Dillinger, like many of his peers, signed record deals with Death Row after being introduced to Dr. Dre by Warren G just as Dre began recording his seminal 1992 album, The Chronic. Dillinger contributed to The Chronic as well as his cousin Snoop Doggy Dogg's multi-platinum Doggystyle , Tupac Shakur's All Eyez on Me and the majority of the label's multi-platinum releases.
He released his first album Dogg Food with Kurupt as Tha Dogg Pound which went multi-platinum continuing Death Row's force as the most successful hiphop label. After Dr. Dre left the label, Daz became Death Row's main producer and was largely involved in Snoop's sophomore album Tha Doggfather and various compilations and soundtracks. After the death of Tupac Shakur, the departures of Snoop Dogg, Kurupt, Nate Dogg and the imprisonment of label CEO Suge Knight, Daz was the only major artist left on Death Row and mainly responsible for the work done in the label. In 1998 he released his solo-offering Retaliation, Revenge and Get Back for the first time using the more commercial-friendly artist name Daz Dillinger and even though the album reached gold status it was considered to be a commercial failure for the still high standards established by Death Row's previous releases.
Around 2000 Daz left the crumbling Death Row records and started his own imprint DPG Recordz. He released his second solo-album 2000's R.A.W. independently. Although the album didn't reach the success of his Death Row releases the album gained cult status in the underground West Coast rap scene. After that, Daz has kept on his business as CEO of his record label and has released several EP's and LP's with his name.
In 2002 Daz and his long time friend Kurupt parted ways because the latter rejoined Death Row and Daz's "arch-enemy" Suge Knight. Since that Daz and Kurupt have each released several dis records aimed at each other.
On April 13, 2005, Daz reunited with Kurupt through the peace meeting labelled "Protect the West", in which several other West Coast rap icons united to put aside their differences in hope of succeeding together.
Daz released an album on Jermaine Dupri's So So Def label titled 'So So Gangsta ' which's was released September 12, 2006
SWEET LOVE
Daz Dillinger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You put your own amount of sugar in it
Sweet, sweet love to your taste
To your own specifications
Now tell Kool-Aid, how much you want
How much can you flaunt (Tell em' bitch)
One scoop or two (Yeah)
Sweet, sweet love
On them twenty inches and you ask her how much she want
(How much you want bitch) And you got a beat that goes with it
Sweet, sweet love
And she says I want it all
And you know it's cool-Aid in her tank
And your fixing to ride the stripes away
To sweet, sweet love
Take that thong off (Take it off)
And let me touch your thighs (Touch the pussy)
While we roll, I promise to keep my eyes on the road
While I'm touching that sweet, sweet love
To your specifications, to your gratifications
Yeah Kool-Aid is like an aphrodisiac
Your pleasure is mine
Like when a whore goes out to whore
And bring you back all the money
That's sweet, sweet love
Don't try it and even put some strychnine
Listen to the pronunciation of strychnine in this cool-Aid
This ain't no Jim Jones thing
This is just sweet, sweet, love
Yo, yo, yo, yo, yo
I met her back in the day
Knew how much the bitch weighed and payed
It was sort of like a masquerade
Fake suede boots and Cadillac coupes swoop the boulevard (Err!)
In hot pursuit and we ain't afraid to shoot
From hotel to motel, for the highest clientele
You and you, I give a fuck how the pussy smell
Heads to tails, the bitch bail with limp
With a hell of a limp, see on that gangsta tip
See-notes, fifties and tens we cashed in
Bought a brand new Benz on gold Lorenzos rims
Anything I want my bitch gon' go out and get it
Hustle round and swear that a real pimp is his business
Who got the floss and ball to rise and fall
If a bitch want to do it she gon' fuck em' all
Dog, dog what up, Kool-Aid pimpin' keep on dippin'
Sippin' yac with a yamp, puttin' hoes on they back
It's like that
Everyone want to know how a pimp can do his thing
Ridin' sly, gettin' high
Bitches on the corner sellin' pussy tonight hey!
Everyone want to know how a pimp can do his thing
Ridin' sly, gettin' high
Got plenty of my bitches sellin' pussy tonight hey!
