In only ten years on the music scene, Dan Patlansky is one of the busiest and most respected blues artists to ever come out of South Africa. Constant touring as a teenager, won Dan the hearts of even the most hardened blues critics. In the winter of 2001, “Standing at the Station” was released, being a completely independent album, many were surprised at its amazing success.
After receiving word that “Readers Choice” had voted him “Best Blues Guitarist in Southern Africa”, it was time for a second release. “True Blues” was produced and released by EMI on the famed “Blue Note label” in 2004. Dan is one of the only South Africans to ever achieve “Blue Note” status.
In February 2005 and again in July 2006, Selwyn Miller, New Orleans based manager of David Gates and Bread, Randy Crawford, and Petula Clark amongst others, brought Dan to New Orleans to showcase this amazing talent. In his time living in the city of the Blues, Patlansky performed at legendry venues (Maple Leaf, Rock & Bowl and Checkpoint Charlie) with many Blues giants such as Henry Gray (Howlin’ Wolf’s Pianist), Snooks Eaglin, The Batiste Family, Rockin Dopsie Jr and many more. Whilst abroad, Dan performed live on both television and WWOZ radio.
What this South African boy achieved in a few months, and the following he built up, many thought would have taken years. Touring was cut short due to Hurricane Katrina and he was deprived of the opportunity to play with legendary and world renowned slide guitarist, Sonny Landreth, which performance was scheduled to take place a week after Dan and Selwyn were forced to evacuate New Orleans.
Patlansky moved back to his home country leaving a lot of equipment behind. Dan is still in contact with Grammy award winning producer, David Z, with whom he spent two days writing and arranging on his first trip to New Orleans.
Fender recognised Dan’s fiery playing and offered him an endorsement deal to promote Fender Guitars and amps. Dan is one of only six Fender endorsed guitarists in South Africa.
Dan has played, and more often than not headlined every major venue and music festival in the South Africa eg Oppikoppi, Aardklop (with Arno Carstens’ guitarist Albert Frost), The Durban International Blues Festival (where he performed with veteran New York blues guitarist, Phillip Walker and Pat Savage), The North Sea Jazz Festival (CT), Southern Cross, the Walking the Blues Concert, White Mountain Festival, Up the Creek Festival, Cape Town Blues Summit, Splashy Fen, The Catalina Theatre (Durban) and the Sand du Plessis Theatre in Bloemfontein, BMW Pavilion, Green Dolphin, Die Boer (CT), Blues Room and Tanz Café (Jhb) and many more. Dan continues to extensively tour small towns to big cities. Europe, UK and Australia are on the cards for 2008/2009.
In 2004 Dan was invited to perform at the Standard Bank Joy of Jazz Concert, headlined by Earl Klugh and Lee Ritenoir, but had to decline due to prior tour commitments.
At the One World Music Festival (Durban) in 2005 he performed with the renowned New Orleans Batiste family band and shared the stage with the likes of Bob Marley’s son Julian Marley, and past American Idols winner Ruben Studdard. The concert was attended by the President of Parliament of the State of Louisiana. He was so blown away by Patlansky’s performance that he promised him the freedom of New Orleans when next he was there. Unfortunately Hurricane Katrina deprived Dan of this honour.
In 2005 Dan performed in Dubai at the annual Coca Cola Company celebration, along with UB40 and Shaggy.
In 2006 Dan Patlansky performed with his New Orleans band at the Cape Town International Jazz Fest sharing top billing with Jose Feliciano, Miriam Makeba, Lou Vega and Freddie Coleman.
Dan collaborated with top R&B artist RJ Benjamin on one of the tracks of RJ’s recently released and highly acclaimed album “Swimming in the soul of music”, one critic stating that the collaboration took the album to another level.
Dan was one of the headline acts with Hugh Masakela and Freshlyground at the newly established international Bushfire Concert in Swaziland in 2007. Similarly he performed at the first Johannesburg Guitar Festival with the likes of Greg Georgiades, Jethro Butow, the headline acts being Dan, followed by Mauritz Lotz.
Earlier this year Dan played at the Old Mutual Jazz and Blues Roots concert at Emmerentia Botanical Gardens, with international artist Michelle Shocked and Dan, as the two headline and concluding acts.
Dan has recently returned from Mozambique where he headlined the annual STRAB (Subterranean Rhythm and Blues) Festival. His performance was voted best by far in voting polls. Shortly thereafter, he headlined the Tribute to Jimi Hendrix show at Café Barcelona in Pretoria, which included performances by, amongst others, Jan Blohm, Albert Frost and Mel Botes.
Dan has also been approached by Danny K to collaborate with him on a song to be recorded by top South African performers in the fight against crime.
