Artemios Roussos was born on June 15, 1946 in Alexandria, Egypt, and died o… Read Full Bio ↴Artemios Roussos was born on June 15, 1946 in Alexandria, Egypt, and died on January 25, 2015 in Athens, Greece. As George and Olga’s first son, he was of Greek extraction. Three years later, his younger brother Costandinos, was born.

Throughout his childhood he was influenced by the musics that were coexisting in Egypt. The sound of Arabic music entered into his life at that time and has continued until today as one of his biggest influences. At the age of ten, he was intrigued by Jazz and learnt to play the trumpet. As a young boy he also attended the choir of the Greek Byzantine church of Alexandria and sang for five years as a soloist.

However, when Artemios reached the age of fifteen, his life changed. It was the time of the Suez Canal crisis. His family left Egypt and immigrated to their homeland Greece. Artemios then had to work to support his family. During the day he attended school and, at night, he played the trumpet in various clubs in Athens. Two years later, his first band, "The Idols" was formed. Artemios played the Bass Guitar and sang backing vocals as well. One day, as the lead singer needed to rest, he asked Artemios to replace him for a few songs. That night, when Artemios sang "The House Of The Rising Sun" and "When A Man Loves A Woman" the audience was amazed. From then on Artemios was asked to sing again and again.

Within a short period, Artemios was making a sound reputation. It was at this time that he met the man who would later become one of his most successful composer, Lakis Vlavianos. From that meeting a new band was born, the "We Five", with Artemios as the lead singer.

In 1968 Artemios’s journey crossed the road of two other top Greek musicians, Vangelis Papatanassiou and Loukas Sideras. Their associationbecame one of the biggest musical events of the seventies in the form of "Aphrodite’s Child". This ambitious band decided to travel to the United Kingdom for better commercial prospects. Artemios--who had now shortened his name to Demis--would be the singer and the bass player, Vangelis the main composer as well as the keyboard player, and Loukas would play the drums.

However, they were refused entry to the United Kingdom for lack of a work permit. Instead, Aphrodite's Child travelled to Paris, arriving just as the city was going through the May 68 revolution. After a few concerts in some trendy Parisian clubs, a major company offered to record a song of theirs, one that was inspired by Pachelbel‘s canon called "Rain And Tears". This first album of Aphrodite’s Child sold over a million copies in France alone.

Nine months later, as Demis first daughter, Emily, was born, "Rain And Tears" was the top single all over Europe and a top 20 single in the United Kingdom. The band experienced a huge success for three years.

They then released their legendary last album “666”, after which, for various reasons, Aphrodite's Child decided to split up.

Since Demis was one of the main elements of the band, the record company offered him a chance to recorded his first solo single, "We Shall Dance", which was released on the album "On the Greek Side of My Mind". This album and the single jumped into the top five of all the national hit parades of Italy, Spain, France, Holland, Germany and Scandinavia.

Some months later, Demis met with his old friend of the "We Five", Lakis Vlavianos. Lakis was then going through an inspired period and wrote many songs which Demis recorded; these turned into a string of number one hits all over the world, including: "Forever And Ever", "My Friend the Wind", and "Velvet Morning".

After his second child, Cyril, was born in 1975, Demis toured the globe for eight years with his second wife and child. In Brazil, he packed a stadium of 150 000 people--an event that was achieved in that particular stadium twice only. (The other previous artist was Frank Sinatra.) In fact, Demis sold enough records to gain a name in the Guinness Book of records among the personalities of show business in the 70’s and the eighties. He was awarded more than a hundred golden, platinum, and diamond albums and cassettes.

His unique dressing style was often considered eccentric but Demis was following his instinct which told him that the music he was performing should match with the combination of looks between the glorious Byzantine Empire and the Arabic Caftan.

In 1978 his instinct told him again that he should retire for a while, thinking of new things concerning his career and life. And so he took his family to an area of the world where he was unknown, Malibu Beach, California. There, Demis lost over 50 kilograms. He returned to Europe and lived a quieter life between England and Greece, alone with his son, Cyril.

On June 14 1985, wile he was travelling from Athens to Rome, a decisive event occurred. Demis’s TWA airplane was hijacked by terrorists. After two days in that plane praying, Demis was held three days in the prison of Beyrouth with his third wife. Like many other survivors, he went through the shock of a traumatic experience. After that, Demis said he had never understood so well the importance of the nations living in peace and how precious life is when you see death so close. He felt more than ever that his contribution for a better tomorrow could be via music and so decided to return to the recording and performance scene.

