There has never been an anomaly in hip-hop quite like the southern trio CunninLynguists. Sampling genres from psych-rock to blues, New Romantic to polka, they have been musically compared to UGK and Atmosphere in the same breath. They have toured and shared stages with Kanye West and Aesop Rock to equal success. They have produced for Lil' Scrappy as well as KRS-One. They have crafted songs with international soul superstar Cee-Lo Green and politically charged indie-favorite Immortal Technique … on the same album. CunninLynguists have eschewed categories, boxes and labels for 10 years, 5 albums and 4 official mixtapes, all while having what XXL Magazine described as the "Most Hated Name In Rap".
The result? If you want labels...Southern boom-bap. Too white for BET, too black for MTV2. A preacher's son, a caucasian guy from rural Georgia and a convicted felon. But mainly … a self-made career, one of the most consistent catalogs of any current hip-hop act and one of the most loyal, worldwide fanbases in all of indie rap music.
Backed with gritty beats, quality rhymes and 808 thump, the 'Lynguists intend on recapturing the soul in southern hip-hop. With what Spin Magazine calls "Outkast's tragicomic poignancy", Deacon The Villain, Kno and Natti follow in the footsteps of artists like Goodie Mob, Ya'll So Stupid, Geto Boys and the aforementioned 'Kast in painting a picture meant to remind the world that politics, death, racism, relationships, religion and struggle are just as relevant to life below the Mason-Dixon as anywhere else.
Their critically acclaimed debut LP, Will Rap For Food, was released in October 2001. CunninLynguists were joined by Floridian emcee Mr. SOS for their 2nd LP, Southernunderground, which was independently released April 1, 2003 on Freshchest Records and QN5 Music and re-released in 2004. Guests included Masta Ace, Tonedeff and RJD2. Between Southernunderground and A Piece of Strange, they released two mixtapes titled Sloppy Seconds Vol. 1 and Sloppy Seconds Vol. 2. Their third LP, A Piece of Strange, was released in January of 2006 via LAU Records. Their fourth album, Dirty Acres, was released 2007. In 2009, they released two more mixtapes titled Strange Journey Volume One and Strange Journey Volume Two, featuring such artists as Freddie Gibbs, E-40, Slug, and Killer Mike. Their most recent LP, Oneirology, was released in 2011. Guests included Big K.R.I.T., Tonedeff, Freddie Gibbs, and Anna Wise of Sonnymoon.
The group has toured worldwide, appearing onstage alongside acts like Nappy Roots, Cee-Lo Green, Bun B, Kanye West, Raekwon of Wu-Tang Clan, Brand Nubian and more.
Kno, hailing from Georgia and currently residing in Lexington, Kentucky, has been described as "one of the top loop-miners east of the Mississippi" by URB. He produced the majority of Will Rap For Food and Southernunderground, all of A Piece of Strange, and has also recieved critical acclaim in The NY Times, Rolling Stone and other magazines for his remix of Jay-Z's Black Album, entitled Kno vs. Hov : The White Al-bu-lum in 2004. Kno released a solo LP in 2010 titled Death is Silent.
Born in Versailles, Kentucky, Deacon has also established himself as a producer. His beats have been rocked by the likes of KRS-One, King Tee as well as local Kentucky artists such as Rob Jackson and Bonafide Circle. The son of a reverend, his ear for melody and church trained voice have also landed him hook work for Ruff Ryders, Sean Price and more. Deacon released an album with Sheisty Khrist titled Niggaz With Latitude in 2010.
The duo has already begun work as a production duo under the name A Piece Of Strange, currently producing for Lil' Scrappy, Devin The Dude, D-12, Immortal Technique, Warner Brothers' rock and roll outfit Melee and others. They are managed by Lee "Skill" Resnick, whose only other clients are platinum producers Denaun Porter, Naughty By Nature's Kay Gee and Mr. Lee from Houston.
