Enslaved is a metal band from Bergen, Norway. Their style has changed over … Read Full Bio ↴Enslaved is a metal band from Bergen, Norway. Their style has changed over the years. Originally being an old-school black metal/viking metal act, they now perform a slightly more experimental and progressive form of black metal which has elements of 1970's progressive rock. The name was inspired by an Immortal demo track, Enslaved in Rot.

Enslaved was formed in 1991, by Ivar Bjørnson and Grutle Kjellson. Joined by drummer Trym Torsson, they did their first demo in the summer of 1992. While working with the first full length, there came a call from England, resulting in the two 1993 legendary mini albums; Hordanes Land and Emperor These two mini-albums was released as a split-record "Emperor/Hordanes Land". Due to tragic circumstances, Enslaved’s debut album Vikingligr Veldi was held back until the spring of 1994. Enslaved moved their label base to French Osmose Productions, and Frost were released late in the 1994. Enslaved were now known outside the Black / Extreme circles of Northern Europe. This led to the "Winter War Europe Tour ‘95", and the first Norwegian Black / Extreme tour ever in the US, Canada and Mexico during ’95. The tours were a great success; but Trym Torson moved on to join Emperor as a drummer.

Eld was recorded with drummer Harald Helgeson in 1996, and released the year after. However, working with Harald was no permanent solution, so Dirge Rep (then Gehenna) and R. Kronheim were hired, becoming integral parts during the recording of Blodhemn (’98).

Enslaved released an important milestone in 2000 with Mardraum: Beyond the Within, which marked a turning point for the band; and sent shock waves through the Extreme Metal scene with a revolutionary experimental and innovative approach to their genre. The band kept adding fuel to the fire, and released Monumension in 2001, and again the band was shocked to see the positive response to their "no rules" approach to Extreme Metal. Gigs were still being played in Norway, Europe and the States, in front of a faithful and ever increasing audience.

After returning from the UK in March 2002, R. Kronheim had to leave the band. The band kept on working with new material, in which they now saw a synthesis between the original thesis (the "Blacker" Enslaved) and the anti-thesis forming from Mardraum onwards (the experimental, progressive and gloomier Enslaved) – Below the Lights was recorded in 2002 and released the year after, and presented the perfect blend of power, tradition, progressive elements and dark psychedelia. The process and hard work had taken its toll on drummer Dirge, and he left the band.

A new line-up were put together during and after the recording of Below the Lights, including old-timer Cato Bekkevold (Red Harvest founder), Arve Isdal (aka. Ice Dale) and Herbrand Larsen. With all the changes left behind, Enslaved reached new heights with their live performance, also adding strong visual elements in the shape of video art and more. English market leader Kerrang! rewarded their Inferno 2004 performance with a full house: 5 K!’s.

The new line-up recorded ISA during the autumn of 2004, and was released in Oct/Nov ’04 (Feb ’05 in the US). The album received raving reviews in all territories (except Finland obviously), and put Enslaved at the very forefront of contemporary Extreme Metal. A European Tour with fellow Norsemen Vreid took place in February and March 2005. The tour was rewarded with both great reviews and great turnouts. In absentia, during the tour, Enslaved also received both the Norwegian Grammy and the independent Alarm Price for ISA.

The band released the full length album Ruun in 2006, which received great critics world wide and Enslaved received the Norwegian Grammy (Metal) for the second time in a row. Ruun is an extreme progressive metal record with growl-vocals and quite different from the bands first records.

Enslaved released the album Vertebrae in 2008, which gained wide critical acclaim, including Terrorizer Magazine's album of the year and critic's choice album of the year award for 2008. Many of their techniques on the album, particularly harmonies, have been compared to Pink Floyd

Although the band now records in English, their early songs were mostly recorded in Icelandic or Old Norse, with one track on their first full-length album being performed in ancient Norwegian. Lyrics from Frost to Mardraum were mainly in their native Norwegian. Most of their lyrics relate to Norse mythology or history.

They have also recorded a collaboration with the Norwegian noise duo Fe-Mail, under the name Trinacria.

Current members:
* Ivar Bjørnson - guitar, keyboards (1991-) - (Desekrator, ex-Borknagar, ex-Phobia, Obnoxious, ex-Gorgoroth (as "Daimonion"), live session guitar for Taake)
* Grutle Kjellson - bass, vocals (1991-) - (Desekrator, ex-Phobia, guest for V:28, Insanity)
* Arve Isdal - guitar (2002-) - (Malignant Eternal, Audrey Horne, I)
* Cato Bekkevold - drums (2003-) - (Demonic, ex-Ashes to Ashes , Sirius, ex-Red Harvest, Dunkelheit)
* Hakon Vinje - keyboards, vocals (2017-)