He recorded twenty songs and compiled an album called "The story of Demis Roussos". With this album, Demis started to world tour again and found a nostalgic audience who had missed his magic voice. In 1986 Demis toured the USSR for three weeks and was invited to join important scientists, writers and artists at the forum for peace and disarmament in Moscow, during February 1987.

Later that year, during a tight TV schedule in Chile, Demis insisted on fitting in a visit to the Earth summit in Rio to get a clearer picture of the environmental problems, which were a main concern for Demis.

Since then Demis had been a regular visitor of the charts with singles such as "Quand je t’aime" and "On écrit sur les murs", and albums such as "Voice and Vision" and "Immortel".

Since 2008, Demis had been living in Greece by the sea. After being one of the most talented singers of his century, Demis was still working on more magical offerings, with the blessing of music and God.

He died aged 68, on the Hygeia Hospital in Athens on January 25, 2015.

Adagio
Demis Roussos Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Femmes sublimes et suprêmes
Femmes, douceurs, violences extrêmes,
Comme un diamant, un diadème,
Je veux offrir pour emblème
Un adagio en requiem
Pour vous dire "Je vous aime".

Femmes, mon Dieu ! Je vous aime

Femmes, douceurs, violences extrêmes,
Même si parfois je blasphème,
Vos plaisirs sont nos baptêmes,
Vos désirs sont nos dilemmes
Qui dévorent nos corps d'amour.

S'il me reste encore un espoir
Comme un feu, comme un phare
Dans le brouillard d'un monde barbare,
Rien qu'aux femmes je veux croire
Et chanter à leur gloire
Pour qu'un jour grâce à elles
Déesses, princesses, renaîssent
Tous les hommes en détresse.

Femmes, mon Dieu ! Je vous aime
Femmes, douceurs, violences extrêmes,
Même si parfois je blasphème,
Je veux offrir pour emblème

Un adagio en requiem
Pour vous dire "Je vous aime"

Overall Meaning

The lyrics to Demis Roussos's song "Adagio" reflect a deep appreciation and admiration for women. The opening lines of "femmes sublimes et suprêmes" (sublime and supreme women) set the tone for the rest of the song. The use of the word "douceurs" (sweetness) and "violences extrêmes" (extreme violence) highlights the complex nature of women and the many different roles they play in our lives.

Through the metaphor of a diamond or a diadem, Roussos conveys the idea that women are valuable and precious. He wants to offer them an emblem, or symbol, of his love in the form of an "adagio en requiem" (slow funeral march). This mournful and reflective musical style echoes the sentiment that women are often overlooked and underappreciated, and perhaps even mourned when they are gone.

The chorus repeats the lines "femmes, mon Dieu! je vous aime" (women, my God! I love you), emphasizing the depth of Roussos's feelings towards women. Despite occasionally "blaspheming" (speaking irreverently or disrespectfully about something sacred), he recognizes that women are the source of pleasure and baptism for men. Their desires can be both a source of joy and a source of conflict, but ultimately, they are essential to men's lives.

The final lines express a hope that the world can become a better place thanks to women. "Pour qu'un jour grâce à elles déesses, princesses, renaîssent tous les hommes en détresse" (so that one day, thanks to them, gods, princesses, all men in distress will be reborn). This suggests that women have the power to inspire and renew men, and that their contributions to society are invaluable.

Overall, the lyrics to "Adagio" celebrate women and their many facets, while also expressing a desire for a world in which they are given the respect and recognition they deserve.

Line by Line Meaning

Femmes sublimes et suprêmes
Women who are magnificent and highest in rank

Femmes, douceurs, violences extrêmes,
Women, both gentle and extremely passionate

Comme un diamant, un diadème,
Like a diamond, a crown,

Je veux offrir pour emblème
I want to offer as a symbol,

Un adagio en requiem
An adagio for a requiem

Pour vous dire "Je vous aime".
To tell you 'I love you'

Femmes, mon Dieu ! Je vous aime
Women, my God! I love you

Même si parfois je blasphème,
Even if sometimes I blaspheme,

Vos plaisirs sont nos baptêmes,
Your pleasures are our baptisms,

Vos désirs sont nos dilemmes
Your desires are our dilemmas

Qui dévorent nos corps d'amour.
That devour our bodies of love.