"No one is quite like Diamanda Galas. … Read Full Bio ↴From the CD Universe website:
"No one is quite like Diamanda Galas. Who else could draw comparisons to Grace Jones, Mahalia Jackson, and Flatula Lee Roth from Tragic Mulatto, all uttered in one reverent breath? And who else but the diva of vocal gymnastics could team up with one of rock's heaviest bassists, Led Zeppelin's legendary John Paul Jones?
Emerging triumphant from this collaboration, Galas drags her new album THE SPORTING LIFE over her shoulder like a fresh kill. She whinnies like a horse through songs like 'Devil's Rodeo' while the title track finds her hurling insults like Rita Hayworth's character in 'Gilda" screaming',I don't like him, let's kill him!"
Ms. Galas is no one to mess with. She's a vicious trilingual temptress teamed up with an equally adept bassist, and the resulting SPORTING LIFE is an equally harsh yet beautiful new album."
John Paul Jones (lap steel guitar, bass); Pete Thomas (drums).
Personnel includes: Diamanda Galas (vocals, piano, Hammond B-3 organ);
Entertainment Weekly (9/23/94, p.70) - "...Led Zeppelin bassist Jones and Pete Thomas join the demonic diva to form a power-mad trio on Galas' most rocking album yet..." - Rating: B
Musician (11/94, p.88) - "...At times, THE SPORTING LIFE sounds like the best album Led Zeppelin never made, with Galas' acrobatic, banshee-giving- birth caterwaul subbing for Jimmy Page feedback in a newfangled power trio..."
Do You Take This Man?
Diamanda Galás with John Paul Jones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I don't handle disappointment well
I'd like to say I could forgive you
But I can never forgive - just forget
Now, it will take me ten long years to forget,
That's 12 months of the year
Four weeks of the month
And seven days a week
I don't have that much time to FORGET
That's a whole lot of hard and lonely time
When we could be together
Husband, with this knife
I do you adore
I take you out of this world baby
With a lot of feeling
And with this feeling I do bestow upon you
All my wordly gifts
Honey, wasn't it beautiful?
The lovely time we spent together
It was SERENE
I will never forget you,
I will never forget you
Long as I live
"Do you take this man?"
Husband, with this blade
I do you hold
I'll take what's mine
And let the future
Keep the rest
Baby, I take you from this world
To my place
To a place of feeling
Where I can love you
And we can be alone together
God I'm so grateful to be real with you baby
Lies are for a longer life
And I have got so much to say...
Shut up!!!
Shut up!!!
Don't cry baby
I'm feeling better all the time
I don't want to be angry, ok?
I'm trying not to do that
God, I'm so disappointed in you!
Remember that drive?
We talked about the wild thing
For 24 hours-7
While the dogs and the coyotes laughed
And the sun went up and down
And your rod went in and out
And the buzzards and the vultures howled:
"Do you take this man?"
It was the summer
It was hot
And you loved me so much
You said: "Mama, may I take your hand?
May I please, mama?"
Bitch! KEEP THOSE BUTTOCKS UP, MOMITO!
Come on.
I'm all you need. Be sweet
Seriously, you know
I need to get in touch with you
I need to get in touch with the real you
"Do you take this man?"
(The oath)
"I will."
I'm very disappointed in you
I told you not to run off from me baby
There's nowhere else for you to go
There's no one else you need
You knew that
Now I have to get off my knees
Because I have some shopping to do
I have to think of my reputation
And chump is not my name
This hurts me more than you
So just think of the good times we had together
I'm your best friend baby
I really am, and I always will be, too.
The song "Do You Take This Man?" by Diamanda Galás with John Paul Jones is a haunting, eerie ballad that tells a story of disappointment, betrayal, and revenge. The lyrics are filled with conflicting emotions, from disappointment and anger to love and affection. The first verse expresses disappointment and the difficulty of forgiving and forgetting, while the second verse is haunting and foreboding, with the use of a knife as a symbol of danger and power. The bridge of the song features the repeated question, "Do you take this man?", which adds to the ominous atmosphere of the song.
As the song progresses, the lyrics become more twisted and disturbing. The use of violence and control in the lyrics speaks to a darker side of love and relationships. The line, "Bitch! KEEP THOSE BUTTOCKS UP, MOMITO! Come on" is particularly unsettling, suggesting a dominant and abusive dynamic. The song ends on a note of uncertainty, with the singer expressing their disappointment but also offering reassurance that they will always be the listener's best friend.
Interestingly, John Paul Jones, the co-writer of this song, is best known as the bassist and keyboardist of Led Zeppelin. He has also worked with many other artists over the years as a session musician and producer.
Line by Line Meaning
I'm very disappointed in you
I am displeased with your actions and behavior
And I don't handle disappointment well
I cannot cope with the feeling of being let down
I'd like to say I could forgive you
It would be nice to think that I am capable of granting you forgiveness
But I can never forgive - just forget
Regardless of what I may hope for, I will never be able to forgive you, but I can try to forget what happened
Now, it will take me ten long years to forget,
It will take a significant amount of time for me to move on from this situation
That's 12 months of the year
This is equal to 12 months per year
Four weeks of the month
This is equal to four weeks per month
And seven days a week
This is equal to seven days per week
Well that's a very tall order, I got to say
That is an extremely demanding task, I must admit
I don't have that much time to FORGET
I do not have enough time to forget what happened as quickly as I would like to
That's a whole lot of hard and lonely time
This is a significant period of difficult and solitary experiences
When we could be together
This is a time when we could be spending together
Husband, with this knife
Addressing her partner, she holds up a knife
I do you adore
She pledges her love to him
I take you out of this world baby
She intends to end her partner's life
With a lot of feeling
She is proceeding with the act with intense emotion
And with this feeling I do bestow upon you
She is conferring upon him
All my wordly gifts
Everything she has to offer in this world
Honey, wasn't it beautiful?
