In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
Dengosa
Elis Regina Lyrics
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Amor pra mim tem que ter denguinho
Eu sou assim dengosa para amar
Procuro alguém dengoso para ser meu par
Amar com dengo dá gosto da gente amar
Beijar com dengo dá gosto de se beijar
Amor com dengo torna mais gosto o carinho
Mas para amar com dengo é preciso ter jeitinho
Eu sou dengosa, gosto de carinho
Amor pra mim tem que ter denguinho
Eu sou assim dengosa para amar
Procuro alguém dengoso para ser meu par
Amar com dengo dá gosto da gente amar
Beijar com dengo dá gosto de se beijar
Amor com dengo torna mais gosto o carinho
Mas para amar com dengo é preciso ter jeitinho
Amar com dengo dá gosto da gente amar
Beijar com dengo dá gosto de se beijar
Amor com dengo torna mais gosto o carinho
Mas para amar com dengo é preciso ter jeitinho
Eu sou dengosa, gosto de carinho
Amor pra mim tem que ter denguinho
Eu sou assim dengosa para amar
Procuro alguém dengoso para ser meu par
The lyrics to Elis Regina's song "Dengosa" express the desire for tenderness and affection in love. The word "dengoso" in Portuguese means to be affectionate or to be full of tenderness. The song expresses the idea that love should be expressed with affection or "dengo" as it adds flavor to the relationship. The singer mentions that to be able to love with "dengo," one must have a certain knack or "jeitinho."
The repetition of the verses emphasizes the importance of tenderness in love. The singer mentions that she herself is a "dengosa" and is therefore seeking someone who is also affectionate to be her partner. The repetition of the chorus throughout the song creates a catchy tune that makes the listener feel the importance of tenderness in love.
Line by Line Meaning
Eu sou dengosa, gosto de carinho
I am affectionate, I like to be shown love and care
Amor pra mim tem que ter denguinho
Love for me has to have a little bit of sweetness
Eu sou assim dengosa para amar
I show my affectionate side when I love
Procuro alguém dengoso para ser meu par
I am looking for someone affectionate to be my partner
Amar com dengo dá gosto da gente amar
Loving with affection brings pleasure to us
Beijar com dengo dá gosto de se beijar
Kissing with affection makes kissing more enjoyable
Amor com dengo torna mais gosto o carinho
Love with affection makes caring more enjoyable
Mas para amar com dengo é preciso ter jeitinho
But to love with affection, you need to have a little bit of skill
Contributed by Alice Y. Suggest a correction in the comments below.
@cidaaguiar8797
Amo está música. .Porque é muito gostoso ser dengosa. .☺
@JoaoBatista-dz6dv
Realmente toda mulher merece receber muito denguinho e carinho
@FotografaKaryna
Que delícia de música ....eterna Elis!!!!
@cesarbaltazar8910
Na novela global "Eta Mundo Bom" apreciamos essa beleza musical com a filha da pimentinha, Maria Rita!
@hareditaanjodoamor
Eu sou dengosa, gosto de carinho
amor pra mim tem que ter denguinho
Eu sou assim dengosa para amar
procuro alguém dengoso para ser meu par
Amar com dengo dá gosto da gente amar
beijar com dengo dá gosto de se beijar
Amor com dengo torna mais gosto o carinho
mas para amar com dengo é preciso ter jeitinho...
@rtrepsas
Wikipedia – “Elis Regina Carvalho Costa (March 17, 1945 – January 19, 1982), known professionally as Elis Regina (Brazilian Portuguese: [eˈliz ʁeˈʒinɐ]), was a Brazilian singer of Bossa nova, MPB and jazz music. She is also the mother of the singers Maria Rita and Pedro Mariano.[1]
She became nationally renowned in 1965 after singing "Arrastão" (composed by Edu Lobo and Vinícius de Moraes) in the first edition of TV Excelsior festival song contest and soon joined O Fino da Bossa, a television program on TV Record. She was noted for her vocalization as well as for her interpretation and performances in shows. Her recordings include "Como Nossos Pais" (Belchior), "Upa Neguinho" (E. Lobo and Gianfrancesco Guarnieri), "Madalena" (Ivan Lins), "Casa no Campo" (Zé Rodrix and Tavito), "Águas de março" (Tom Jobim), "Atrás da Porta" (Chico Buarque and Francis Hime), "O Bêbado e a Equilibrista" (Aldir Blanc and João Bosco), "Conversando no Bar" (Milton Nascimento).
Her death, at the age of 36, shocked Brazil.[2][3][4][5][
@zaravianacarvalho
aplausos!!!!!!!!!sensacional
@cidaaguiar8797
Linda linda!!
@ronnierei
eterna!
@uzumakiforce
Clássica!