Former members:
* Trym Torson (Kai Johnny Mosaker) - drums (1991-1995) - (Emperor, Zyklon, Imperium, Tartaros, Shadow Season, Paganize)
* Richard Kronheim - guitar (1997-2002) - (ex-Subtitles, ex-St. Satan, ex-Kliftones, ex-Desekrator)
* Per Husebø (aka. Dirge Rep) - drums (1997-2002) - (Gehenna, Orcustus, Gorgoroth, ex-122 Stab Wounds, Desspo Hallelujah, Neetzach, ex-Aura Noir, Secht)
* Harald Magnus "Rivheim" Helgeson - drums (1995-1997) - (Thundra, Zeno Morf, ex-Dwelling Souls, session for Evig Natt)
* Freddy Bolsø - drums (2003) - (ex-Blood Red Throne)
* Herbrand Larsen - keyboards, vocals (2004-2016)

* Øyvind Madsen - keyboards (live only) - (Sulphur, Vulture Industries, live for Black Hole Generator)

Discography:

Full-Length Albums:
1994 - Vikingligr Veldi
1994 - Frost
1997 - Eld
1998 - Blodhemn
2000 - Mardraum: Beyond the Within
2001 - Monumension
2003 - Below the Lights
2004 - Isa
2006 - Ruun
2008 - Vertebrae
2010 - Axioma Ethica Odini
2012 - RIITIIR
2015 - In Times
2017 - E (note that the official title of the album is actually the Elder Futhark rune ᛖ, or Ehwaz, which looks like the roman letter M, but the album title is often written as E for simplicity, including in official sources)

Demos:
1991 - Nema
1992 - Yggdrasill

Splits:
1994 - Emperor/Hordanes Land (split with Emperor)

Live albums:
2009 - Live at the Rock Hard Festival
2017 - Roadburn Live

DVDs:
Enslaved also has two DVD releases, primarily consisting of concert footage.

2003 - Live Retaliation
2005 - Return to Yggdrasill

Trivia:
* Grutle Kjellson and Cato Bekkevold are avid sport fishing enthusiasts; in fact, the two met at a related event.
* The band's song Havenless from Below the Lights was featured in the film "Metal: A Headbanger's Journey".
* The band were also reported to have appeared in an episode of the American cartoon series South Park, but this later transpired to be a practical joke at the expense of the Norwegian press.

Æges Draum
Enslaved Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Seventy and thousand feet below
A pulse is beating more evenly
And higher
Waves expand like heartbeats
Through silent mosaic

A wise man
Three heights he was

Once came down here and said:
"What was, was never"

Then they saw the river
Burn, and the sun bled
Then they saw the river
Burn, and the sun bled

A norn
She came too
Down from the roots
And the tree of life
"everything will die and decay
Silence will once again prevail"
Then they heard the song choking
And the children dying

Seventy and thousand feet below
A pulse is beating more
Evenly and higher

Empty universes in every world
Up there, where dreams die

Overall Meaning

The lyrics of Enslaved's song "Æges Draum" paint a vivid and layered imagery that delves into existential themes and the cyclical nature of life and death. The verses convey a sense of depth and mystery as they describe a profound journey to a place deep beneath the surface, hinting at a pulsating energy that is at once comforting and unsettling, suggesting a connection between the heartbeat of the earth and the flow of existence.

The reference to a wise man who descended to this subterranean realm and declared that whatever has passed is now but a memory, highlights the impermanence of all things and the futility of clinging to what was. This philosophical insight serves as a precursor to the grim revelations that follow, as the imagery shifts to a scene of apocalyptic destruction where the river burns and the sun bleeds, evoking a surreal and harrowing vision of devastation and chaos.

The introduction of a norn, a figure from Norse mythology associated with fate and destiny, adds a mythical dimension to the narrative, as she foretells a bleak future of decay and silence where all things must eventually wither and perish. The juxtaposition of her prophetic words with the haunting images of a song choking and children dying creates a haunting contrast that speaks to the inevitability of mortality and the ceaseless march of time.

The final stanza brings the lyrics full circle, returning to the subterranean depths where the pulsating heartbeat resonates, now juxtaposed against the emptiness and disillusionment of the world above where dreams meet their end. The contrast between the vibrant energy below and the desolate emptiness above underscores themes of duality and transformation, suggesting that within every ending lies the potential for new beginnings and the eternal cycle of life, death, and rebirth. The lyrics of "Æges Draum" offer a poignant reflection on the interconnectedness of all things and the ephemeral nature of existence, inviting listeners to contemplate the mysteries of the universe and the inexorable passage of time.

Line by Line Meaning

Seventy and thousand feet below
Deep beneath the surface, far below where most can reach

A pulse is beating more evenly
There is a steady rhythm, a sense of balance

And higher
Reaching towards something greater

Waves expand like heartbeats
Energy and movement spreading like a heartbeat

Through silent mosaic
Quiet but intricate patterns forming

A wise man
A figure of knowledge and insight

Three heights he was
Experienced in different levels of existence

Once came down here and said:
Visited this place and imparted wisdom

"What was, was never"
What has passed can never return

Then they saw the river
Witnessed the flow of change

Burn, and the sun bled
Destruction and turmoil, chaos unfolding