She began singing for TV commercials at age 12, and entered various talent shows with the help of her mother. She performed in nightclubs, and began to write music around the same time. Cox entered the music industry in the early 1990s, performing as a backup vocalist for Celine Dion for six months.
In 1995, label executive Clive Davis signed Cox to Arista Records, and she released her self-titled debut album the same year.
After middling success, Cox released a non-album single for the soundtrack to the 1997 movie "Money Talks", titled "Things Just Ain't The Same". A dance mix of that song topped the U.S. dance charts and was included on her second album, "One Wish" in 1998. The first single from that album, "Nobody's Supposed to Be Here", spent 14 weeks at #1 on the Hot R&B charts in the USA, as well as eight consecutive weeks at #2 on the Billboard Hot 100. The album went platinum, becoming Cox's biggest-selling album to date. Cox then recorded a new song, "Absolutely Not", for the soundtrack to Dr. Dolittle 2. Remixes of the song repeated the success of One Wish's singles on the dance charts, and the Chanel mix of "Absolutely Not" was included on her third album.
Cox's third album "The Morning After" was released in November 2002 on J Records.
On February 17, 2004, she made her Broadway debut in the Elton John-Tim Rice musical Aida, returning to recording only to release a dance remix of "Easy As Life" as a single.
Cox also has been involved in a number of movies and soundtracks. In 2000, she played Niko Rosen in Love Come Down. In 2001, her hit song "Absolutely Not" was featured in Dr. Dolittle 2. In 2005, in the movie Blood of a Champion she played the role of Sharon, and again in 2005, her voice was featured in the movie Hotel Rwanda in the song "Nobody Cares".
She released a dance single titled "House Is Not a Home" on Nervous Records in January 2006. Later in the year, the song "Definition of Love" was used in the movie Akeelah and the Bee, but was not released as a single.
Between 2005 and 2006 Deborah recorded her fourth album, called "Destination Moon". It is a tribute to jazz singer Dinah Washington and was released on June 19, 2007.
Cox contributed the song "This Gift" to the soundtrack of the 2008 movie "Meet the Browns" and was part of Cyndi Lauper's True Colors Tour 2008.
She has also starred in "A Good Man is Hard to Find" along side Golden Brooks and Darius McCrary.
In early 2008, Cox and Stephens created the Deco Recording Group, her very own independent label, which is distributed through Image Entertainment.
Her fifth R&B studio album, "The Promise", was released on November 11, 2008. The first single "Did You Ever Love Me" was released to radio on August 26, 2008 and peaked at #69 on the Hot R&B/Hip-Hop Songs Chart. The song "Beautiful U R" has been released digitally to iTunes and Amazon.com on September 16, 2008. It has recently reached #3 on the Canadian Radio Chart becoming her most successful single in nearly ten years. It also peaked at #3 on the Canadian Hot AC Chart (January, 2009 Chart) and hit #1 on the US Dance chart becoming her tenth song to do it.
The song was certified gold for digital downloads in January, 2009. "Saying Goodbye" was sent to Urban/AC radios in February, while "The Promise" is scheduled to be released as a single in July. Cox joined forces with Kenny Lattimore for the "Timeless Promise Tour" in July 2009.
In April 2009, she was featured on the single "Leave The World Behind". The house track was produced by four DJs — Axwell, Steve Angello, Sebastian Ingrosso and Laidback Luke. It peaked at #40 on the US Dance chart.
In September 2009 it was announced she would be joining Kelly Price and Tamia to form the super group The Queen Project. In a February 2012 interview with Seattle Gay News, Cox confirmed that those plans were on hold, due to scheduling issues. "Each of us has moved on and we are all doing our own projects now." She also noted that she is currently working on a dance album. "My fans have been hounding me about another 'remixed' album."
In December 2011 Deborah achieved her 11th number 1 with "If It Wasn't For Love".
On September 7, 2012 Cox gave her inaugural performance as Lucy the female lead in a revival of the musical Jekyll & Hyde starring Constantine Maroulis: after premiering in La Mirada CA this production toured North American for twenty-five weeks playing at twenty locales, then began previews for its Broadway run April 5, 2013 officially opening its planned limited engagement Broadway run of thirteen weeks on April 18, 2013. Despite Cox herself receiving good reviews, the production did not enjoy strong Broadway box-office and subsequent to its non-showing in the 2013 Tony Awards list of nominees announced April 30, 2013 Jekyll & Hyde was announced to be playing its final show May 12, 2013. Cox had a new track "Higher" issued in the autumn of 2012, and in May 2013 stated she was planning to record a dance version of the Jekyll & Hyde number "Someone Like You". Also, in April 2013 Cox stated that a projected Broadway musical in which she'd play Josephine Baker, which had been workshopped in 2011, was still planned, the production being dependent on an available venue.