The group now officially counts emcee Natti as the third and final piece of the CunninLynguists' puzzle. After turning to music as a positive release after a 2 year prison stint in the early 2000's, Lexington, Kentucky native Natti's gravely drawl and streetwise lyrics give the group a decidedly interesting 3rd angle on the group's already broad range of subject matter.
Origin: Atlanta, GA
Year Formed: 2001
Members: Deacon The Villain
Kno
Natti
Former Member: Mr. SOS
Official Site: www.cunninlynguists.com
Never
CunninLynguists Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All I ask is you remember me...
We so scared to face our history...
How will we replace that energy... (If I may...)
(As long as we are, we can never die)
We can never die, no no no no no no, no no
Hip hop is immortal, it survived many attacks
And many wars using our minds eyes to part 'em
Folding the spaces between generations and races,
So that we can come closer through the struggle
It's easy to move muscle, arms, skin and sinew
Movement of the mind is the type of grind I'm into
So I kick the mental, over sick instrumentals,
Make respect with the pimps, and never flex with the stencil,
I'm in love with the art form, It still keeps my heart warm,
Presented with the most virtuous intent but in a hard form,
They say hip hop is dead, assassinated by niggas,
But on the charts I read, all the hits was by niggas,
There's no surrealer drama, they wanna steal it from ya,
Take her out to a field in the woods,
But we ain't gon' let 'em kill the hood
Can't kill it with a pistol, can't beat it with your chain,
Can't crush it with your rims, but you can save it with your pain,
As long as we breathe, hip hop gon' breathe with us,
As long as we real, folk can't help but feel us
The white manifest destiny, got 'em their dirty land
But no matter how clean they shave, they got them dirty hands
My story says what his story doesn't
In the passage of my people they tried to murder all my cousins,
They celebrate their independence,
And ask us to forget how they abused it
But we remind 'em everyday,
Comin' gangster with this music
The lyrics of the song "Never" by CunninLynguists delve in the timeless and resilient nature of hip hop. The chorus speaks of the desire to be remembered even after passing away, emphasizing the importance of preserving a legacy. The following lines, "we so scared to face our history, how will we replace that energy," highlights that our past experiences and struggles have shaped who we are today and that our predecessors paved the way for us.
Moving on, the first verse expands on the significance of hip hop as a culture that has survived several downfalls, including racial disparities and inequality. "Folding the spaces between generations and races," Hip-hop has served as a bridge between different cultures and people, promoting unity and solidarity. Alongside, the verse talks about the essence of mental and spiritual growth, as opposed to physical strength.
Furthermore, the second verse sheds light on how hip hop continues to face criticism and is often undermined. The statement, "They say hip hop is dead, assassinated by...n*****s," challenges the widely-held belief that the genre is dead. Instead, the rapper asserts that through its dynamic and constantly evolving nature, hip hop continues to stand in defiance of such claims as long as it resonates with authentic experiences of society.
Line by Line Meaning
When life is just a memory...
When we pass on and are no longer alive...
All I ask is you remember me...
I only request that you never forget me...
We so scared to face our history...
We are afraid to confront the truth about our past...
How will we replace that energy... (If I may...)
What will we do to recreate that passion? (If I may ask...)
