A cornerstone of Hip-Hop's late 90's indie-uprise, DJ Spinna made much of his first impression on listeners as the musical background of his group The Jigmastas (having released an impressive slew of 12" singles on his then self-run label Beyond Real during this time) as well as providing the canvas for an array of that era's lyrical giants. As an emcee in New York City, if you didn't have a Spinna production under your belt, well, you just hadn't accomplished all there was to accomplish. Everyone from Mos Def, Talib Kweli to Pharaohe Monch boasted Spinna beats to prove their worth to the scene. At the height of indie-kingpin Rawkus Records heyday, Spinna was in demand, also churning out timeless classics of the era from the likes of J-Live, Mr. Complex and The Polyrhythm Addicts (his all-too-brief collabo-group with Apani B., Shaabam Sadeeq and Complex).
As collaborative production work flooded his studio, from hip-hop legends like Sadat X & Grand Puba (Brand Nubian), Masta Ace and Guru (Gangstarr) to even The Jungle Brothers. Yet, while his stock as a the go-to producer rose so did his value as a key, if not crucial, remixer. At the time reworking hits for the major-label likes of De La Soul ("Stakes is High") Das EFX and MC Eiht.
Turning heads throughout the industry, Spinna's sonics soon infiltrated numerous genres. Tapped by everyone from George Michael to Mary J. Blige to Motown Records (for his brilliant Michael Jackson homage to "We're Almost There"). It's here his production presence would flourish greatly, as Spinna would go on to revive and revise Soulful marvels like Donald Byrd, Eddie Kendricks, Betty Carter, Roy Ayers and Al Jarreau. Always relevant to the current, Spinna has taken to new mixes for the J Dilla-bred Platinum Pied Pipers and Bay Area songstress Goapele as with the well respected Les Nubian. Though it goes without saying that one of the more memorable mixes goes to his monumental version of Shawn Escoffery's "Days Like This". In turn, catapulting Spinna into his now stately, touted presence in the dance music scene. Which made the transition to BBE Records smooth as ever, for his landmark solo production album "Here To There". It also spawned another record label, Spinna's own, Wonderwax. A home for his soulful dance classics, the imprint came to fruition in 2003, and has seen memorable releases from contemporaries such as Rich Medina, Lady Alma, Blaze, The Free Radikalz and Selan.
With so much studio work, it's a marvel Spinna travels as much as he does. The constant, globe-trotting performances he's become equally famed for have brought the DJ as far as Iceland, Australia, and South Africa as well as countless jaunts through England, Europe and the U.S. Not to forget, his hugely successful tours of Japan, where Spinna is held in the highest regard throughout the country for his craft in music. Not always the lone crowd-controller, Spinna's collaborated on stage alongside contemporary luminaries like Gilles Peterson, Jazzanova, Joe Claussell, Bugz In The Attic, Osunlade, Jazzy Jeff, Kenny Dope, Keb Darge, DJ Scratch (EPMD), DJ Shadow & Cut Chemist. He's a true showman and versatile as ever.
Yet nothing compares to his celebrated Stevie Wonder inspired WONDER-Full DJ-performances (aside friend and contributor Bobbito Garcia). Garnering overwhelming fanfare each occasion done - whether NYC, LA, San Francisco, Japan or beyond and if a WONDER-Full event is booked at a club you can put money on a line around the block and thousands of Stevie Wonder admirers rocking the house. And while he's gained so much attention and accolade for his tributes to Stevie, Spinna is not incapable of doing the same for any other pivotal forefather. Visit New York City any given month and find a number of Spinna themed throw-downs in the city's esteemed venues - each as memorable as the last.
Its true that there are other likeminded DJ/Producers in the world comparable to DJ Spinna, but for the most part, they choose a genre and master it. Ask them to flip another variety with the same intense knowledge and sleek-savvy and you'll be hard pressed to find someone that'll do it to Spinna's extent.
With a brand new album "InterGalactic Soul" at its completion (set for release in May, 06), Spinna's venturing to new reaches in his quest to musical harmony. Tapping into his perfected take on a truly cosmic boom-bap to a sexy, stylishly accessible brand of House and dance music that is unique only to him.
Remaining a musician for the ages, Spinna's true successes happily await in the future. Won't you come along for the ride?
The Man
DJ Spinna Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Blind me
Defy me
Control me
Harass me
Deny me
Enslave me in chains
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Remind me to find me to tear me apart
'cause you and I both know
There's someone that we all know
All been punched by the wounds won't show
Be thankful that I'm taking time
To warn you about a path that could be detrimental
To your heart, pride, love and pain
Deep scars that will never heal again
He'll consume you
You don't want to play
I assure you
He'll put you under his spell
(that's the bad guy)
If the plan goes well
(that's the bad guy)
Hypnotize
Playing jedi tricks on your mind
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Blind me
Defy me
Crush me
Control me
Harass me
Deny me
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Remind me to find me to tear me apart
'cause you and I both know
Now cut the sinnin' kin when he's around
Don't be no slave to the scoundrel
Use you and expose your inner fears
And then he's done here
Dressed in silk
But tangled in his web
Sucked dry
Don't say your surprised.
