Davey Jones Locker
David Gray Lyrics


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At the edge of consciousness
Where the lines they start to fade
Where the spirit goes undressed
Of all malice and brocade
At the edges, silvery edges
Where the mirror it bends and stretches
Past the edges of this world
Where the waters crash and curl

Take me down, take me down
Davey Jones yeah, take me down
Take me down, Davey Jones,
Davey Jones yeah, take me down

Where the sands they blow and shift
Borne away now on the drift
Where the sands they blow and shift
Borne away now on the drift
Maybe I can free myself
Dancing with the swaying kelp
Maybe I'll redeem myself
Swirling with the swaying kelp

Take me down, take me down
Davey Jones yeah, take me down
Davey Jones, Davey Jones,
Davey Jones yeah, take me down
Oh yeah

Make me dance, wanna dance
Wanna dance
Let me see the blue sky
I can dance, gotta dance
Let me see the blue sky
Gonna dance
Holding fragments
Holding fragments
Holding Chimera
Twisted fragments
Only fragments
Only figments
Only Chimera

You're the one that got away
You're the one that got away
You're the one they couldn't touch
Just the one that got away

At the edges, silvery edges
Where the mirror it bends and stretches




Oh the edges of this world
Where the waters crash and curl

Overall Meaning

David Gray's song "Davey Jones' Locker" depicts a scene where the singer is at the "edge of consciousness," a place where the lines between reality and fantasy start to blur. In this state, he is purified of all "malice and brocade," suggesting a purification of the soul from materialistic pursuits. As he delves deeper into this otherworldly realm, he is beckoned by Davey Jones, a mythical figure who is often depicted as the keeper of the ocean and the dead. The singer repeatedly pleads with Davey Jones to take him down, possibly implying a desire to be liberated from the mundane and explore the surreal.


The lyrics also allude to the impermanence of life, where sand blows and shifts, and one is borne away on the drift. The singer tries to find solace in dancing with the swaying kelp, implying a connection with nature as it offers redemption. However, he only holds on to fragments and figments, while Chimera – a mythical hybrid creature – continues to twist and distort his reality. In the end, he realizes that he is the one that got away, the one that couldn't be touched, possibly portraying an individualistic desire to not conform to social norms and expectations.


Line by Line Meaning

At the edge of consciousness
At the border that separates the conscious and subconscious minds


Where the lines they start to fade
Where the boundaries between reality and imagination become blurred


Where the spirit goes undressed
Where the soul is free from any superficial adornment or malicious intent


Of all malice and brocade
Of any evil wishes or ostentatious displays


At the edges, silvery edges
At the fringes, where something begins or ends


Where the mirror it bends and stretches
Where reflection distorts and elongates


Past the edges of this world
Beyond the earthly plane


Where the waters crash and curl
Where the sea violently moves and undulates


Take me down, take me down
Bring me to a lower place or a deeper state of mind


Davey Jones yeah, take me down
Referring to Davey Jones' Locker, the bottom of the sea where drowned sailors are said to rest


Where the sands they blow and shift
Where sand particles move and change direction easily


Borne away now on the drift
Being carried away by the ocean's current


Maybe I can free myself
Possibly becoming liberated or untethered from something


Dancing with the swaying kelp
Moving softly and rhythmically with the seaweed


Maybe I'll redeem myself
Maybe finding a way to make up for any transgressions or shortcomings


Swirling with the swaying kelp
Whirling around with the gently-moving seaweed


Make me dance, wanna dance
Encouragement to move and groove


Let me see the blue sky
Possibly expressing a desire to be free or to feel joy


I can dance, gotta dance
Expressing a need or compulsion to move and groove


Gonna dance, holding fragments
Dancing while holding onto pieces of something


Holding Fragments
Gripping small parts of something


Holding Chimera
Holding onto imaginary or illusory things


Twisted fragments, only fragments
Contorted or distorted pieces of something, but only fragments nonetheless


Only figments, only Chimera
Only illusions or unreal things


You're the one that got away
Referring to someone or something that slipped away despite one's best efforts


You're the one they couldn't touch
Referring to someone or something that could not be reached, whether physically or emotionally


Just the one that got away
Merely referring to the thing or person that was lost or missed


Oh the edges of this world
Once again, referring to the periphery of the earthly plane


Where the waters crash and curl
Where the sea violently moves and undulates




Lyrics © BMG Rights Management, DELLA BLUE MUSIC LLC, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: NEILL MACCOLL, DAVID GRAY MARK, JAMES JUSTIN HALLAWELL, ROBERT MALONE, KEITH ANDERSON PRIOR

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@user-ug7uu4xx1o

This man can tap into something with his music that very few others can, maybe Richard Hawley or Guy Garvey...what an amazing track..never stop making music David, eternally grateful for what you do..

@cokostwinder6145

Mooi.

@donnakotila6038

Perfection BRAVO George William McCorkle "Just a Boy From South Detroit"

@metal_films

😉 That’s a significant quantity of arrrgh, and the arrrgh combinations grow exponentially, so I’ll stop there.
Wonderful readings of Samuel Taylor Coleridge’s ‘The Rime of The Ancient Mariner’! Thank you! Just re-read, “A Night-Piece” by William Wordsworth, sweet personification of the moon. 🤗

@TCH6169

~ Where the waters ' Crash and Curl ~ #Namasteday

@davejones2435

Wish this poetry was about me 😂💯