My Ballz
D12 Lyrics

Balls, balls, balls
Emphasizing the importance and significance of the subject matter, which is the singer's balls.

You'll never touch my
Asserting dominance and declaring that the listener will never have the opportunity to touch the singer's balls.

Catch me if you can but you ain't man enough
Challenging the listener to try and capture the singer, but conveying that they are not strong or capable enough to do so.

You're standin' tough
Acknowledging that the listener is putting on a tough front.

But you know that no matter what
Implying that regardless of the listener's efforts or actions, they will never succeed in touching the artist's balls.

I see you ain't a playa, you ain't ballin'
Observing that the listener is not skilled or successful in the game being referenced, which is likely a metaphor for life.

And I don't even care who the hell you call in
Expressing indifference towards any reinforcements the listener may bring.

In this game, it ain't no talkin'
Highlighting that action is key in the game being played, and mere talking or boasting is ineffective.

You can get it started, I nail the coffin
Implies that once the listener initiates something, the artist will swiftly bring it to an end, symbolically burying their efforts.

And all I hear is, "Get your man up off him"
Suggesting that others are urging the listener to disengage or cease their actions against the artist.

So why I gotta stop it, this nigga was talkin'
Questioning the need to stop the confrontation, as the listener had been speaking negatively or provocatively.

And I ain't gotta prove you nothin'
Stating that the artist does not have to validate or demonstrate anything to the listener.

I do it and you ain't gotta push my buttons
Asserting that the singer acts according to their own will, and the listener has no influence or control over their actions.

This dude in front of me, he weighs a brick
Referring to an opponent as being heavy or difficult to overcome.

He's quick and I can't get Marshall hit
Expressing concern for the safety of a teammate, Marshall, who should be protected from harm.

So I played my position and don't make a move
Indicating that the artist adheres to their assigned role and refrains from taking unnecessary actions.

Been doin' this for years, my team we can't lose
Signifying that the artist and their team are experienced and skilled, making them highly unlikely to be defeated.

It ain't nobody, ain't nobody hard
Asserting that among their competitors, no one is truly tough or formidable.

9 o'clock, I'm gonna punch me a guard
Using a metaphorical reference to a specific time as a signal for the singer's aggressive action towards an opponent.

Hut one, hut two, I'm ready
Preparing and positioning oneself for the action to begin.

Hike, give the ball to Nelly
Handing off the ball to Nelly, likely a teammate or a reference to Nelly the rapper.

And nobody out there feels me
Expressing a sense of isolation, feeling that nobody understands or relates to the artist.

Take this ball, you have to kill me
Asserting that the listener would have to eliminate the singer in order to gain control of the ball or achieve victory.

And any player in my way, I'm foldin'
Declaring that the artist will overcome any player who obstructs their progress, likely by defeating or dominating them.

Damn, they called holding
Exclaiming frustration or disappointment upon receiving a penalty for committing a holding violation in the game.

Football, football
Reaffirming the primary focus and theme of the song, which is football.

I love football
Expressing a deep affection and passion for the sport of football.

Yes, tres, dos, uno
Counting in Spanish, indicating a countdown or readiness for action.

Dos, tres, fuck, shit, bitch, asshole son of a bitch
Using profanities and derogatory terms, potentially to convey frustration or intensity within the context of the game.

Everybody cuddle, blah, I mean huddle
Humorously substituting the word 'cuddle' for 'huddle,' indicating the gathering of the team before a play.

I just stepped in a mud puddle, butthole
Playfully mentioning an unfortunate misstep into a muddy puddle, possibly referring to an actual occurrence during the game.

Freak, who just tapped on my ass cheek
Reacting in surprise or annoyance to someone making physical contact with the artist's buttocks during the game.

Nevermind, let's try quarterback sneak
Disregarding the previous incident and suggesting a different play strategy by attempting a quarterback sneak, a sneakily executed offensive play.

Cover me, smother me with love that's brotherly
Ironically asking teammates to protect and support the artist, but with an exaggerated expression of camaraderie and affection.

That didn't work, try another play
Acknowledging that the previous play was unsuccessful and suggesting the need for a different tactic to achieve success.

Hut one, hut two, hut hut, hurry up
Preparing for another play by calling out the snap count and urging teammates to quickly gather and execute the play.

And reach up another grown man's butt
In a comedic manner, referring to the action of a center snapping the ball to the quarterback by handing it through the legs, which involves reaching between the center's legs.

Hike the ball, I mean I like Bizarre
Using wordplay, 'hike the ball' references the play, while 'I like Bizarre' refers to a member of the group, suggesting a preference or admiration for Bizarre.

But Jesus, yikes, I think I can feel his balls
Humorously expressing surprise and discomfort with a hyperbolic statement, pretending to feel Bizarre's genitalia while executing the play.