Tapped in with this baller I met, pushin' the Vette
He moved to California said he ain't got searched yet
Ah, she gon' blow ya socks off
And peal them rocks off
Bring em' home to daddy, so saddy
Pimp in the Caddy
Keep my hand on the gun
Cause they got me on the run
Menage trois in the telly
Anaconda all in the belly
She gon' serve four tricks
And suck some more dick
Homie this a bad bitch
Better than average
King Bing, Don Bishop, and White tie Gotti
Feel more slim than the Max to skip and dump the body
P-i-m-p, young G's, O.G.s
Fleetwood bronze, mobile phones and O-Zs nigga
Daz Dillinger feelin' ya every time you bust
Playa discussion, 'Kuruption' just like Kurupt
Fifty toes on the corner, block hatin' is irrelevant
They sellin' it, motherfucker are inhalin' this
Here pimpin'
Me and my homies we pimp the same ho
Pimp the same ho, ridin' through slow
Blaze through third and first and do what ya do
I done, done I done, done
Pull up and wrap the shotgun
They know me Gotti, she know we pimpin' and never slippin'
I pimp hoes on the side, side
Side, ride, slide provide applied
Upped the supplied supply
Swats, I gave it my own try
Improvise, be saddled up pimpin' hoes worldwide
Smack the bitch, smack the bitch
Take the bitch money, money
That's my grip the bitch get
Shakin' that lil' limp skinny ass body the bitch got
Turnin' the Gotti on the cock
And make the bitch hit the block, I'm tired of these hoes
Now a days fallin' crawlin' ah bitch come on
Bitches reconcile, ball and gobble and gargle
And swallow and her name was Tina
Where's the bitch
Known through the hood by the way she blow dicks
Pimpin' ain't shit to pimp
Pimp on pimp, pimp
The lyrics to Daz Dillinger's Sweet Love are sexually explicit and use metaphors to describe the act of making love. The primary metaphor used in the song is that of Kool-Aid. In the first verse, Daz compares making love to mixing Kool-Aid, saying that just as one can add sugar to Kool-Aid to taste, one can customize their lovemaking according to their own specifications. The second verse continues with this metaphor, with Daz saying that when you're "rolling down the street" (presumably in a car) and have the right beat going, you can ask your partner (whom he refers to as "bitch") how much she wants and give it to her, just like you can customize the sweetness of Kool-Aid.
The second half of the song shifts to a more traditional rap beat and focuses on pimping rather than lovemaking. Rather than using Kool-Aid as a metaphor, Daz portrays himself as a pimp and uses traditional pimp language to describe his dealings with women. He describes having a group of women who work for him ("me and my homies we pimp the same ho"), and the violence and control that is often a part of pimp culture ("take the bitch money...smack the bitch"). The song ends with Daz's assertion that "pimpin' ain't shit to pimp," which suggests that he sees pimping as easy and desirable work.
Line by Line Meaning
When you make the Kool-Aid
When you create something to your liking
You put your own amount of sugar in it
You adjust it to your preferences
Sweet, sweet love to your taste
Personalized affection to suit your desires
To your own specifications
Tailored to your specific requirements
Now tell Kool-Aid, how much you want
Communicate your desired quantity
How much can you flaunt (Tell em' bitch)
How much can you confidently display
One scoop or two (Yeah)
A small or large amount
Sweet, sweet love
Affection that brings pleasure
When your rolling down the street (Errr!)
When you're driving on the road
On them twenty inches and you ask her how much she want
On large rims and you inquire about her desires
(How much you want bitch) And you got a beat that goes with it
And you have a musical rhythm that accompanies it
And she says I want it all
And she expresses her desire for everything
And you know it's cool-Aid in her tank
And you know she wants the special affection
And your fixing to ride the stripes away
And you're preparing to enjoy the pleasures fully
To sweet, sweet love
To the enjoyable and pleasurable affection
Take that thong off (Take it off)
Remove that undergarment
And let me touch your thighs (Touch the pussy)
And allow me to caress your intimate areas
While we roll, I promise to keep my eyes on the road
While we drive, I assure you I'll focus on the task
While I'm touching that sweet, sweet love
While I'm indulging in that delightful affection
To your specifications, to your gratifications
According to your desires, to fulfill your satisfaction
Yeah Kool-Aid is like an aphrodisiac
Yeah, this special affection is like a sexual stimulant
Your pleasure is mine
Your enjoyment is my priority
Like when a whore goes out to whore
Similar to when a prostitute works
And bring you back all the money
And returns with the earnings
That's sweet, sweet love
That's the satisfying affection
Don't try it and even put some strychnine
Don't attempt to add poison
Listen to the pronunciation of strychnine in this cool-Aid
Pay attention to the way strychnine is pronounced in this special affection
This ain't no Jim Jones thing
This is not a similarity to the Jim Jones incident
This is just sweet, sweet, love
This is simply delightful affection
Yo, yo, yo, yo, yo
Attention, attention, attention, attention, attention
I met her back in the day
I encountered her in the past
Knew how much the bitch weighed and payed
Knew her physical weight and her worth
It was sort of like a masquerade
It was somewhat like a hidden disguise
Fake suede boots and Cadillac coupes swoop the boulevard (Err!)
