Coe's rebellious attitude, wild image, and unconventional lifestyle set him apart from other country performers, both winning him legions of fans and hindering his mainstream success by alienating the music industry establishment. Coe continues to be a popular performer on the country circuit.
Coe was born in Akron, Ohio. His favorite singer as a child was Johnny Cash. After being sent to the Starr Commonwealth For Boys reform school at the age of nine, he spent much of the next 20 years in correctional facilities, including three years at the Ohio Penitentiary. Coe claimed he received encouragement to begin writing songs from Screamin' Jay Hawkins, with whom he had spent time in prison.
After concluding another prison term in 1967, Coe embarked on a music career in Nashville, living in a hearse which he parked in front of the Ryman Auditorium while he performed on the street. He caught the attention of Shelby Singleton, owner of the independent record label Plantation Records and signed a contract with his label.
He is the father of Tyler Mahan Coe, who created the country music podcast Cocaine & Rhinestones. He has a daughter, Shelli Coe Mackie, and is father-in-law to the late Michael Mackie, formerly of Texas band 'Thunderosa'.
Coe's musical style derives from blues, rock, and country music traditions. His vocal style is described as a 'throaty baritone'. His lyrical content is often humorous or comedic, with William Ruhlmann describing him as a 'near-parody of a country singer'. Stephen Thomas Erlewine describes Coe as "a great, unashamed country singer, singing the purest honky-tonk and hardest country of his era […] he may not be the most original outlaw, but there is none more outlaw than him".
Coe's lyrics frequently include references to alcohol and drug use, and are often boisterous and cocky. Coe's debut album Penitentiary Blues was described as "voodoo blues" and "redneck music" by Allmusic's Thom Jurek. It focused on themes such as working for the first time, blood tests from veins used to inject heroin, prison time, hoodoo imagery, and death. The album's influences included Charlie Rich, Jerry Lee Lewis, Bo Diddley, Lightnin' Hopkins, and Tony Joe White. Coe later explained to Kristofer Engelhardt of Review: "I didn't really care for some of the country music until people like Kris Kristofferson and some of those people started writing songs. They had a little more to say than just, 'Oh baby I miss you', or whatever. I don't do anything halfway. Once I got into country music, I went back and researched it, and learned everything there was to know about it. I could do impersonations of Roy Acuff, Ernest Tubb, Hank Snow, Marty Robbins, just about anybody. I knew just about all there was to know about country music."
Coe's first country album, The Mysterious Rhinestone Cowboy, has been described as alt-country, 'pre-punk' and "a hillbilly version of Marc Bolan's glitz and glitter". Credited influences on the album include Merle Haggard. In his early career, Coe was known for his unpredictable live performances, in which he would ride a Harley-Davidson motorcycle onto the stage and curse at his audience. Coe has also performed in a rhinestone suit and a mask which resembled that of the Lone Ranger, calling himself the 'Mysterious Rhinestone Cowboy'.
The album Rebel Meets Rebel featured a song, "Cherokee Cry", which criticizes the United States government's treatment of Native Americans. When asked why he did not write more political songs, Coe replied, "I live in my own world, not thee world. I just write songs about what affects me in everyday life. At one point I wrote a song that was sort of a protest about when they were talking about drafting women into the military. It was about my son making it past the draft, but my daughter didn't. And I've done Farm Aid."
In his review of Coe's 1987 album A Matter of Life...and Death, Allmusic's Thom Jurek wrote, "Coe may have had some hits, but it is records like this that make one wonder if there was not a conspiracy to marginalize him and make him fail. Coe is a brilliant songwriter well into the 21st century, and deserves to be lauded along with the likes of [Willie] Nelson and [Waylon] Jennings and Kristofferson and Newbury – and even Cash."