My dick is long as it is hard, yeah, so are my balls
Using exaggeration and innuendo, boasting about the length and firmness of the artist's penis and testicles.

It's the longest yard, whoops, that's not the chorus
Humorously acknowledging a mistake in referencing 'The Longest Yard,' a football-related movie, and realizing it does not align with the current part of the song.

Run it back, wrong song, yeah, disregard
Suggesting a need to backtrack and start over, acknowledging the previous mistake and disregarding it to continue with the correct part of the song.

That whole statement I just made, what yard line we on?
Questioning the current progression or whereabouts in the game, humorously referencing the confusion caused by the previous error in referencing 'The Longest Yard.'

Our own 5 and our timeouts are gone
Describing the challenging circumstances of the game, being positioned at their own 5-yard line and having no timeouts remaining.

Less than a minute left, I just throw my ball (ball)
Highlighting the limited time remaining in the game and indicating the artist's decision to throw the football.

To the sideline to Von, he steps outta bounds
Passing the ball to a teammate named Von, but he fails to stay inbounds and instead steps out of bounds, resulting in a penalty.

48 seconds left on the clock but every last one counts
Acknowledging the remaining time on the clock, emphasizing the importance of maximizing every second in the pursuit of victory.

Call another huddle, we're down by six
Deciding to regroup and strategize by calling another huddle, communicating that the team is currently losing by six points.

The plan is, to throw the ball to Swift
Establishing the strategy to pass the football to a teammate named Swift.

But he's so god dang high that he trips
Expressing frustration as Swift, who is metaphorically described as being under the influence of drugs, stumbles and falls while attempting to receive the pass.

Falls and slips, Proof grabs it by the fingertips
Describing the sequence of events where Swift falls and loses control of the ball, enabling another teammate named Proof to catch it with his fingertips.

And runs the ball all the way down to the one
Illustrating Proof's successful advance with the football, running it from the catch location to the opponent's one-yard line.

But he don't get in, but all we need is a put, put
Indicating that Proof did not manage to score a touchdown but highlighting that the team only needs a successful extra point kick to secure the victory.

But all we need is a touchdown and an extra point to win
Reiterating the team's requirement of a touchdown and successful extra point kick to achieve a victory in the game.

But then I get sacked all the way back to the ten
Recounting the singer's unfortunate experience of being tackled behind the line of scrimmage and pushed back to the ten-yard line.

Goddammit I'ma slap somebody if I get tapped on the ass again
Expressing frustration and irritation with the repeated occurrence of getting tapped on the buttocks, humorously threatening to retaliate with a slap.

Everybody's laughin' now, no timeouts and its now fourth down
Noticing that others are amused by the artist's predicament, while realizing that the team has no remaining timeouts and is currently facing a fourth-down situation.

We're never gonna make it, wait, I just got an idea
Initially accepting defeat, but suddenly having a new idea or plan to reverse the situation.

Quick, everybody get naked, Denaun go long
Proposing an unconventional strategy of having the entire team undress and streak on the field, while instructing a teammate named Denaun to run a long route in the game.

I'ma throw the bomb, come on how they gonna tackle you wit no pants on
Deciding to throw a deep pass in the game and rhetorically questioning how the opposing team could successfully tackle a player who is not wearing any pants.

Ass out with a floppin' schlong, touchdown yeah, I told you
Imagining the scene of scoring a touchdown with the singer's exposed buttocks and flaccid genitalia, triumphantly declaring that they had anticipated this successful outcome.

It's the longest yard
Reaffirming the connection to 'The Longest Yard,' likely referring to the challenges and perseverance required in the game being played.

The new face on the yard, just hand me the ball (balls)
Portraying the singer as a fresh and unknown presence in the game, demanding to be given the football.

I'ma run through all of y'all, y'all just soft
Expressing confidence and determination to easily surpass and overpower all opponents, deeming them weak and easily defeated.

Even though my cleats is kickin' up mud
Acknowledging the challenging conditions on the field, where the artist's cleats are causing mud to be kicked up.

It's more traction for me, I'm stiff armin' punks
Viewing the muddy conditions as advantageous, providing the singer with better grip to forcefully fend off and dominate opponents with stiff arm maneuvers.

High steppin' through the end zone
Describing a visually impressive running style, as the singer gracefully lifts their legs high while advancing towards the end zone.

I been grown, I'm so dirty you don't even know my skin tone
Asserting maturity and toughness, claiming to be covered in dirt to the extent that others cannot determine the true color of their skin.

It's time to rumble, no time to fumble
Preparing for physical confrontation and emphasizing the importance of avoiding mistakes or mishandling the football.

