Day's film career began during the latter part of the Classical Hollywood Film era with the 1948 film Romance on the High Seas, and its success sparked her twenty-year career as a motion picture actress. She starred in a series of successful films, including musicals, comedies, and dramas. She played the title role in Calamity Jane (1953), and starred in Alfred Hitchcock's The Man Who Knew Too Much (1956) with James Stewart. Her most successful films were the bedroom comedies she made co-starring Rock Hudson and James Garner, such as Pillow Talk (1959) and Move Over, Darling (1963), respectively. She also co-starred in films with such leading men as Clark Gable, Cary Grant, David Niven, and Rod Taylor. After her final film in 1968, she went on to star in the CBS sitcom The Doris Day Show (1968–1973).
Day was usually one of the top ten singers between 1951 and 1966. As an actress, she became the biggest female film star in the early 1960s, and ranked sixth among the box office performers by 2012. In 2011, she released her 29th studio album, My Heart, which became a UK Top 10 album featuring new material. Among her awards, Day has received the Grammy Lifetime Achievement Award and a Legend Award from the Society of Singers. In 1960, she was nominated for the Academy Award for Best Actress, and in 1989 was given the Cecil B. DeMille Award for lifetime achievement in motion pictures. In 2004, she was awarded the Presidential Medal of Freedom by President George W. Bush followed in 2011 by the Los Angeles Film Critics Association's Career Achievement Award. She was one of the last surviving stars of the Golden Age of Hollywood.
Her death was announced by her charity, the Doris Day Animal Foundation, on Monday 13th May 2019.
Discography
chart hits
Year Title Chart Positions
US CB UK
1945 "Sentimental Journey" (w/ Les Brown) 1 — —
"My Dreams Are Getting Better All the Time" (w/ Les Brown) 1 — —
"'Tain't Me" (w/ Les Brown) 10 — —
"Till the End of Time" (w/ Les Brown) 3 — —
"Aren't You Glad You're You?" (w/ Les Brown) 11 — —
"Come to Baby Do" (w/ Les Brown) / 13 — —
1946 "You Won't Be Satisfied (Until You Break My Heart)" (w/ Les Brown) 4 — —
"Day by Day" (w/ Les Brown) 15 — —
"I Got the Sun in the Mornin' (and the Moon at Night)" (w/ Les Brown) 10 — —
"The Whole World Is Singing My Song" (w/ Les Brown) 6 — —
1947 "The Christmas Song" (w/ Les Brown) 12 — —
"Sooner or Later" (w/ Les Brown) 13 — —
"Papa, Won't You Dance With Me" 21 — —
1948 "Thoughtless" (w/ Modernaires) 24 — —
"Love Somebody" (w/ Buddy Clark) / 1 — —
"Confess" (w/ Buddy Clark) 16 — —
"Put 'em in a Box, Tie 'em with a Ribbon, and Throw 'em in the Deep Blue Sea" / 27 — —
"It's Magic" 2 — —
"My Darling, My Darling" (w/ Buddy Clark) 7 — —
1949 "Powder Your Face with Sunshine" (w/ Buddy Clark) 16 — —
"Again" 2 — —
"Everywhere You Go" 22 — —
"Let's Take an Old-Fashioned Walk" (w/ Frank Sinatra) 17 — —
"Now That I Need You" 20 — —
"Canadian Capers" 15 — —
"Bluebird on Your Windowsill" 19 — —
1950 "Quicksilver" 20 — —
"I Said My Pajamas (and Put on My Prayers)" 21 — —
"Enjoy Yourself (It's Later than You Think)" 24 — —
"Hoop-Dee-Doo" 17 — —
"Bewitched, Bothered and Bewildered" 9 — —
"I Didn't Slip, I Wasn't Pushed, I Fell" 19 — —
"A Bushel and a Peck" 16 — —
1951 "It's a Lovely Day Today" 30 — —
"Would I Love You (Love You, Love You)" 10 — —
"Shanghai" 7 — —
"Domino" 21 — —
1952 "A Guy Is a Guy" 1 — —
"Sugarbush" (w/ Frankie Laine) 7 12 8
"When I Fall in Love" 20 — —
"No Two People" (w/ Donald O'Connor) 25 — —
"My Love and Devotion" — 31 10