Bright Morning Light
David Allan Coe Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was a cowboy with a throat full of sand
I called her Honey when she brought my whiskey
And later I left there holding her hand
Then we walked down the street to a tumble down hotel
Where she had a room on a cold second floor
And that room looked like hell just a bed and a table
A shade on the window and a lock on the door
But she don't look half bad I'll stay for the night
But I'll leave when it's early cause I've got this feeling
She won't look so good in the bright morning light
[ harmonica ]
I've known some devils and I've known some angels
I once had a woman on the Mexico line
But I've never been touched like that woman touched me
She lay there beside me and crawled in my mind
And we talked and we smoked and made love till mornin'
The sun come a streamin' through a hole in the shade
And it fell like a spotlight on her face and her body
And it hung like a halo round the bed where we lay
I said to myself she's cheap and she's easy
But she don't look half bad I guess I'll stay for the night
But I'll tell you boys that was five years ago and Lord God what a woman
She still looks as good in the bright morning light
The song "Bright Morning Light" by David Allan Coe tells the story of a chance encounter between a cowboy and a waitress in a west Texas dance hall. At first, the cowboy sees the waitress as "cheap and easy" but decides to spend the night with her anyway. However, as the night goes on, the cowboy realizes that there is more to this woman than meets the eye. They talk, smoke, and make love until the morning, when the light shining through the window illuminates her face and body. The cowboy is surprised to find that this woman, who he initially saw as just another one-night stand, is actually someone special.
The lyrics of "Bright Morning Light" are a testament to the fact that first impressions can be deceiving. The cowboy's initial assessment of the waitress as "cheap and easy" is based on nothing but her job as a waitress in a dance hall. However, as he gets to know her better, he realizes that she is a complex and interesting person, worthy of respect and admiration. The song also speaks to the transformative power of love and physical intimacy. Although the cowboy and the waitress only spend one night together, their connection is strong enough to change the way they see each other, and themselves, forever.
Line by Line Meaning
She was a waitress in a west Texas dance hall
She worked in a bar where people came to dance in the region of West Texas
I was a cowboy with a throat full of sand
At that time, he had a dry mouth due to the dust and was a cowboy or a farmhand
I called her Honey when she brought my whiskey
He used a honeyed name for her, while she served him whiskey drink
And later I left there holding her hand
After a while, they both left the bar holding hands
Then we walked down the street to a tumble down hotel
They walked along the street to a hotel that needed some maintenance
Where she had a room on a cold second floor
She had a room on the second floor which was chilly
And that room looked like hell just a bed and a table
The room's condition was poor, with only a bed and a table, giving the impression of being in hell
A shade on the window and a lock on the door
The window had a curtain and the door had a lock, making it private and safe
I said to myself she's cheap and she's easy
He had a thought that she could be an inexpensive and easy-going person
But she don't look half bad I'll stay for the night
Contrarily, he found her not bad enough, and decided to spend the night with her
But I'll leave when it's early cause I've got this feeling
He planned to leave the hotel early since he had a gut feeling
She won't look so good in the bright morning light
She may not appear as beautiful as she does now when it's morning and the light is bright
I've known some devils and I've known some angels
He had seen both evil and good in people in his lifetime
I once had a woman on the Mexico line
He experienced being with a woman who was on the border of Mexico
But I've never been touched like that woman touched me
The woman with him at the moment was touching him in a way no woman had done before
She lay there beside me and crawled in my mind
She became a part of his thoughts as she lay next to him
And we talked and we smoked and made love till mornin'
They conversed, smoked, and had intercourse till the morning approached
The sun come a streamin' through a hole in the shade
The sunlight entered through the window shade through a hole
And it fell like a spotlight on her face and her body
The light illuminated the face and body of the woman lying next to him like a spotlight
And it hung like a halo round the bed where we lay
The light encircled around them, like a halo around their bed
But I'll tell you boys that was five years ago and Lord God what a woman
However, the story was from five years ago, and he couldn't help admiring the woman he had been with
She still looks as good in the bright morning light
Even now, after five years, she still looks amazing in the morning light
Lyrics © O/B/O APRA AMCOS
Written by: LARRY KINGSTON
Lyrics Licensed & Provided by LyricFind
Dr. Craphead
on Damn I Wish I Was a Nigger
The song is not by David Allan Coe
Niggerhatingme
on Nigger Hatin Me
I like sugar and I like tea
But I don't like niggers, no sir-e
There are two lone things that'll make me puke
That's a hog eating slop and a big black spook
You know it, 'cuz I show it
Like a barnyard rooster I crow it
And the NAACP would sure like to get
A hold of nigger hatin' me.
