So Bad
Eminem ☜♡☞ Lyrics
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Ha ha, you feel that baby?
Yeah, I feel it too.
Damn.
You know, I'm so glad we could spend this time together
See, I'm not as crazy as you thought I was am I?
Ha ha
I'm right back on 'em, with the
I can't call it
Same shit, different toilet, oh you got a nice ass darlin'!
Can't wait to get you into my Benz, take you for a spin
What you mean we ain't fuckin', you take me for a friend?
Let me tell you the whole story of Shady's origin
You'll be sorry if you slam my Mercedes door again!
Now, it all started with my father
I must have got my pimping genes from him, the way he left my mama
I'm a rolling stone just like him, word to Johnny Drama
Keep my entourage with me, baby I'll make a promise
There ain't nobody as bomb as me
I'm as calm as the breeze, I'm the bees knees, his legs and his arms I'm a
S-superstar, girl, I'm ready for you mama!
Why you think the only thing I got on is my pajamas?
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
I'm equivalent to a shot of Cuevo, first I kiss your navel
Work my way down, baby you can lay down on the table
But you may wanna find something more stable
I told you I ain't fooling from the gate, this ain't the first day of April!
But thank you for staying April, I'm a make you learn
To appreciate me, differentiate me
From these phoney, little fishy and sissy fake G's
Skip over the huggy-bear and all the kissy face, please
Initiate phase three! Missy now service me
Take another shot of Jagger, shake it so nervously
Take your time baby, ooh you're the bomb baby!
Ooh you're doing that even better than your mom lady!
I told you I'm Shady, you didn't listen now, did you?
Relax woman, you know that I'm only kidding with you
Got a twisted sense of humor, it's warped, but I didn't hit you
I think you're finally starting to get the picture, I'm
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
Dynamite, dynamite, dynamite, so!
Dynamite, dynamite, dynamite, so!
I can hold you in the morning
But in the evening I gotta go,
Cause I'm on to the next girl,
And the next girl I kinda like, oh, oh, oh!
I got you caught up in the rapture
Make you recapture the feelings you had for your last boyfriend before he slapped ya
You never wanted someone so bad ya sweating
But if I'm what you wanted, why'd you panic when I grabbed ya?
Girl don't be so frantic I'm just a hopeless romantic
Don't try to fight the feeling of something that's organic
You can't ignore it, so don't just stand before it
Just drop them panties to the floor, let's get to camcordin'
Damn shorty, I told you this was bound to happen
Soon as you wrote your number on a napkin I was bound to work a number on your back and
Throw your spine out of alignment
My love has got you so blinded you couldn't pick Amy Winehouse out of a lineup
So stop with the snoring, pick your pint up
Let's get the pineapple schnapps going, no one'll knock cause I'm a hang a sign up
Saying "Don't Disturb", shorty I'm so superb
I say the right things, don't I spit the dopest words?
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
Dynamite, dynamite, dynamite, so!
Dynamite, dynamite, dynamite, so!
I can hold you in the morning
But in the evening I gotta go,
Cause I'm on to the next girl,
And the next girl I kinda like, oh, oh, oh!
I'm so bad
I'm so good that I'm so bad
I guarantee I'll be the greatest thing you ever had
Cause you ain't never met nobody like me
And you ain't gonna wanna fuck nobody else again
The song "So Bad" by Eminem is a humorous and self-deprecating take on the rapper's womanizing tendencies. The lyrics start with Eminem telling his potential conquest that he is the American dream, the definition of white trash, and compares himself to being a rolling stone like his father. He also lets her know that he is ready for her, and the only thing he has on is his pajamas. Eminem then goes on to detail his sexual prowess and tells her she will never want to be with anyone else again after being with him. He describes himself as equivalent to a shot of Cuevo and tells her that he will have her sweating before long. He then tells her to drop her panties to the floor, and they will get to camcording. Eminem ends the song by letting her know that he will hold her in the morning, but he will be on to the next girl by the evening.
Line by Line Meaning
Yeah,
Opening the song with a simple acknowledgment of the current moment in time.
Ha ha, you feel that baby?
Laughing playfully and asking the listener if they can feel the energy in the air.
Yeah, I feel it too.
