Banhart is considered to have an eclectic style, with many of his songs seemingly following a stream-of-consciousness vein, being hard to decipher and non-literal. His music tends to consist of fairly simple guitar melodies with minimal other instrumentation, and his lyrical themes are often surreal and naturalistic. His involvement in the Los Angeles artist community is reflected in Smokey Rolls Down Thunder Canyon, released in September 2007. He gained some underground notoriety in New York for performing several of his early shows with underwear on his head for the duration of the performance.
Banhart's most recent tour of the United States saw him perform with his full band, which is currently known as Power Mineral. Power Mineral included Andy Cabic (Vetiver), Greg Rogove (Priestbird), Noah Georgeson, Luckey Remington, Pete Newsom, Otto Hauser (Vetiver, Currituck Co., Espers, Nick Castro), Kevin Barker (Currituck Co.), and others. The band claims to rechristen itself when a name comes to them, and has previously been known as Fried Hummingbird, Vagina Burglars, Hairy Fairy Band, Las Putas Locas, Stoner Boner, Spiritual Boner, Bummer Hummer, Brain Taint, Love Fart, Bathhouse Of The Winds, and First Woman Millionaire among other names.
Banhart was discovered by Michael Gira of Swans, who released his Oh Me Oh My... The Way the Day Goes by the Sun Is Setting Dogs Are Dreaming… album on his own Young God Records label in 2002. In 2005, Banhart (along with Andy Cabic and Revolver USA) created the Gnomonsong record label. In 2006 he helped to curate an edition of the British All Tomorrow's Parties festival.
Banhart also was one of the younger musicians responsible for "rediscovering" the music of folksinger Vashti Bunyan. Bunyan is a guest vocalist on his album Rejoicing in the Hands.
Aymama-Aymama
Devendra Banhart Lyrics
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Ay mamá, no hay que llorar.
No hay que llorar.
In Devendra Banhart's song Aymama-Aymama, the opening lines "Ay mamá, Ay mamá, no hay que llorar" are a soothing call from a child to his/her mother not to cry, implying that everything is going to be okay. Banhart seems to be invoking the theme of reassurance through the lyrics. The lyrics evoke a sense of reassurance and comfort, and it can be interpreted as a message of hope for someone who is going through a tough time. The song might also imply that we should not fret over things that are out of our control, but trust that things will eventually fall into place.
Furthermore, the repetition of "Ay Mamá" creates an image of the singer calling out to their mother, who might be distant or not present at all. This creates a sense of longing or loss which is consistent with Devendra Banhart's music, which often explores themes of heartbreak and nostalgia. Ultimately, the song's lyrics encourage us to stay strong and keep our heads up in tough times, as things will eventually get better.
Line by Line Meaning
Ay mamá
Oh mother
Ay mamá, no hay que llorar.
Oh mother, there's no need to cry.
No hay que llorar.
There's no need to cry.
Contributed by Jacob W. Suggest a correction in the comments below.
Thais Nicols
on Mi Negrita
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