Roses are red and violets are blue
Niggers are black and you know that's true
But they don't mind 'cuz what the heck
You gotta' be black to get a welfare check.
.And I'm broke, no joke. I ain't got a nickle
For a coat and I ain't black you see, so Uncle
Sam won't help poor nigger hatin' me.
Jigga-boo Jigga-boo where are you? I was
Here on the woodpile watching you. Jigga-boo
Jigga-boo come outdoors. No! I'sa scared of the
White man way down south.
You know it, 'cuz I show it. Stick your black
Head out and I blow it and the NAACP can't keep
You away from 'lil 'ol nigger hatin' me.
Mirror mirror on the wall who is the blackest
Of them all? A man named King it ain't no doubt
And he's causin' lots of trouble with his baboon
Mouth. Oh no it's he's a done it, caused by the
Trouble he's a brewin' and the NAACP can't win if
The white man stick with nigger hatin' me.
Hey Mr. President what'd ya say? When are we
Whites gonna have our day? The niggers've had
Theirs for such a long long time. I'm a white
And it's time that I had mine.
You know it, 'cuz I show it. Stick your black head
Out and I blow it and the NAACP can't win if the
White man stick with nigger hatin' me.
Nigger hatin me'
Nigger hatin me'
Nigger hatin me'
Nigger hatin me'
All true, how's the death count in chimpcago? https://heyjackass.com/
Ben - Moderator
on Nigger hatin me
Meaning of this line above has now been corrected
Matt
on Nigger hatin me
Who ever did the meaning lines is funny... woodpile is a real term, and when it says jig aboo come out doors, he imitates a poor sounding guy saying he's afraid of the racist whites from the south cuz if they even show themselves in public, they were a target. This is a bad song about the unspoken truth
cemegonuts
on You piss me off...you fuckin' jerk
This is not David Allen Coe. It is a song written by Gaye Delorme and performed by Garry Lee and Showdown.
Teresa Warnke
on Pick Em, Lick Em, Stick Em
Are there any decent constitutional lawyers in the house?
Mr. Coe has been barred from performing in most public forums.
He is one the last surviving Outlaws of country music. Although, Nigger Fucker has racist theme, Mr. Coe was defended by his life long friend, Charlie Pride, who inspired the song, all of his days. They were close friends until the end.
David Allen COE is elderly and we don't have long to have an opportunity to see him perform. What is more is that he deserves to use his constitutional right to free speech.
Some would like to have this song and many more that feel are offensive removed from existence. I am not a racist and recognize the foulness of the song, but, I am mature enough to turn off music or any other media that I don't like.
Personally, the Brian Adam's song, "Rum to You", makes me sick, as does Reba Macy tyre's, "Fancy" and "Whoever's in New England".
Ms. Macy tires songs if a mother pimping out her daughter and an abandoned housewife faithfully waiting for her man to return from fucking his mistress hurts women. The Brian Adam's song also hurts women. I do not for a minute believe that this music should never be heard again. It does provide opportunity to discuss these things with younger people.
I am going to delete my YouTube music account because they removed DAC for it's content. I did have much respect for YouTube for it's American spirit and patriotism even though the way they pay their talent is nonsensical. One deletion is a demonstration of what will follow. Eventually this could lead to less freedoms for all of us.
Please don't fall into the currant popular victim trend. Turn off music you don't like and get on with your day.
Or stand up to censorship of the arts.
Thank You,
Teresa Warnke
Rodan
on Cum Stains on the Pillow
Dribble it on her nose!
11inthemoney
on Itty Bitty Titty
Young sex is the best
11inthemoney
on Itty Bitty Titty
Shucks it's cool.
Rodan
on Cum Stains on the Pillow
Another AWESOME DAC song that makes me bellylaugh!!!