Confirming they also feel it, establishing a connection with the listener.
Damn.
Expressing a sense of awe or amazement.
You know, I'm so glad we could spend this time together
Expressing gratitude for the time being spent with the listener.
See, I'm not as crazy as you thought I was am I?
Asserting that the listener may have had a preconceived notion of the singer being crazy, but they are proving them wrong.
Ha ha
Laughing playfully once again.
I'm the American dream! I'm the definition of white trash balling,
Boastfully claiming to embody the American dream, despite the artist's humble beginnings as 'white trash.'
I'm right back on 'em, with the
Continuing to assert confidence and power over the situation.
I can't call it
Admitting that they may not know exactly what's happening or how to describe it.
Same shit, different toilet, oh you got a nice ass darlin'!
Drawing attention to the fact that every situation may feel repetitive and mundane, but still finding something to appreciate about the listener's appearance.
Can't wait to get you into my Benz, take you for a spin
Expressing excitement and anticipation for the next phase of the interaction, which involves physical intimacy.
What you mean we ain't fuckin', you take me for a friend?
Pushing against the idea of just being friends. The singer expects physical intimacy and is calling the listener out for not reciprocating those feelings.
Let me tell you the whole story of Shady's origin
Transitioning to a new topic, the singer begins to tell the story of how their 'Shady' persona originated.
You'll be sorry if you slam my Mercedes door again!
Issuing a warning to the listener, letting them know that they can't disrespect the singer's material possessions.
Now, it all started with my father
Beginning the story of Shady's origin by going back to the artist's father.
I must have got my pimping genes from him, the way he left my mama
Speculating that the artist learned how to be a pimp from their father, based on his abandonment of the family.
I'm a rolling stone just like him, word to Johnny Drama
Identifying as a wanderer, much like their father, and referencing a character from a popular TV show.
Keep my entourage with me, baby I'll make a promise
Asserting confidence and power, with the promise of taking care of the listener.
There ain't nobody as bomb as me
Professing superiority over anyone else, and consequently, power over the listener's perceptions.
I'm as calm as the breeze, I'm the bees knees, his legs and his arms I'm a
Extending the metaphor of being the best by using humor and hyperbole.
S-superstar, girl, I'm ready for you mama!
Reaffirming their status and readiness for the next phase of the interaction.
Why you think the only thing I got on is my pajamas?
Alluding to their readiness for physical intimacy, and hinting at their lack of clothing.
I'm so bad
Boasting again about their skill and superiority.
I'm so good that I'm so bad
Playing with the concept of being so good at something that it becomes bad, and applying it to their own prowess.
I guarantee I'll be the greatest thing you ever had
Making a confident and bold promise to the listener, again asserting their superiority.
Cause you ain't never met nobody like me
Reiterating their uniqueness and superiority, taking control of the listener's perceptions.
And you ain't gonna wanna fuck nobody else again
Issuing an ultimatum to the listener, further asserting their power over them.
I'm equivalent to a shot of Cuevo, first I kiss your navel
Using a simile to compare their impact to that of a shot of alcohol, introducing the idea of physical intimacy.
Work my way down, baby you can lay down on the table
Describing what they plan to do during physical intimacy, giving the listener instructions.
But you may wanna find something more stable
Despite their confidence, the singer acknowledges that this interaction may not be long-lasting or stable.
I told you I ain't fooling from the gate, this ain't the first day of April!
Reiterating their sincerity and seriousness, referencing the beginning of their interaction to emphasize this point.
But thank you for staying April, I'm a make you learn
Continuing the April Fool's metaphor to thank the listener for staying while reminding them that they'll still learn a valuable lesson.
To appreciate me, differentiate me
Encouraging the listener to appreciate the artist's distinctiveness and separateness from others.
From these phoney, little fishy and sissy fake G's
Contrasting themselves to less authentic and inferior individuals, cementing their superiority.
Skip over the huggy-bear and all the kissy face, please
Disdainfully dismissing affectionate nicknames and overly emotional behavior.
Initiate phase three! Missy now service me
Switching the tone to something more aggressive and dominant, and using derogatory language to refer to the listener.
Take another shot of Jagger, shake it so nervously
Encouraging the listener to drink more alcohol and move more sensually, as a step towards physical intimacy.
