Daniele Sepe (born April 17, 1960 in Naples) is an Italian musician, known … Read Full Bio ↴Daniele Sepe (born April 17, 1960 in Naples) is an Italian musician, known internationally for interpreting protest songs from around the world. His first instrument was the flute, which he played at the San Pietro a Majella conservatoire. After graduating, he began performing with the Gruppo operaio 'E Zezi di Pomigliano d'Arco, playing at numerous festivals and recording a few albums. Sepe soon, however, became more interested in jazz and learned to play the saxophone. He continued recording and began performing with many prominent musicians, like Nino D'Angelo, Gino Paoli, Eduardo de Crescenzo, Mia Martini, Teresa de Sio, Roberto de Simone, Peppino Gagliardi, Nino Bonocore and Roberto Murolo. His band, which played under several names, varied widely, from purely wind instruments to big bands. He also composed music for the theatre, cinema and ballet.

In 1994, Sepe recorded Vite Perdite, which was much more successful than any of his previous niche recordings. It was dubbed album of year by Rockerilla, one of the one hundred greatest albums of the 1990s by Rockstar[disambiguation needed], and received a rave review from Folk-Roots, an English magazine.

Sovietica vesuvianità
Daniele Sepe Lyrics

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A nu' pal' stann' appis'
Stann' appis' tutt'e tre
'Na fulat' 'e vient' 'e mmove
Mmove 'o pret' 'o fant' e 'o rre

Stann' appis' a capa sotto
Comm'è bell' a lle vere'
Nun so' loro cchiù 'e patrun'

'E chesta terra, né de me

Ah, ah fosse bell', né sant' né guerr'
Sulo 'o mare e 'a terra, libera

Si overo 'e appennessemo
Tutt'e tre

Overall Meaning

These lyrics are from the song "Sovietica vesuvianità" by Daniele Sepe. The song blends elements of Soviet and Neapolitan culture, exploring themes of oppression, freedom, and identity. It reflects on the complex relationship between these two worlds and the desire for liberation.

In the first verse, the lyrics describe a situation where three people are standing close together, observing something in motion. This could symbolize the relationship between the Soviet Union and Naples, as well as the connection between the past and the present. The song suggests a longing for freedom and liberation, represented metaphorically by the movement and power of the wind.

The chorus, "Ah, ah fosse bell', né sant' né guerr' / Sulo 'o mare e 'a terra, libera," translates to "Ah, ah, how beautiful it would be, neither saint nor war / Only the sea and the land, free." This expresses a desire for a world without religious or political conflicts, where only nature and freedom reign. It emphasizes the importance of the sea and the land, perhaps referring to the connection between the people and their homeland.

Overall, "Sovietica vesuvianità" delves into themes of oppression and the longing for freedom, drawing parallels between the Soviet Union and Naples. It explores the complexities of identity and the yearning for liberation from societal constraints.

Line by Line Meaning

A nu' pal' stann' appis'
In a moment we will be still

Stann' appis' tutt'e tre
We will be silent, all three of us

'Na fulat' 'e vient' 'e mmove
A breath of wind will move

Mmove 'o pret' 'o fant' e 'o rre
Moving the priest, the fool, and the king

Stann' appis' a capa sotto
We will stand with our heads down

Comm'è bell' a lle vere'
As beautiful as the truth

Nun so' loro cchiù 'e patrun'
They are no longer the masters

'E chesta terra, né de me
Of this land, nor of me

Ah, ah fosse bell', né sant' né guerr'
Ah, ah how beautiful it would be, neither saints nor wars

Sulo 'o mare e 'a terra, libera
Only the sea and the land, free

Si overo 'e appennessemo
If only we belonged