Born and raised in Compton, a small yet violent city near Los Angeles, Wright had several legal troubles before founding Ruthless in 1987. After a short solo career with frequent collaboration with Ice Cube and Dr. Dre, they joined, forming N.W.A, later that year.
N.W.A's debut studio album, Straight Outta Compton, was released in 1988. Controversial upon release, it is now ranked among the greatest and most influential albums. The group released its third and final studio album, Niggaz4Life.
N.W.A began to split up after Jerry Heller became the band's manager. Dr. Dre recalls: "The split came when Jerry Heller got involved. He played the divide and conquer game. Instead of taking care of everybody, he picked one nigga to take care of and that was Eazy. And Eazy was like, 'I'm taken care of, so fuck it'." Dr. Dre and The D.O.C. sent Suge Knight to look into Eazy-E's financial situation as they began to grow suspicious of Eazy-E and Jerry Heller. Dr. Dre and The D.O.C. asked Eazy-E to release him from Ruthless, but Eazy-E refused. The impasse led to what reportedly transpired between Suge Knight and Eazy-E at the recording studio where Niggaz4life was recorded. After he refused to release Dr. Dre and The D.O.C., Suge Knight told Eazy-E that he had kidnapped Jerry Heller and was holding him prisoner in a van. This did not convince Eazy-E to release Dr. Dre and The D.O.C. from Ruthless, and Suge Knight threatened Eazy-E's family: Suge Knight gave Eazy-E a piece of paper that contained Eazy's mother's address, telling him, "I know where your mama stays." Eazy-E finally signed Dr. Dre and The D.O.C.'s releases, officially ending N.W.A.
The feud with Dr. Dre continued after a track on Dre's debut album The Chronic, "Fuck wit Dre Day (And Everybody's Celebratin')", contained lyrics that insulted Eazy-E. Eazy responded with the EP, It's On (Dr. Dre) 187um Killa, featuring the tracks "Real Muthaphuckkin G's" and "It's On". The album, which was released on October 25, 1993, contains pictures of Dre wearing "lacy outfits and makeup" when he was a member of the Electro-hop World Class Wreckin' Cru.
During N.W.A's splintering Eazy-E resumed his solo career released two EPs. Yet he remained more significant behind the scenes, signing and nationally debuting the rap group Bone Thugs-N-Harmony from 1993 to 1994.
On February 24, 1995, Wright was admitted to the Cedars-Sinai Medical Center in Los Angeles with a violent cough. He was diagnosed with HIV/AIDS. He announced his illness in a public statement on March 16, 1995. During the week of March 20, having already made amends with Ice Cube, he drafted a final message to his fans. On March 26, 1995, Eazy-E died from AIDS-induced pneumonia, one month after his diagnosis. He was 30 years old (most reports at the time said he was 31 due to the falsification of his date of birth by one year). He was buried on April 7, 1995, at Rose Hills Memorial Park in Whittier, California. Over 3,000 people attended his funeral, including Jerry Heller and DJ Yella. He was buried in a gold casket, and was dressed in a flannel shirt, jeans, and his Compton hat. On January 30, 1996, ten months after Eazy-E's death, his final album, Str8 off tha Streetz of Muthaphukkin Compton was released.
Easy had 11 children, one of which, Eric, would start his own rap career under the name Lil Eazy-E.
Still Talkinā
Eazy-E Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Good evening, and welcome to Eazy's playhouse,
you stupid muthafuckaaaaaa!
(a low bass metal voice . )
Now that you got the album,
BITCH BITCH Bitch bitch ...
Eazily I aproach, the microphone because I ain't no joke
Tell your momma to get off of my tip
I have no time to give her my dick
I'm gonna hold it
And walk around the stage and
If you fuck up I'm goin' to get my gage and
Unload the barrel and lough
Cuz I'm puttin' led in your mothafuckin' ass
Psychopathic, but the ho's are attracted
Because when I'm on hard my dick's at least a yard
In the days of old I was a nut
Now I need at least 3 ho's when I fuck
Cuz I do a check, nut 1 nut 2
Then I save my nut for when there's nothin' else to do
You're used to the crew, bitch
Cuz I would never quit
As soon as you think that's it I'm still talkin' shit
[CuT]
I told you that nigga was crazy
E boy, that's my boy, godamnit
[CuT]
I got a fable that you need to listen to
It's a funky little rhyme about a bitch or a two
One Sharone and the other one Shine
I want to nut but which one do I want?
Shine said Eazy let me fuck you blind
And Sharon said E I want to blow your mind
I said fuck it, I know what should be done
Just pull your panties down and I'll fuck the biggest one
And then I get the other pussy put it in the freezer
So I can always have a on-hold skeezer
Get out to tick it, I do it like that
So I told the ho's to take a big step back
Took the zipper down, I'z wide and said
Here's what I'm gonna put inside
Grab it like a rabbit, grab it let's wreck it
But I won't love you,
When I'm done I'd still be talkin' shit ...
[CuT]
That boy'z good
Yeah that boy's good
That mothafucka'z talkin' all kinds of shit
I used to get pussy like eazy here and every day
You're mothafuckin' lyin'
How you know I'm mothafuckin' lyin'?
You're lyin', your dick can't get hard .
Oh, suck my dick mothafucka
Nigga you lied
Who you're talkin' to.?
...
[CuT]
Dre: Wait a minute, wait a minute, cut that shit,
HEY YO YELLA BOY! LET'S REWIND IT!