Take your time baby, ooh you're the bomb baby!
Highlighting the listener's attractiveness, and encouraging them to take things slowly.
Ooh you're doing that even better than your mom lady!
Using a controversial and provocative line to flatter and excite the listener.
I told you I'm Shady, you didn't listen now, did you?
Reminding the listener of the Shady persona introduced earlier in the song, blaming them for not listening to what the artist has already established.
Relax woman, you know that I'm only kidding with you
Reassuring the listener that the previous provocative line was a joke, but still asserting authority over them.
Got a twisted sense of humor, it's warped, but I didn't hit you
Justifying their provocative humor and establishing that while they may push the boundaries, they would never physically harm the listener.
I think you're finally starting to get the picture, I'm
Indicating that the listener is finally (hopefully) understanding the artist's intentions and personality.
Dynamite, dynamite, dynamite, so!
Using repetition for emphasis and to assert their explosive power and influence.
I can hold you in the morning
Switching back to a more tender and affectionate tone.
But in the evening I gotta go,
Acknowledging that their intimacy may not last forever, and that they must eventually leave.
Cause I'm on to the next girl,
Implying that this speaker is a player, moving quickly from one conquest to the next. Reinforcing their Shady persona.
And the next girl I kinda like, oh, oh, oh!
Leaving openings for more intimacy in the future, and asserting power over the listener by showing indifference to them.
I got you caught up in the rapture
Returning to the more seductive and romantic tone of earlier in the song, and using imagery to indicate the listener's captivation.
Make you recapture the feelings you had for your last boyfriend before he slapped ya
Appealing to the listener's emotional and romantic side, and asserting how much better they are than the listener's previous partner.
You never wanted someone so bad ya sweating
Flattering the listener and indicating their intense attraction.
But if I'm what you wanted, why'd you panic when I grabbed ya?
Asserting dominance over the listener, but also questioning their own intentions in the situation.
Girl don't be so frantic I'm just a hopeless romantic
Reassuring the listener while still holding romantic and dominant intentions.
Don't try to fight the feeling of something that's organic
Using organic as a metaphor for natural attraction and tension, encouraging the listener not to resist their own desires.
You can't ignore it, so don't just stand before it
Encouraging the listener to act on their desires, and not resist them.
Just drop them panties to the floor, let's get to camcordin'
Using more aggressive language and commands to encourage physical intimacy, and even referencing filming it.
Damn shorty, I told you this was bound to happen
Using flattery and an air of inevitability to justify their behavior and establish their own confidence.
Soon as you wrote your number on a napkin I was bound to work a number on your back and
Bringing the focus back to how the interaction began, using it as proof of established mutual attraction.
Throw your spine out of alignment
Using hyperbolic language to create a sense of physical intimacy and overwhelming dominance.
My love has got you so blinded you couldn't pick Amy Winehouse out of a lineup
Boasting about the power of their love and attention, and using humor (with a controversial reference) to prove their point.
So stop with the snoring, pick your pint up
Demanding that the listener stop being passive and engage more, reframing their actions as boring.
Let's get the pineapple schnapps going, no one'll knock cause I'm a hang a sign up
Encouraging more drinking and implying that they're going to engage in more secret, deviant behavior.
Saying 'Don't Disturb', shorty I'm so superb
Elevating themselves as superior and masterful, even in their secrecy.
I say the right things, don't I spit the dopest words?
Reasserting their prowess and confidence, even in their language and conversation.
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: MARK BATSON, NICHOLAS BRONGERS, NICK BRONGERS, SEAN CRUSE, TREVOR LAWRENCE JR., MARSHALL MATHERS, DAWAUN PARKER, WRITERS UNKNOWN, ANDRE YOUNG
Lyrics Licensed & Provided by LyricFind
@user-dd1zs2bx3v
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@user-gq1kt8do1f
что серезно?
@hardsoulless9953
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Даже если посудить по битовке, раньше везде были мотивы техна а сейчас диско
@user-kt3lx6yk5d
@@qranvo0831 +
@fluffff3477
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@DayerOff
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@Savchenkosasha
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@user-ub8vh4lr3b
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@egorkrid2660
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@ahmadrozi900
Правилно