Dan over the years, has shared the stage many times with legendry blues artists and guitarists such as Larry Amos, Julian Laxton, Steve Fataar (ex Beach Boys / Flames), Cedric Sampson, Valiant Swart, The Late big voice Jack (who performed with Mango Groove and the Dave Mathews Band) and Alistair Coakley. Dan recently performed at The Catalina Theatre in Durban with Vicki Sampson.
Dan has been played and/or play listed by many South African DJs and stations such as 5FM, East Coast radio, SAFM Radio 2000, O FM, Bush Radio, countless student stations and Radio To-day (Benjy Mudie, Rafe Levine, Phil Wright, Chris Prior, David Blood, Leon Economedes).
This young blues guitarist has now released his third album “Real” which showcases his song-writing abilities using an earthy live blues sound with his own take on it. “Real” has attracted great reviews and articles in most acclaimed magazines.
His album “Real” is played in Australia on 101 FM and in America on WWOZ FM New Orleans on which Dan played live and on which he has been play listed since 2005.
“Real” and Patlansky received a brilliant review in the May / June 2008 edition (Issue 43) of top Blues Magazine, Blues Matters!, which circulates throughout the UK, Europe, Canada and Australia. Out of approximately 150 CD Reviews of Albums by UK, European, Canadian, Australian and American artists, accredited critic, Merv Osborne had this, amongst other things, to say about “Real” and Patlansky:
“I don’t think I’m going to hear a better album all year. ..... It’s gonna have to be a truly superb CD to better this one” (full text on Dan’s web site).
“Real” is also about to be reviewed by top UK music journalist Rhys Williams for intended publication in other UK magazines and some top American Blues Magazines.
Mayday
Dan Patlansky Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Our lives so full and rich
Never disagree
Let's add to the old family tree
Subtle change in heart
With the mortgage and family costs
Begin hateful stares and offices affairs
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
It seemed so good to start
The stars, the moon, your heart
We see life the same
Two kids, one dog, a dream
The heat of the modern life
Where our dreams and time collide
We once had the answer, society's cancer
Started to sound the alarm
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
In "Mayday" by Dan Patlansky, the lyrics depict the disillusionment and struggles that can arise within a relationship over time. The song begins with a reflection on the early years of the relationship, where everything seemed perfect and harmonious. The couple had a fulfilling life, never disagreed, and considered expanding their family. However, there is a "subtle change in heart" as they face the realities of life, such as mortgages and the costs of raising a family. The once-loving gaze turns into resentful stares, and the monotony of work leads to extramarital affairs. The repeated plea of "mayday" in the song serves as an emergency call, symbolizing the need for rescue from the deteriorating relationship.
As the song progresses, it reflects on the initial happiness the couple experienced. The stars, the moon, and their hearts aligned, and they shared the same outlook on life. They had dreams together, represented by two kids and a shared dream represented by a dog. However, the heat of modern life and the clash between dreams and limited time brought challenges. They once believed they had the answers, but now their relationship is slowly unraveling—a metaphorical cancer caused by society's pressures. The alarm is sounded once again, emphasizing the urgency and desperation of the situation.
Overall, "Mayday" explores the disintegration of a once-happy relationship due to the pressures and challenges of daily life. It highlights the importance of addressing issues before they escalate and the need for communication, understanding, and true connection to sustain a healthy partnership.
Line by Line Meaning
Years without a hitch
We've had smooth and trouble-free years
Our lives so full and rich
Our lives have been fulfilling and abundant
Never disagree
We've never had any major disagreements
Let's add to the old family tree
Let's have children and expand our family
Subtle change in heart
There was a small but significant shift in our feelings
With the mortgage and family costs
Due to financial responsibilities like the mortgage and expenses for our family
Begin hateful stares and offices affairs
We start to resent each other and engage in secret relationships at work
Somebody sound the alarm
This situation needs urgent attention and action
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
SOS! We are in distress and need immediate help
It seemed so good to start
At the beginning, everything seemed wonderful
The stars, the moon, your heart
We were captivated by the romantic notion of our relationship
We see life the same
We had similar perspectives and goals in life
Two kids, one dog, a dream
We envisioned having a family with children, pets, and achieving our dream life
The heat of the modern life
The pressures and demands of the contemporary lifestyle
Where our dreams and time collide
The clash between our aspirations and the limited time available
We once had the answer, society's cancer
We used to have the solution, but societal issues have become a destructive force
Started to sound the alarm
We began to realize the urgency of the situation
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Calling for immediate help and assistance
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
Urgent distress signal
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
SOS! Critical situation
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
We are desperate and need help as soon as possible
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
We're sounding the alarm repeatedly to ensure our distress call is heard
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
We're in a state of emergency and require immediate assistance
Mayday, mayday, mayday, mayday, mayday, mayday, mayday
SOS! We're in dire need of help
Lyrics © Sony/ATV Music Publishing LLC
Written by: DAN PATLANSKY
Lyrics Licensed & Provided by LyricFind
Szabolcs Peták
Words can't describe how beautiful this song is.