(As long as we are, we can never die)
(As long as we exist, we cannot die)
We can never die, no no no no no no, no no
We are eternal, and will never perish, no no no no no no, no no
Hip hop is immortal, it survived many attacks
Hip hop is everlasting, it has overcome numerous obstacles
And many wars using our minds eyes to part 'em
And has triumphed in battle by uncovering the truth of situations
Folding the spaces between generations and races,
Eliminating the boundaries that divide people of different ages and ethnicities,
So that we can come closer through the struggle
So that we can unite in our adversity
It's easy to move muscle, arms, skin and sinew
It's easy to exercise your body, your flesh and bones
Movement of the mind is the type of grind I'm into
The growth and evolution of the intellect is what I am dedicated to
So I kick the mental, over sick instrumentals,
I strive to challenge the mind, over powerful beats
Make respect with the pimps, and never flex with the stencil,
I earn respect from everyone, including those often criticized by society, and never imitate or copy others
I'm in love with the art form, It still keeps my heart warm,
I am passionate about the craft, and it brings me joy and comfort
Presented with the most virtuous intent but in a hard form,
I approach the music with the purest intentions, but the reality and truth can be difficult to hear
They say hip hop is dead, assassinated by niggas,
Some believe that the culture of hip hop has been destroyed by those who claim to embody it
But on the charts I read, all the hits was by niggas,
Yet, the highest-earning and most popular artists are those who are often accused of killing the culture
There's no surrealer drama, they wanna steal it from ya,
There is no greater irony – these artists who are accused of ruining hip hop actually want to take ownership of it
Take her out to a field in the woods,
They want to destroy hip hop's roots and origins
But we ain't gon' let 'em kill the hood
But we will not allow them to destroy us or our community
Can't kill it with a pistol, can't beat it with your chain,
Hip hop cannot be destroyed with violence or material possessions
Can't crush it with your rims, but you can save it with your pain,
Hip hop cannot be destroyed with fancy cars, but can be rescued by those who have experienced pain and struggle
As long as we breathe, hip hop gon' breathe with us,
As long as we continue to exist, hip hop will thrive alongside us
As long as we real, folk can't help but feel us
As long as we are genuine, people will always be able to relate to us
The white manifest destiny, got 'em their dirty land
White imperialism allowed them to take land from others, obtaining it through unethical means
But no matter how clean they shave, they got them dirty hands
Despite their attempts to wash away past misdeeds, they will always carry the guilt of their actions
My story says what his story doesn't
My experiences and history reveal what his experiences and history do not
In the passage of my people they tried to murder all my cousins,
Throughout history, members of my community have been subjected to attempted genocide
They celebrate their independence,
They take pride in their freedom from imperialism and domination
And ask us to forget how they abused it
Yet they expect us to forgive and forget the atrocities they committed in the past
But we remind 'em everyday,
But we refuse to let them forget the truth
Comin' gangster with this music
Expressing our emotions through rap, even when it is not glamorous or easy
Contributed by Colton R. Suggest a correction in the comments below.
SemiDivineOne
2022 still feelin this like day 1, first time ever blessing my ear drums with such bliss. For real though, these cats are some of the very best lyricists of all time. Caught a performance whilst traveling for work about a decade ago and is in my top 5 best shows I've ever seen. That is across platforms, from hiphop (I've seen pac, outkast, wutang, cube, common), to edm (I've seen so many), rock (Foo fighters acoustic was one of best), to symphonic (New York Philharmonic , San Francisco Orchestra & Symphony). Seriously, music is for all intense purposes, the greatest foundational piece of my life. So saying a performance is in my top 5 is incredible being I've been lucky enough to experience thousands in my 40 years thus far. So much talent and skill it was actually awe inspiring and helped me get back into writing. That and the beats put together by Kno and this is some legendary type shit and the true heart of what hip hop is.
Much love and respect to all the artists of Cunninglynguists from 22. It's folks like you that keep the heart pumping and blood flowing throughout an industry plagued by bitches.
Tim Wochomurka
2023, just hearing this after telling my friend about the batch I made a few years back... Friend and I went to see a movie and woke up in a different movie.
Rad Shadd
2021!!! I'm still vibin this shit!!! Was lucky to see then perform live in Hawaii!
meninkompetent
No doubt the best live performance ever seen. These dudes tops the shows Ive seen with ice cube, wu tang, meth & red, paz, celph, R.A, aotp, jedi mind, dílated peoples, etc etc. Highly recommend seeing them live, uber tight.
1
dam u sure dude
Asa Nakai
How was Celph live? Always been someone I've wanted to see. Favorite MC ever.
M0RN1N6 5T4R
Hell yeah with Tonedeff I saw them twice.
Karsa Orlong
Jedi woulda been to see
Alessandro Innocenti
I'd love it😍
Emblaze
blasting this through headphones all day. The beat is soooooooooo dope.