And I won't stumble, your frontline will tumble
Affirming personal agility and balance while predicting that the opponent's defensive line will collapse or fail to stop the artist's progress.

Playin' ball with killas, my team's the realest
Engaging in the game with highly skilled and ruthless players, asserting that the singer's team is the most authentic or genuine.

Three time offenders, even drug dealers
Describing the teammates as individuals with criminal or rebellious backgrounds, potentially emphasizing their toughness and resilience.

One of the best runnin' backs that never was
Claiming to be exceptionally talented as a running back, despite never gaining recognition or achieving full potential.

Movin' like Barry Sanders, leavin' you in the dust
Comparing the singer's agility and skill to that of Barry Sanders, a legendary running back, indicating their ability to effortlessly evade and distance themselves from opponents.

Yack is high, I got the highest yack
Using the term 'yack' to refer to intoxication or being under the influence of drugs, asserting that the singer is the most intoxicated or powerful.

Hit the ground so hard I leave tire tracks
Describing the forceful impact of the artist hitting the ground, capturing the intensity by humorously suggesting that tire tracks are left behind.

Bizarre snaps like a fire crack
Comparing Bizarre's abrupt movements or actions to the sound and nature of a snapping fire, highlighting their unusual or unpredictable behavior.

And my palm more stickier than spider back
Playfully suggesting that the singer's hand or palm is stickier or more adhesive than that of a spider's web, possibly indicating improved ball control or grip.

Eyin' my eye, a Mack truck, try and sack us
Assessing the opponent's intentions and comparing their gaze or focus to that of a Mack truck, expressing determination to avoid being tackled or 'sacked.'

No matter how big they flyin' backwards
Claiming that regardless of the size or strength of the opposing players, they will be sent flying backward due to the artist's force or impact.

Wide receiver, recievin' wide
Identifying the artist's position as a wide receiver, suggesting that they are adept at catching passes even when thrown wide.

For every stride in my life, yo, I breathe and die
Symbolically suggesting that every step or movement made by the artist carries significant meaning or importance, embodying their existence and passion for the game.

The defense was playin' a pass
Observing that the opposing team's defense was focused on anticipating a pass play.

Then the quarterback peeps and screams (blue 43)
Describing the quarterback's actions as they discreetly observe the defense and communicate a specific play call, indicated by the code word 'blue 43.'

That means that it's time for me
Explaining the significance of the play call, signaling that it is the singer's turn or moment to take action.

To run out the back like a bat straight outta hell
Using a simile, comparing the singer's swift movement out of the backfield to that of a bat emerging from the depths of hell, emphasizing their speed and intensity.

My tracks burn turf when they excel
Metaphorically illustrating the impact of the singer's movements on the football field, depicting their rapid pace which 'burns' or scorches the turf beneath.

I try to lateral pass the ball to Proof
Attempting to execute a lateral pass by tossing the ball to a teammate named Proof in order to extend the play or confuse the defense.

He got dropped and the ball came loose
Noting that Proof was tackled and lost control of the ball, resulting in a fumble.

And shot up like a flare, I gave the ball a stare
Describing the trajectory of the ball after Proof's fumble, comparing it to a flare rising into the air, while humorously implying that the singer stares in disbelief or frustration at the loose ball.

And use my lineman's shoulder as a chair
Continuing with the humor, imagining using a teammate's shoulder as a makeshift chair or resting place while observing the loose ball.

Now I'm flyin' through the air like a superhero
Portraying the artist's movement or leap in midair as resembling that of a superhero, highlighting the spectacular nature of their maneuver.

They can use this pose for a box of cereal
Humorously suggesting that the artist's pose in midair is so impressive or visually striking that it could be featured on a cereal box as promotional material.

I'm no joke punk, I get my dinerio
Asserting seriousness and toughness, indicating that the artist acquires monetary rewards for their performance and success in the game.

For bein' the best player on my team what
Proudly affirming their status as the most exceptional player on their team.

As soon as I hear the hut 1, 2, hut
Reacting quickly and instinctively upon hearing the snap count, 'hut 1, 2, hut,' which signals the initiation of the play.

I do one run, run, the screen go run run
Immediately embarking on a running play as soon as the ball is in motion, explaining that the assigned play is effectively executed and progresses as intended.

Then I cut, spin around in the end zone
Demonstrating agility and evasiveness by making sudden changes in direction and spinning movements while in the end zone.

Then I do the ninety shuffle so
Performing a stylized celebratory dance known as the 'ninety shuffle,' displaying confidence and personal flair after scoring a touchdown.

Footballs, I'm talkin' about footballs, dude
Reiterating and clarifying that the previous lyrics were alluding to footballs, emphasizing the primary theme of the song.