Tibet has been the only constant in the group, though Steven Stapleton (of Nurse With Wound) has appeared on nearly every Current 93 release. Michael Cashmore has also been a constant contributor since Thunder Perfect Mind. Douglas P. of Death In June has played on well over a dozen Current 93 releases, and Steve Ignorant of Crass (using the name Stephen Intelligent), Boyd Rice, runologist Freya Aswynn , Nick Cave, Björk, Andrew W.K., Will Oldham, Ben Chasny, Rose McDowall, Tiny Tim, Tony Wakeford of Sol Invictus, Marc Almond, John Balance of Coil, Antony Hegarty of Antony and the Johnsons, Baby Dee and Ian Read of Fire + Ice have also lent their talents over the years. Tibet is fond of the works of American writer Thomas Ligotti, and invited him to collaborate with Current 93.
Current 93 have released over twenty albums and many singles as well as having been a guest on many of the above listed artists' records. Tibet has also collaborated with Nature and Organisation and The Hafler Trio.
Much of Current 93's early work was similar to late 1970s and early 1980s industrial music: abrasive tape loops, droning synthesizer noises and Tibet's distorted, excoriating vocals. This early work became influential with the goth scene. Later works found Tibet mostly casting off such trappings in favor of a more organic sound, labeled by some as "apocalyptic folk" music, occasionally featuring his sinister nursery rhyme-influenced singing and primarily acoustic folk-styled music.
Tibet's lyrics have been fairly consistent, regardless of delivery: The earlier recordings reflect his preoccupation with death, Christ, mysticism, Aleister Crowley (Tibet borrowed the term "93 Current" from Crowley - the 93 Current being the current of Thelema or Agape), Tibetan Buddhism, Gnosticism, runes, swastikas, Noddy, The Wicker Man, and a variety of occult notions. The later to present-day period of Current 93's recordings increasingly reflect Tibet's interest in Christian mysticism. Tibet has stated that he identifies as a Christian.
Literary influences include Lautreamont's Les Chants de Maldoror, the Bible, The Poetic Edda, Hildegard von Bingen, John Dee, Heptarchia Mystica, The Thunder, Perfect Mind, William Blake, Louis Wain, writer Thomas Ligotti, occult British author Arthur Machen (originator of the title "The Inmost Light"), M.R. James's various ghost stories, The Cloud of Unknowing, Count Eric Stenbock, and Russell Hoban's Riddley Walker.
Musical influences include religious chants, traditional folk music, The Tam Lin ballad, The Incredible String Band, Sand, Comus, Blue Öyster Cult, Black Sabbath, Love, Shirley Collins, some progressive bands such as Yes, King Crimson, Emerson, Lake & Palmer, and the British composer Kaikhosru Shapurji Sorabji.
David Keenan's book England's Hidden Reverse - A Secret History of the Esoteric Underground (SAF Publishing 2003) extensively covers Tibet's musical evolution along with that of Coil, Stephen Stapleton, and others.
Mary Waits In Silence
Current 93 Lyrics
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The sea covers me
To pick gold from the skies
I shall wait beneath the spaces
I shall return no more
Imperium et nihil
The silence has folded
And Mary waits in silence
Imperium nihil est
In the gap between
His thought and his word
Something is finished
And something is born
In the place where words cease
In the moment when
Actions no longer matter
Oh the sky may darken
The curtain tear
She shall wait
Silver dust falls from her hair
Waits a span or a time
Sketches of her life swirl
Around her silence silent
The sounds of her silence
The forms that they take
They cover me still
My fingers twist in pain
Words are finished
And I come swiftly
And with a vengeance
And Mary waits in silence
The lyrics of Current 93's song Mary Waits in Silence are shrouded in mystery and symbolism. The song appears to deal with themes of death, rebirth, and ascension. It starts with the singer declaring that they will never return, and that the sea now covers them. This could mean the singer is dead or has undergone some kind of transformation. They then talk about waiting beneath the spaces to "pick gold from the skies," which could be interpreted as a reference to heaven or ascension.
The next verse continues the theme of impermanence and change. The singer declares that they will not return and that silence has folded inside and out. The lines are cryptic, but they could mean that the singer has gained some sort of profound insight or reached a state of enlightenment. Mary, possibly a reference to the Virgin Mary, is also waiting in silence. The chorus repeats the theme of impermanence - "imperium nihil est" means "empire is nothing." The final lines talk about the sounds of Mary's silence covering the singer and causing their fingers to twist in pain, possibly symbolizing some sort of power or revelation.
Line by Line Meaning
I shall return no more
I will never come back again
The sea covers me
I am drowned in the sea
To pick gold from the skies
To achieve something beyond one's reach
I shall wait beneath the spaces
I will wait in the emptiness
Imperium et nihil
Authority and nothingness
The silence has folded
The stillness has taken over
Inside and out
Within and beyond
And Mary waits in silence
Mary is silently waiting
Imperium nihil est
There is no authority
In the gap between
In the space that exists
His thought and his word
His thinking and his speaking
Something is finished
Something has come to an end
And something is born
And something new has begun
In the place where words cease
Where words end
In the moment when
At the time when
Actions no longer matter
Deeds no longer have any importance
Oh the sky may darken
Even if the sky turns dark
The curtain tear
The curtain is ripped apart
She shall wait
Mary will still wait
Silver dust falls from her hair
Dust from her grey hair falls
Waits a span or a time
Waits for a long period of time
Sketches of her life swirl
Memories of her past are spinning around
Around her silence silent
Silently surrounding her stillness
The sounds of her silence
The quietness around her
The forms that they take
The shapes that they create
They cover me still
They still surround me
My fingers twist in pain
I am in great pain
Words are finished
Words have come to an end
And I come swiftly
And I arrive quickly
And with a vengeance
And with powerful force
And Mary waits in silence
And Mary keeps waiting silently
Lyrics © TUNECORE INC, TuneCore Inc., BMG Rights Management
Written by: H JONES
Lyrics Licensed & Provided by LyricFind