Mob's classic album 'Soul Food'
And them dirty red dawgs done hit the do', since when
From the emergence of Southern rap groups like Three 6 Mafia
(The Mason-Dixon Line, been across ya mind like night-sticks
The line separating the North and South has been a point of controversy and tension
Rain down on the game and fuck it up like white kicks
We disrupt the rap game just like fresh white sneakers
I might switch, south-paw), knuckle to jaw
I can change my style and still come out on top, like a left-handed fighter
(If another broke nigga spit about spendin it all
If another rapper brags about spending money foolishly
I spit the gems that you splurge to put around neck
I offer valuable advice that you should invest in instead of frivolous jewelry
So save that to pay back all your loans and debts)
Save your money to pay off your debts instead of flaunting it
A Maybach and a plaque, is that all you get? Shit
Is that all you aspire to have? We aim for more than just material possessions
(We struggle to juggle talent with a helluva sales pitch)
We balance our artistic abilities with the need to make a profit
Standin on southern dirt that helped America get rich
We recognize the influence and importance of our southern roots in American history
Ye' ain't gotta struggle with a shovel to dig this
You don't have to dig deep to understand our message
Cold as no power, after hours in the winter months
We're cold and powerful, like a winter storm with no electricity
Hot though (crock-pot flow)
Our style is hot and flavorful, like a slow-cooked meal
So here dinner comes
We're serving up our music, like a delicious meal
Walk them shell toes down underground railroads
We're blazing a trail and leading the way for future generations of southern rappers
(Niggas fresh outta jail clothes, spittin like hell's close)
We're gritty and intense, like someone fresh out of jail and ready to take on the world
And these words at slurred, maybe how you listen's blurred
You might not understand our message if you're not actively listening
You ain't feelin sickness served? Muhfucka kiss a curb
If you don't appreciate our music, you can leave and not come back
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: ROBBIE NEVIL, BROCK PATRICK WALSH
Lyrics Licensed & Provided by LyricFind
OSTeez
The drumbreak is sooo dope, and i love the little gospel chorus nearly inaudible, genius...
Leonardo Lara
one of my favourite tracks in this album, simple! punch! line! drum! bass! all pieces for been an hip hop hymn! respect from colombia!
WhereisBalake
It’s insane this song doesn’t have at least one million views this is such an incredible track
Ray Bogusz
Not a fan of the ending, but that first 3ish minutes is siiiiiiick.
replicaacliper
the ending is the best part what the hell
Aaron
I thought it was odd back then but hot damn that shit slaps. It's almost like it's an intro to another song...
Glenn Danzig
Rip
YoWspIsaac
Yo wsp