[CuT]
Niggaz don't see I'm a 100% legit
And you know it ain't about all that bullshit
It's about fuckin' this bitch and that bitch
But not the bitch with the 7 day itch, like that ho'
Just throwin' me the pussy
She says she wants to do it like a doggy
She's bad, nobody is badder
But she got more crabs than a seafood platter
Bitch on the gang move, to skizz me
Just to say "I got fucked by Eazy"
So I slapped the ho' like a pimp
I might be a women-beater but I'm not a pussy-eater
So when the shit hits the fan it's outta my mouth
You don't like what I'm talkin' about
All of ya'll can just suck my dick
You can quote me now cuz I'm still talkin' shit .
[CuT]
The boy's good, I told you the boy's good
The nigga has talent
You don't know a damn thing
Yeah, I like that part, bring that shit back one more time, Maestro
I can do the bagaloo
That old shit did'nt play out in 1967 ...
Hey fuck you, fuck you .
The song āStill Talkinā by Eazy-E is a rap song with explicit lyrics that talk about Eazyās desires and encounters with women while asserting his dominance over other people. Throughout the song, Eazy-E showcases his lyrical skills and his ability to create music that was heavily influential in the West Coast rap movement of the 1990s. The song starts with a distorted voice and baby crying, followed by Eazy welcoming listeners to his playhouse, where he talks about peopleās reactions to his music, calling them stupid muthafuckas.
Eazy then proceeds to talk about his sexual escapades with women, proclaiming his desire to have three women at once and asserting that his dick is at least a yard long when heās hard. He also talks about his violent tendencies, threatening people with his gun if they mess up during his performances. The song also features a funky rhyme about two women, Sharone and Shine, both of whom want to sleep with Eazy. He ultimately decides to have sex with the larger woman and put the other one in the freezer for later use.
The song is a continuation of Eazy-Eās signature style, often featuring explicit lyrics that touch on taboo subjects while maintaining an aura of authority and dominance. The songās lyrics may not be suitable for all listeners, as they feature explicit language and sexual content. However, the song also highlights Eazy-E's unique approach to music that has left an indelible mark on hip hop.
Line by Line Meaning
Good evening, and welcome to Eazy's playhouse, you stupid muthafuckaaaaaa!
Introducing the song with a playful and vulgar language, showing contempt for the listener.
Now that you got the album, what the fuck are you gonna do with it, BITCH BITCH Bitch bitch ...
Challenging the listener to take action with the album rather than being just a passive listener, using vulgar language again.
Eazily I aproach, the microphone because I ain't no joke
Approaching the microphone confidently, stating that he is serious about his music.
Tell your momma to get off of my tip, I have no time to give her my dick
Rejecting advances from someone's mother crudely, emphasizing that he is focused on his music and not interested in casual sex.
I'm gonna hold it, And walk around the stage and, If you fuck up I'm goin' to get my gage and, Unload the barrel and lough, Cuz I'm puttin' led in your mothafuckin' ass
Threatening anyone who messes up his performance with violence, amplifying his aggressive persona.
Psychopathic, but the ho's are attracted, Because when I'm on hard my dick's at least a yard
Admitting to having a dangerous personality but charming women because he is well-endowed.
In the days of old I was a nut, Now I need at least 3 ho's when I fuck, Cuz I do a check, nut 1 nut 2, Then I save my nut for when there's nothin' else to do
Describing his sexual appetite, claiming he has a system of having multiple partners and saving his climax for later.
You're used to the crew, bitch, Cuz I would never quit, As soon as you think that's it I'm still talkin' shit
Implying that he has a loyal following and that he will continue to make music, no matter what others think.
I got a fable that you need to listen to, It's a funky little rhyme about a bitch or a two, One Sharone and the other one Shine, I want to nut but which one do I want?
Telling a story about two women he wants to have sex with, indicating his sexual desire is the subject of the song.
Shine said Eazy let me fuck you blind, And Sharon said E I want to blow your mind, I said fuck it, I know what should be done, Just pull your panties down and I'll fuck the biggest one
Recounting the women's propositions before selecting the larger woman for sex, describing the encounter with explicit language.
And then I get the other pussy put it in the freezer, So I can always have a on-hold skeezer, Get out to tick it, I do it like that
Storing the other woman's genitals in the freezer, presumably cutting them off, to keep it as a sexual trophy, showing sadistic behavior.
I told the ho's to take a big step back, Took the zipper down, I'z wide and said, Here's what I'm gonna put inside, Grab it like a rabbit, grab it let's wreck it, But I won't love you, When I'm done I'd still be talkin' shit ...
Describing the sexual act with crude language and describing his unemotional and disrespectful approach to sex.
Niggaz don't see I'm a 100% legit, And you know it ain't about all that bullshit, It's about fuckin' this bitch and that bitch, But not the bitch with the 7 day itch, like that ho'
Asserting his legitimacy as an artist, and stating his primary focus is sexual conquest while drawing a line between types of women he would not be interested in.
She says she wants to do it like a doggy, She's bad, nobody is badder, But she got more crabs than a seafood platter
Describing his encounter with another woman, stating that she is sexy but unclean, with crab infestation.
Bitch on the gang move, to skizz me, Just to say "I got fucked by Eazy", So I slapped the ho' like a pimp, I might be a women-beater but I'm not a pussy-eater
Relating an encounter where a woman threatens to spread sexual rumors about him, leading him to hit her, further emphasizing his violent tendencies against women.
So when the shit hits the fan it's outta my mouth, You don't like what I'm talkin' about, All of ya'll can just suck my dick, You can quote me now cuz I'm still talkin' shit .
Asserting that he speaks his mind, and challenging those who might disagree with him, ending the song with vulgar language and emphasizing his rebellious persona.
Writer(s): JAMES CAPALDI
Contributed by Wyatt Y. Suggest a correction in the comments below.