He'll consume you
You don't want to play
I assure you
He'll put you under his spell
(that's the bad guy)
Assume his plan will go well
(say good night to the bad guy)
Hypnotize
Playing jedi tricks on your mind.
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Blind me
Defy me
Crush me
Control me
Harass me
Deny me
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Remind me to find me to tear me apart
'cause you and I both know
You're the man
(who knows what evil lurks in the hearts of men? muahahaha)
Enslave me in chains
But you will never hold me
Enslave me in chains
But you will never hold me
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Blind me
Defy me
Crush me
Control me
Harass me
Deny me
Enslave me in chains
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Remind me to find me to tear me apart
'cause you and I both know
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Blind me
Defy me
Crush me
Control me
Harass me
Deny me
Enslave me in chains
You can crush me
Control me
Harass me
Deny me
Enslave me in chains
But you will never hold me
Remind me to find me to tear me apart
'cause you and I both know
You're the man
'cause you and I both know
(the man)
(the man)
(the, the, the, the, the man)
(the man)
The lyrics to DJ Spinna's song "The Man" highlight themes of resistance, empowerment, and the search for personal identity and agency. The verses depict a continuous struggle against various forms of oppression, represented by phrases such as "crush me," "control me," "harass me," and "enslave me in chains." Despite these attempts to subdue and manipulate, the singer asserts their refusal to be held captive or dominated, repeatedly proclaiming, "But you will never hold me." The lyrics suggest a rejection of conformity and a determination to resist external forces that seek to manipulate or control one's thoughts and actions.
The chorus introduces another character, the "bad guy" or "man," who is described as someone known to everyone and capable of inflicting emotional or psychological damage. The singer warns against getting involved with this individual, cautioning that they have the power to consume and entrap others through their manipulative tactics. The lyrics mention the character's ability to hypnotize and play "Jedi tricks" on the mind, indicating their skill at psychological manipulation.
Overall, the song seems to emphasize the importance of self-awareness and the need to maintain one's individuality and personal power in the face of societal pressures and the influence of toxic individuals.
Line by Line Meaning
You can crush me
You have the power to break me down
Control me
You can manipulate and dominate me
Harass me
You can torment and bother me
Deny me
You can reject and refuse me
Enslave me in chains
You can imprison me and take away my freedom
But you will never hold me
But you will never fully control or possess me
Blind me
You can obscure my vision and understanding
Defy me
You can resist and challenge me
Remind me to find me to tear me apart
You remind me to search for my true self and break me into pieces
'cause you and I both know
Because both of us are aware
There's someone that we all know
We all know a certain person
All been punched by the wounds won't show
All of us have been affected by hidden emotional injuries
Be thankful that I'm taking time
Be grateful that I am making an effort
To warn you about a path that could be detrimental
To caution you about a harmful path
To your heart, pride, love, and pain
To your emotions, self-esteem, relationships, and suffering
Deep scars that will never heal again
Deep emotional wounds that can never fully be healed
He'll consume you
He will devour and overwhelm you
You don't want to play
You don't want to get involved
I assure you
I can guarantee you
He'll put you under his spell (that's the bad guy)
He will manipulate and control you (referring to the antagonist)
If the plan goes well (that's the bad guy)
If his scheme succeeds (referring to the antagonist)
Hypnotize
To mesmerize and manipulate
Playing jedi tricks on your mind
Deceiving and influencing your thoughts like a Jedi
Now cut the sinnin' kin when he's around
Avoid getting involved with the sinful kin when he is present
Don't be no slave to the scoundrel
Don't become a servant to the unscrupulous person
Use you and expose your inner fears
Exploit you and reveal your deepest insecurities
And then he's done here
And then he will leave or finish his actions
Dressed in silk
Appearing luxurious and elegant
But tangled in his web
But trapped in his deceitful trap
Sucked dry
Drained completely
Don't say you're surprised
Don't act shocked or astonished
You're the man
You are the one in control or responsible
Enslave me in chains
You can imprison me and take away my freedom
Now cut the sinnin' kin when he's around
Avoid getting involved with the sinful kin when he is present
Lyrics © BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: JASON ORANGE, HOWARD DONALD, GARY BARLOW, ROBBIE WILLIAMS, MARK OWEN
Lyrics Licensed & Provided by LyricFind
crescentbrooks
so dope
Cody_King1994
good music
Trevor
who's the man?? spinna is