Kama Sutra
Dan-e-o Lyrics

Yeah yeah! This is Dr.Jay reppin' the Soca Prince and when I'm live with My bredrens, Monolith, Urban Bounce and Red Rat, Oh No! it's all about Girls "bye d'plenty" and you see right now, it's all about the Kama Sutra!
Dr.Jay is representing Soca Prince with Monolith, Urban Bounce, and Red Rat. He is proclaiming that it's all about girls, and specifically the Kama Sutra positions.

Long ago, in the hearts of Scarborough Sweet mama rushing me hard like El Diguardo She look good, thinking sicker thoughts than Paul Bernardo Background Barbados, from Esplanade though Thick lips, fat ass and knee high boots from Aldo Make a brother pack a thicker one, it's Desperado The words I may borrow ain't from the heart though The only thing I'm kissing tomorrow is a Marlboro Present love life don't concern me or the Mono Fuck 'em and leave 'em, and then I'm gone, that's the motto Rishaard's like a soldier, hold you it's thunder Recognize the big dog respect that I'm under
Describing a wild encounter with a woman, the singer borrows lyrics from an old Desperado song to describe the situation. He doesn't care much about love, only the encounter itself, and brags about it in a swaggering style.

"When you coming back, Charisma?" Hush up your lip young sister, just whisper Bawlin' out my name in jam like I miss ya W'happen to you idiot gyal? Me never kiss ya You're just a round the way jook Me a go please her once and she hook Time to release her, now she all shook This little skeaser, me she gon' book? Please! Recognize my steez, no time for drama Too many big booty bashment beans in Toronto Eyeing these Chinese, Guyanese Never crave no vanilla just black cake and brownies From around the way, always had to play Never had to pay, practically Got the crown to make every brown girl say "Kush kush huta hai!"
Charisma mocks a woman who is interested in him, saying that he only plans to take advantage of her once and move on. He emphasizes his lifestyle of being surrounded by beautiful women and how he's always been successful with women in the past, without having to pay for it.

Been watchin' you girls all night (all night) You and all your friends look right (alright) Hairstyle and outfit look tight Alright, we doin' mad moves from the Kama Sutra
The chorus sings about watching the women and admiring their appearance and fashion choices. They then mention that they plan on engaging in Kama Sutra positions with them.

She has the Carib in she hand and she workin' she rass And she playin she mass "Oh gosh darling" Can't let you pass without taking a dance "well then, come on nah man" "Jeez and ages!" Me feel the Badung Badang when me get in the back, almost rub off me pants! "Oh gosh", now what you name? "Shanti" 5'5, brown eyes, got a nice bamsey Off the high wine do a low wine nasty Grab me by the ganzi, head back to the gates The way that ass a shake I had to mash up the paddicake! (Uh huh) I had to mash up the paddicake, ya heard!
Spidahman describes a woman he meets at a party who he finds attractive. He admires her dance moves and the way she stirs up his passion. He describes their encounter using suggestive language and mentions the physical reactions he has in response to her. He ends the verse with the line, "I had to mash up the paddicake," which is a playful reference to a sexual act.

When I stepped in the place She show me love and tell me,"don't bother moving with haste Take time" But, my mind deh pon she wine She waistline, how she twist up she behind This young flesh got me wet up with sweat Vex and upset, close to death, losing breath So we jet from the fete to my spot Done talk! Lip lock! Preparing for shots, like she hearing gun talk Oh scunt Tracey, baby, girl you amaze me The Douglah bubblah come to trouble ya lady "Maybe we'll chill out and shoot the breeze?" You crazy? I give she what she need indeed!
Grimace Love describes how he meets a woman at a party who catches his eye. She advises him to take his time, but his mind is focused on her body, which gets him aroused. They go back to his place and engage in sexual activity.

Caribana weekend, Yonge Street flooded with joobies Mono man reach late but still lookin' for goodies So many batty and boobies we could rub come autumn Want gyal like my song, dem hafi have big bottom Look over so, "watch ya", you know di gyal butter I wonder where she from, Guyana or Calcutta? She have a wild bumper, you know say me wan crush her She remind of a gyal I once knew, but me nah Usher So listen here baby, me wan somethin' fi go down So sweet gyal, you make me wan sing "Sugar Bum" "Sugar Bum, Sugar Bum Bum" gyal when we meet Me go treat you like this record and give you a nice beat!
Dan-e-o sings about his experience at the Caribana festival, where he admires the many women with large buttocks and breasts. He references his own song and how he wants a woman who matches the description in the song. He meets a woman who catches his eye and plans to engage in sexual activity with her, stating that he will treat her like a song and give her a "nice beat."

It's the Rat! Oh No! Yo, long time me a watch you through me binocular Wonder if you like me seeing you're so popular But me know me gotta get the number to your Nokia Know me a bachelor still want you sloppy yah Straight up, nah hold back, me wan give you di cocky yah Booty like Jackie make you wine pon mi rockulah Don't worry, me nah bite, nah me nah Dracula Want get knock ya? Sit down pon me lap yah Whooo! On your mark get set, don't fret Time to get soakin' wet! Aaaah! All you want, you goin' get, except Dat me nah cat, me nah pet Let's bet who come first goin' win On your mark, let's get go, Zing! Take this, take that, ride me riddim Hold on, me win! Hold on, me win!
Red Rat describes his admiration for a woman and how he plans to engage in sexual activity with her. He speaks in a Jamaican-style slang and uses suggestive language to describe what he wants to do to her. He also mentions that he is not interested in anything formal or long-term, just a one-time encounter.