"The Cherries" — 39 —
"A Full Time Job" (w/ Johnnie Ray) / 20 21 11
"Ma Says, Pa Says" (w/ Johnnie Ray) 23 28 12
1953 "Mister Tap Toe" 10 11 —
"When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)" 29 — —
"Candy Lips" (w/ Johnnie Ray) / 17 18 —
"Let's Walk That-a-Way" (w/ Johnnie Ray) — 31 4
"Kiss Me Again, Stranger" / 30 — —
"A Purple Cow" 25 — —
"Choo Choo Train (Ch-Ch-Foo) 20 — —
1954 "Secret Love" 1 1 1
"The Black Hills of Dakota" — — 7
"Lost in Loveliness" — 25 —
"I Speak to the Stars" 16 17 —
"Someone Else's Roses" — 32 —
"If I Give My Heart to You" / 3 2 4
"Anyone Can Fall in Love" 27 41 —
"Ready, Willing, and Able" / — 31 7
"Hold Me in Your Arms" — 39 —
1955 "Foolishly Yours" — 25 —
"Love Me Or Leave Me" — — 20
"I'll Never Stop Loving You" 13 14 17
"Ooh Bang Jiggily Jang" 83 — —
1956 "Let It Ring" 51 — —
"Que Sera, Sera (Whatever Will Be, Will Be)" 2 3 1
"Julie" / 64 40 —
"Love in a Home" 79 — —
"The Party's Over" 63 47 —
1957 "Twelve O'Clock Tonight" 68 — —
1958 "Teacher's Pet" 56 36 —
"A Very Precious Love" — — 16
"Everybody Loves a Lover" 6 6 25
"Tunnel of Love" 43 53 —
1959 "Love Me in the Daytime" 100 51 —
1960 "Any Way the Wind Blows" 50 109 —
"Please Don't Eat the Daisies" 102 102 —
"A Perfect Understanding" 111 — —
1962 "Lover Come Back" 98 — —
1964 "Move Over Darling" — — 8
"Send Me No Flowers" 135 — —
1967 "Sorry" * — — —
* "Sorry" made the US AC charts at #19.
Albums
10" LP
You're My Thrill (1949)
Young Man with a Horn (1950, soundtrack with Harry James)
Tea for Two (1950, soundtrack)
Lullaby of Broadway (1951, soundtrack)
On Moonlight Bay (1951, soundtrack)
I'll See You in My Dreams (1951, soundtrack)
By the Light of the Silvery Moon (1953, soundtrack)
Calamity Jane (1953, soundtrack)
Young at Heart (1954, soundtrack with Frank Sinatra)
12" LPs
Love Me or Leave Me (1955, soundtrack)
Day Dreams (1955, expanded re-issue of You're My Thrill)
Day By Day (1956)
The Pajama Game (1957, soundtrack)
Day by Night (1957)
Hooray for Hollywood (2 volumes, 1958)
Cuttin' Capers (1959)
What Every Girl Should Know (1960)
Show Time (1960)
Listen to Day (1960)
Bright and Shiny (1961)
I Have Dreamed (1961)
Duet (with André Previn, 1962)
You'll Never Walk Alone (1962)
Billy Rose's Jumbo (1962, soundtrack with film cast)
Annie Get Your Gun (1963, with Robert Goulet)
Love Him (1963)
The Doris Day Christmas Album (1964)
With a Smile and a Song (1964)
Latin for Lovers (1965)
Doris Day's Sentimental Journey (1965)
The Love Album (recorded in 1967, released in 1994)
My Heart (2011)
Singles
Hit records:
(with Les Brown's Band of Renown)
"Sentimental Journey"
5,000,000+ sales
"My Dreams Are Getting Better All The Time"
1,000,000+ sales
(As a solo performer)
"It's Magic"
1,000,000+ sales
"Again"
"Love Somebody" (duet with Buddy Clark)
1,000,000+ sales
"Confess" (duet with Buddy Clark) (also done by Patti Page)
"Bewitched"
1,000,000+ sales
"Shanghai"
"Sugarbush" (duet with Frankie Laine)
1,000,000+ sales
"Mister Tap Toe"
"Secret Love"
1,000,000+ sales
"If I Give My Heart to You" (also done by Denise Lor)
"I'll Never Stop Loving You"
1,000,000+ sales
"Whatever Will Be, Will Be (Que Sera, Sera)" ("Que Sera, Sera")
1,000,000+ sales
"Everybody Loves a Lover"
"Move Over Darling"
Don't Take Yor Love From Me
Doris Day Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tear a petal from the rose and the rose weeps too
Take your heart away from mine and mine will surely break
My life is yours to take, so please keep the spark awake
Would you take the wings from birds so that they can't fly?