Imitation suede footwear and stylish cars glide down the street
In hot pursuit and we ain't afraid to shoot
In active pursuit and unafraid to use firearms
From hotel to motel, for the highest clientele
Moving from one lodging to another, serving the most prestigious customers
You and you, I give a fuck how the pussy smell
You and others, I don't care about the scent of their intimate areas
Heads to tails, the bitch bail with limp
From top to bottom, the woman escapes with a swagger
With a hell of a limp, see on that gangsta tip
With a noticeable limp, and that represents a gangster attitude
See-notes, fifties and tens we cashed in
Large bills, fifty-dollar bills, and ten-dollar bills we exchanged
Bought a brand new Benz on gold Lorenzos rims
Purchased a new Mercedes-Benz car with fancy gold rims
Anything I want my bitch gon' go out and get it
Whatever I desire, my partner will acquire it for me
Hustle round and swear that a real pimp is his business
Move around and claim to be a genuine pimp as his profession
Who got the floss and ball to rise and fall
Who possesses the wealth and ability to succeed and fail
If a bitch want to do it she gon' fuck em' all
If a woman wants to engage, she will sleep with many individuals
Dog, dog what up, Kool-Aid pimpin' keep on dippin'
Hey buddy, what's happening, continue practicing the art of charming seduction
Sippin' yac with a yamp, puttin' hoes on they back
Drinking cognac with a woman, getting women to engage in sexual activities
It's like that
It is how it is
Everyone want to know how a pimp can do his thing
Everyone is curious about the methods of a pimp
Ridin' sly, gettin' high
Traveling discreetly, getting intoxicated
Bitches on the corner sellin' pussy tonight hey!
Prostitutes on the street selling their services tonight
Tapped in with this baller I met, pushin' the Vette
Connected with a wealthy individual I encountered, driving a Corvette
He moved to California said he ain't got searched yet
He relocated to California and claims he hasn't been investigated yet
Ah, she gon' blow ya socks off
Oh, she will provide an amazing sexual experience
And peal them rocks off
And remove the jewelry
Bring em' home to daddy, so saddy
Bring them to me, so satisfying
Pimp in the Caddy
Engaging in pimp activities in a Cadillac
Keep my hand on the gun
Maintain control over the situation
Cause they got me on the run
Because they are pursuing me
Menage trois in the telly
Engaging in a threesome in the hotel room
Anaconda all in the belly
Large amount of money stashed in the stomach
She gon' serve four tricks
She will provide services to four individuals
And suck some more dick
And perform oral sex
Homie this a bad bitch
My friend, she is an attractive woman
Better than average
Better than the ordinary
King Bing, Don Bishop, and White tie Gotti
Prominent figures in the pimping community
Feel more slim than the Max to skip and dump the body
Feel more comfortable and agile to avoid trouble and dispose of evidence
P-i-m-p, young G's, O.G.s
Pimp, young gangsters, old gangsters
Fleetwood bronze, mobile phones and O-Zs nigga
Luxurious cars, cellphones, and ounces of drugs
Daz Dillinger feelin' ya every time you bust
Daz Dillinger appreciating you every time you succeed
Playa discussion, 'Kuruption' just like Kurupt
Engaging in player conversations, bringing 'Kuruption' like Kurupt
Fifty toes on the corner, block hatin' is irrelevant
Fifty individuals on the street corner, dislike from the neighborhood is insignificant
They sellin' it, motherfucker are inhalin' this
They are advertising it, people are enjoying it
Here pimpin'
Presenting pimping
Me and my homies we pimp the same ho
My friends and I engage in the same prostitution
Pimp the same ho, ridin' through slow
Control the same prostitute, driving at a leisurely pace
Blaze through third and first and do what ya do
Speed through different areas and perform your duties
I done, done I done, done
I have completed, completed I have
Pull up and wrap the shotgun
Approach and secure the shotgun
They know me Gotti, she know we pimpin' and never slippin'
They recognize me as Gotti, she knows we engage in prostitution and never make mistakes
I pimp hoes on the side, side
I engage in prostitution as a secondary activity
Side, ride, slide provide applied
Secondary, travel, slip, offer assistance, implement
Upped the supplied supply
Increased the amount of available supply
Swats, I gave it my own try
Law enforcement, I attempted it myself
Improvise, be saddled up pimpin' hoes worldwide
Adapt, be ready for pimping globally
Smack the bitch, smack the bitch
Slap the woman, slap the woman
Take the bitch money, money
Claim the woman's earnings
That's my grip the bitch get
That's my control, the woman understands
Shakin' that lil' limp skinny ass body the bitch got
Moving her small, weak body that the woman possesses
Turnin' the Gotti on the cock
Exciting me sexually
And make the bitch hit the block, I'm tired of these hoes
And make the woman return to the streets, I'm tired of these prostitutes
Now a days fallin' crawlin' ah bitch come on
Nowadays, declining, struggling, come on, woman
Bitches reconcile, ball and gobble and gargle
Women make amends, enjoy themselves, and perform oral sex
And swallow and her name was Tina
And swallow, her name was Tina
Where's the bitch
Where is the woman
Known through the hood by the way she blow dicks
Known in the neighborhood for performing oral sex
Pimpin' ain't shit to pimp
Engaging in pimping is nothing difficult
Pimp on pimp, pimp
Pimping on top of pimping, pimping
Lyrics ยฉ Sony/ATV Music Publishing LLC
Written by: Gary Bias, Anita Baker, Louis A. Johnson
Lyrics Licensed & Provided by LyricFind