Addressing her partner caringly, she asks if they enjoyed the time they spent together
The lovely time we spent together
The memorable moments they shared together
It was SERENE
The moments they shared were very peaceful and calm
I will never forget you,
Even though she intends to end her partner's life, she promises to remember him
I will never forget you
She reiterates her commitment to remember him
Long as I live
Until the end of her life
"Do you take this man?"
A query as to whether she accepts and commits to her partner
Husband, with this blade
She now holds up a blade, a different weapon to use against her partner
I do you hold
She holds him under her control
I'll take what's mine
She seeks to claim ownership of something she feels belongs to her
And let the future
She is leaving the future to its devices
Keep the rest
Whatever's left shall remain untouched with no action taken by her
Baby, I take you from this world
She talks to her partner affectionately, then asserts that she's taking his life
To my place
Moving him from this world into the afterlife, under her control
To a place of feeling
He's being taken to a place where he can feel true emotion
Where I can love you
She claims to be able to love him to a stronger extent than she can in this world
And we can be alone together
Describing the future state where only the two of them are together
God I'm so grateful to be real with you baby
She thanks God for being able to communicate authentically with him
Lies are for a longer life
She realizes that lies lead to a longer life
And I have got so much to say...
There is a lot she wishes to convey to him
Shut up!!!
An abrupt command to not speak further
Don't cry baby
A comforting tone in response to his emotions
I'm feeling better all the time
She conveys an upbeat attitude about how she's feeling
I don't want to be angry, ok?
She attempts to maintain a calm demeanor
I'm trying not to do that
She is making an effort to not get angry
God, I'm so disappointed in you!
She again expresses her displeasure with him
Remember that drive?
She attempts to refer to a shared memory
We talked about the wild thing
A shared discussion about something exotic and new
For 24 hours-7
The conversation seemingly went on for days and days, unceasingly
While the dogs and the coyotes laughed
The scene was set in a place where wildlife actively participated in the experience
And the sun went up and down
Time passed as the sun rose and set
And your rod went in and out
She refers to a sexual act they shared
And the buzzards and the vultures howled:
Returning to the vivid descriptions of the surroundings and wildlife
"Do you take this man?"
A repeat of the question seen earlier
It was the summer
She sets the timing of the shared memory
It was hot
The weather was warm and possibly uncomfortable
And you loved me so much
Her partner cared for her deeply
You said: "Mama, may I take your hand?
He addressed her affectionately and sought to hold her hand
May I please, mama?"
He politely asked for permission to do so
Bitch! KEEP THOSE BUTTOCKS UP, MOMITO!
The tone is aggressive and demanding
Come on.
She implores him to act
I'm all you need. Be sweet
She is trying to convince him of her worthiness
Seriously, you know
She is being honest and sincere
I need to get in touch with you
She expresses a desire to reconnect with him
I need to get in touch with the real you
She asserts that he has not been acting like his true self
"Do you take this man?"
The query is repeated once again
(The oath)
This references the act of accepting and committing to a covenant
"I will."
The affirmative response to the earlier question
I'm very disappointed in you
The final repetition of her disappointment with him
I told you not to run off from me baby
She expresses a desire for him not to leave her presence
There's nowhere else for you to go
There is no other destination or option for him to explore
There's no one else you need
There is no other person who is able to fulfill his needs
You knew that
She reminds him that he has always known this
Now I have to get off my knees
She literally removes herself from a subservient position
Because I have some shopping to do
She has other more pressing matters to attend to
I have to think of my reputation
Preserving her public standing is of importance to her
And chump is not my name
She asserts that she is not a fool
This hurts me more than you
Acknowledging that ending his life is not an easy decision for her
So just think of the good times we had together
Reflecting on the positive moments shared with him
I'm your best friend baby
Reasserting her commitment to him
I really am, and I always will be, too.
She will continue to stand by him always
Writer(s): Diamanda Galas, John Paul Jones
Contributed by Jack B. Suggest a correction in the comments below.
marct22
on Devil's Rodeo
You say that I treat you all the same
those who leave must have no shame
I'm the girl who runs this game
Of the devil's rodeo
They say my love will drive you do
But you may be just what I need
And romance I take the lead
At the devil's rodeo
My heart is empty but I'm free
What's yours is mine I'm sure you'll see
My love comes with no guarantee
The devil's rodeo
He say you Lupita Is full of greed
you say your love's an evil seed
bring a madman to his knees
At the devil's rodeo
My heart is empty but I'm free
What's yours is mine I'm sure you'll see
My love comes with no guarantee
The devil's rodeo
He say you Lupita Is full of greed
you say your love's an evil seed
bring a madman to his knees
At the devil's rodeo
you love me fulltime but you need
down ? liberty
oh please Lupita set me free
at the devil's rodeo
they say she moves her men with fear
and when we lose there's no one here
all is fair in love my dear
at the lover's rodeo
My heart is empty but I'm free
What's yours is mine you will agree
My love comes with no guarantee
At the devil's rodeo
He say you Lupita Is full of greed
you say your love's an evil seed
bring a madman to his knees
At the devil's rodeo
and when it's over, make your bed
don't you leave or you're dead
it's best for you to keep your head
the devil's rodeo
presume this house there's no reprieve
I never see a loser leave
Lupita makes man believe
that the devil's rodeo
My heart is empty but I'm free
What's yours is mine you will agree
My love comes with no guarantee
At the devil's rodeo
and when it's over, make your bed
don't you leave or you're dead
it's best for you to keep your head
the devil's rodeo
round em up Randy!