Would you take the ocean's roar and leave just a sigh?
All this, your heart won't let you do
Don't take your love from me
All this, your heart won't let you do
This is what I beg of you
Don't take your love from me
Don't take your love from me
The lyrics of Doris Day's song "Don't Take Your Love from Me" convey a sense of vulnerability and pleading from the singer. The song opens with the image of tearing a star from the sky and a petal from a rose, both causing sadness and loss. This serves as a metaphor for what it would feel like for the singer to lose the love of their partner. They then plead with their partner not to take their heart away, for fear that theirs would surely break. The singer feels that their life belongs to their partner and begs them to keep the spark alive in their relationship.
The second verse continues the metaphorical imagery, asking if the partner would take the wings from birds so they can't fly, or take away the ocean's roar and leave only a sigh. The singer recognizes that their partner's heart will not allow them to do such things, and begs them to not take their love away. The final plea of "don't take your love from me" is repeated twice, emphasizing the desperation and importance of the singer's request.
The lyrics of the song capture the universal fear of losing someone we love and the pain that comes with it. It is a timeless theme that many can relate to and is conveyed through beautiful and emotional language.
Line by Line Meaning
Tear a star from out the sky and the sky feels blue
If even a single star is taken away, the entire sky will be affected and a blue feeling will take over.
Tear a petal from the rose and the rose weeps too
If even one part of something so delicate as a rose is taken away, the entire flower will be affected and become sad.
Take your heart away from mine and mine will surely break
If you remove your love and care from my heart, it will shatter into pieces.
My life is yours to take, so please keep the spark awake
I have given you the power to control my life, so I beg you to keep our love alive and the passion burning.
Would you take the wings from birds so that they can't fly?
Just like how taking away the ability to fly from birds would be cruel, taking away the love from our relationship would be just as devastating.
Would you take the ocean's roar and leave just a sigh?
Removing the beauty and power of the ocean and leaving just a sad and insignificant sound would be awful, and similarly, taking away the love and passion between us would be just as terrible.
All this, your heart won't let you do
I trust that your heart is good and full of love, and won't let you hurt me by taking away our love.
This is what I beg of you
I sincerely plead with you to keep our love strong and not take it away from me.
Don't take your love from me
I am begging and praying for you not to take your love and affection away from our relationship, as it would be too painful to bear.
Lyrics © INDANO MUSIC COMPANY, BMG Rights Management, Warner Chappell Music, Inc.
Written by: Henry Nemo
Lyrics Licensed & Provided by LyricFind
Soapy
{Lyrics}
You won't admit you love me
And so how am I ever to know?
You always tell me
Perhaps, perhaps, perhaps
A million times I've asked you,
And then I ask you over again
You only answer
Perhaps, perhaps, perhaps
If you can't make your mind up
We'll never get started
And I don't wanna wind up
Being parted, broken-hearted
So if you really love me
Say yes, but if you don't dear, confess
And please don't tell me
Perhaps, perhaps, perhaps
Perhaps, perhaps, perhaps
If you can't make your mind up
We'll never get started
And I don't wanna wind up
Being parted, broken-hearted
So if you really love me
Say yes, but if you don't dear, confess
And please don't tell me
Perhaps, perhaps, perhaps
Perhaps, perhaps, perhaps
Perhaps, perhaps, perhaps
Joshaunna Washington
The voice of this legend Doris Day is silk totally buttery perfection 🙌🏼❤💯
JasonJason210
This song epitomizes all that was good about the1950s. A gentler, quality time with a seemingly bright future.
Old Soul
RIP Doris Day 😭😭 your songs will remain in my heart 😭
P S Y C H O .
She's dead? .
Donald
6/B
Полина труб
Тот момент когда ты в России но слушаешь американские никто не может понять что ты написал в комментариях и ты с этого кайфуеш
Hawra'a Aloraibi
so simple, so beautiful.
The One
Perhaps
JimcDJ1
I'm just about 61 years old and I don't care who knows it--I LOVE this song!!!
Najah Lightfoot
I don't even know where to begin...her light filled my TV screen as a kid, she took me to happy places in movies, and her voice haunted me in "Strictly Ballroom," as she sang "Perhaps, Perhaps, Perhaps." Hail and Farewell to Doris Day.