In 2014, she was one of the performers at the opening ceremonies of WorldPride in Toronto, alongside Melissa Etheridge, Tom Robinson and Steve Grand.
Cox provided vocals for the 2015 Whitney Houston biopic, Whitney, directed by Angela Basset. The same year, she released the deep house-influenced "Kinda Miss You", as well as the ballad "More Than I Knew" as singles. In 2016, Cox played the lead role of Josephine Baker in the Broadway-bound musical Josephine, which chronicled the singer's life between the years of 1939 and 1945, and starred as Rachel Marron in the North American Tour of the musical The Bodyguard based on the 1992 film of the same name. In support of the musical, Cox released the EP I Will Always Love You on Deco and Broadway Records, containing cover versions of seven Whitney Houston originals as well as Houston's cover of Dolly Parton's "I Will Always Love You."[31] In June 2017, she released an uptempo dance single "Let the World Be Ours Tonight" during LGBTQ pride season on Radikal Records and Galactic Media. It marked her 13th single to top Billboard's Dance Club Songs.
In June 2019, she performed at Stonewall 50 – WorldPride NYC 2019. In November 2019, Cox released the Rico Love-produced single "Easy Way" through Deco Entertainment. The song is expected to lead her seventh studio album, which is expected to be released in late 2020. In February 2020, Cox starred opposite Roger Guenveur Smith in the BET+ television thriller Influence, an adaption of Carl Weber's same-tited 2018 novel, portraying a big-name celebrity singer accused of killing her husband. Also in 2020, she appeared as a guest host in an episode of Canada's Drag Race and started webseries titled COXtales with Deborah Cox during the global COVID-19 pandemic. Deborah Cox was added to the BET series First Wives club during Season 2, playing the musician "Regina". In addition, she stars in a minor role as Wendy on the limited HBO TV series, Station 11.
Squeeze Me
Deborah Cox Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't stop till I tell you when
Now daddy, squeeze me and kiss me some more
Just like you did before
Oh boy, Cupid standing close by
Oh daddy, don't make your sweet mama cry
Just pick me up on your knee and I just get
Oh daddy, squeeze me and squeeze me again
Don't stop till I tell you when
Now daddy, squeeze me and kiss me some more
Just like you did before
Oh boy, Cupid is standing close by
Oh daddy, don't make your sweet mama cry
Just pick me up on your knee, 'cause I just get
So you know, oh when you squeeze me
You take that to the back
The lyrics to Deborah Cox's song "Squeeze Me" are a seductive, intimate plea to her lover to hold her close and tightly. The opening line, "Oh daddy, squeeze me and squeeze me again," sets the tone for a sensual experience. This line is followed by "Don't stop till I tell you when," suggesting that the singer is fully in control of her pleasure, and her lover must follow her lead. The repetition of the phrase "squeeze me" throughout the song adds to the passionate, urgent vibe.
The second verse introduces the character of Cupid, which implies that love and romance are in the air. The line "Oh daddy, don't make your sweet mama cry" suggests that the singer doesn't want to be hurt or neglected in any way, and just wants to be held by her lover. The final lines of the song, "You take that to the back," are a bit ambiguous in meaning, but could be interpreted as an invitation to continue the physical intimacy away from public view.
Overall, the song is a sultry and seductive plea for physical affection and intimacy, while also asserting the singer's control over her own pleasure and desires.
Line by Line Meaning
Oh daddy, squeeze me and squeeze me again
The singer requests her lover to hug her tightly and repeatedly until she asks him to stop
Don't stop till I tell you when
The singer instructs her lover not to cease hugging her until she gives him permission to.
Now daddy, squeeze me and kiss me some more
The singer requests her lover to kiss her and hold her tightly once more.
Just like you did before
The artist wants her lover to engage in the same affectionate behavior as before, conveying that it gave her pleasure.
Oh boy, Cupid standing close by
The artist alludes to Cupid, the god of love, being present nearby to indicate that their love is blessed and significant.
Oh daddy, don't make your sweet mama cry
The singer asks her lover not to hurt her emotionally, likening her to a child who does not wish to be upset by her father.
Just pick me up on your knee and I just get
The singer expresses her preference to be held in her lover's lap, which makes her feel loved.
So you know, oh when you squeeze me
The artist emphasizes the physical touch of her lover by stating that it is a crucial reminder of his love and care.
You take that to the back
This line does not match the rest of the song and is unclear in its meaning, so it has been omitted from the output.
Lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: DUKE ELLINGTON, LEONARD GAINES
Lyrics Licensed & Provided by LyricFind