Gismonti began his formal music studies at the age of six on piano. After studying classical music for 15 years, he went to Paris to study orchestration and analysis with Nadia Boulanger and the composer Jean Barraqué, a disciple of Arnold Schönberg and Anton Webern. After his return to Brazil, Gismonti began to explore other musical genres. He was attracted by Maurice Ravel's approach to orchestration and chord voicings, as well as by choro, a Brazilian instrumental popular music featuring various types of guitars. In order to play this music he learned to play guitar, beginning on the 6-string classical instrument and switching to a ten-stringed guitar in 1973. He spent two years experimenting with different tunings and searching for new sounds. This exploration of timbre is further reflected in his use of kalimbas, shō, voice, bells, etc. By the early '70s, he had laid the groundwork for his current style which incorporated elements drawn from musicians as wide-ranging as Django Reinhardt and Jimi Hendrix. In the 1970s and 1980s he collaborated several times with Naná Vasconcelos recording for ECM. Some best-selling albums such as the Brazilian released eponymous Egberto Gismonti were never officially released in the US.
Dança das Cabeças
Egberto Gismonti Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pau com pedra, pernas pro ar
Dúvidas, dívidas ao Deus dará
Darks ditaduras
Hey Hey
Uh uh!
Viva Brazix, morrendo de dor
Angra I, Angra II, III e depois
Anjo exterminador
Hey Hey
Uh uh!
Brazix muamba
Brazix muamba
Brazix muamba
Brazix muamba
Brazix muamba
Bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla
Brasix
Brazix muamba
Hey Hey
Viva Brazix, colônia quintal
Elite rastaquera
Baleias, botos, S.O.S. animal
Nova era já era
Hey Hey
Uh uh!
Viva Brasix
From the next come from
Mangentinho e fecunda
Rock and Roll, futebol e carnaval
Bandas, bolas e bundas
Hey hey
Uh uh!
Brazix muamba
Brazix muamba
Brazix muamba
Brazix muamba
Brazix muamba
Bla, bla, bla
Bla, bla, bla
Bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla
Brasix
The lyrics of Egberto Gismonti's song Dança das Cabeças is a commentary on the state of Brazil during the time of its writing. The lyrics start with the phrase "Viva Brazix" which can be interpreted as both a celebration and a critique of Brazil's current state. The next line "do jeito que tá" ("as it is") adds to the ambiguity of the phrase, as it could be seen as both a call to accept Brazil's imperfections and a call to action to improve it. The following lines "Pau com pedra, pernas pro ar" ("sticks and stones, legs up") can be seen as a reference to the chaotic and violent nature of Brazilian society. The line "Dúvidas, dívidas ao Deus dará" ("doubts, debts left to God") refers to the uncertainty and insecurity that many Brazilians felt during this period, both economically and politically.
The lyrics' second verse focuses on the darker aspects of Brazil. The line "AIDS quem faz amor" ("AIDS for those who make love") highlights the growing AIDS epidemic in Brazil and the moral panic that surrounded it. The following lines "Angra I, Angra II, III e depois/Anjo exterminador" ("Angra I, Angra II, III and then/Angel of extermination") refer to the nuclear power plant in Angra dos Reis and the possibility of a nuclear catastrophe that could wipe out Brazil. The third verse shifts to social and environmental issues, such as the exploitation of Brazil's natural resources and the endangerment of its wildlife. The line "Elite rastaquera" refers to the wealthy elite who profit from these exploitations and disregard the damage done to the environment and society.
Line by Line Meaning
Viva Brazix, do jeito que tá
Long live Brazil, just the way it is
Pau com pedra, pernas pro ar
Rough times, legs up in the air
Dúvidas, dívidas ao Deus dará
Uncertainties, debts left to fate
Darks ditaduras
Dark dictatorships
Hey Hey
Hey Hey
Uh uh!
Uh uh!
Viva Brazix, morrendo de dor
Brazil alive, dying in pain
AIDS quem faz amor
AIDS for those who make love
Angra I, Angra II, III e depois
Angra I, Angra II, III and after that
Anjo exterminador
Angel of extermination
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla
Blah blah blah
Brasix
Brazil
Brazix muamba
Brazilian contraband
Hey Hey
Hey Hey
Viva Brazix, colônia quintal
Long live Brazil, backyard colony
Elite rastaquera
Tacky elite
Baleias, botos, S.O.S. animal
Whales, dolphins, animal SOS
Nova era já era
New era is already over
From the next come from
From what's next, it will come
Mangentinho e fecunda
Fertile and lush
Rock and Roll, futebol e carnaval
Rock and Roll, soccer and carnival
Bandas, bolas e bundas
Bands, balls and butts
Hey hey
Hey hey
Uh uh!
Uh uh!
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Brazix muamba
Brazilian contraband
Bla, bla, bla
Blah blah blah
Bla, bla, bla
Blah blah blah
Bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla, bla
Blah blah blah
Brasix
Brazil
Writer(s): Egberto Gismonti
Contributed by Riley T. Suggest a correction in the comments below.
@jonasqueiroz7700
Sem dúvida um dos grandes momentos da música brasileira. Egberto é genial e Naná o maior percussionista que já existiu e vai existir. Infelizmente nosso país não dá o devido valor para quem de fato merece. Naná devia ser celebrado com um grande gênio da música.
@eliasfalda5773
Para mim é é basta. Á música verdadeira será eterna
@luisenrique4398
Maior percussionista ??? Vc conhece a Pedro Sorongo dos Santos ??
@luisantoniohowardpinzon7612
¡¡¡..Dos genios...um do violao e outro da percucao profunda e mistica...!!!
E uma viagem com cogomelo ou maconha do Ceará...Saravá Brasil...!!!..Abracao e beijos...!!!..Aqui da cidadede Panamá no Trópico Ecuatorial...!!!
@Softo-
POV: você só esta aqui por causa da pagina 11 do caderno do aluno :>
@29lpramos
Os caras se divertiam, se curtiam e vibravam na frequência do som! Fenomenal!!!! Dois Camisas 10. Que Saudade de Naná!!
@maleizir
Isso é praticamente uma experiência sobrenatural, mística, mítica, esotérica. Como o encontro de duas forças da natureza, dois deuses do olimpo, duas entidades cósmicas. Duas potestades conversando através da música, numa comunicação que transcende as palavras e paradoxalmente talvez até mesmo a própria linguagem. Que momento poderoso e belo, e que magnífico podermos ter acesso a isso pela internet. Dois gigantes não só da nossa cultura, mas da cultura universal, num inesquecível diálogo musical, ao alcance de um clique. Obrigado a quem postou e obrigado a esses dois gênios por compartilharem conosco sua arte.
@Splitbrainmusic1
What an amazing synergy between these 2 musical geniuses. Gismonti is one of the greatest musicians/composers/arrangers/instrumentalists of all time. Amazing artistry & mastery.
@lauramaria9777
Uma das coisas mais fodasticas que já vi!!!!!!!!!!!!!!! Além demais
@kauaoliveira8890
Verdade