Enslaved was formed in 1991, by Ivar Bjørnson and Grutle Kjellson. Joined by drummer Trym Torsson, they did their first demo in the summer of 1992. While working with the first full length, there came a call from England, resulting in the two 1993 legendary mini albums; Hordanes Land and Emperor These two mini-albums was released as a split-record "Emperor/Hordanes Land". Due to tragic circumstances, Enslaved’s debut album Vikingligr Veldi was held back until the spring of 1994. Enslaved moved their label base to French Osmose Productions, and Frost were released late in the 1994. Enslaved were now known outside the Black / Extreme circles of Northern Europe. This led to the "Winter War Europe Tour ‘95", and the first Norwegian Black / Extreme tour ever in the US, Canada and Mexico during ’95. The tours were a great success; but Trym Torson moved on to join Emperor as a drummer.
Eld was recorded with drummer Harald Helgeson in 1996, and released the year after. However, working with Harald was no permanent solution, so Dirge Rep (then Gehenna) and R. Kronheim were hired, becoming integral parts during the recording of Blodhemn (’98).
Enslaved released an important milestone in 2000 with Mardraum: Beyond the Within, which marked a turning point for the band; and sent shock waves through the Extreme Metal scene with a revolutionary experimental and innovative approach to their genre. The band kept adding fuel to the fire, and released Monumension in 2001, and again the band was shocked to see the positive response to their "no rules" approach to Extreme Metal. Gigs were still being played in Norway, Europe and the States, in front of a faithful and ever increasing audience.
After returning from the UK in March 2002, R. Kronheim had to leave the band. The band kept on working with new material, in which they now saw a synthesis between the original thesis (the "Blacker" Enslaved) and the anti-thesis forming from Mardraum onwards (the experimental, progressive and gloomier Enslaved) – Below the Lights was recorded in 2002 and released the year after, and presented the perfect blend of power, tradition, progressive elements and dark psychedelia. The process and hard work had taken its toll on drummer Dirge, and he left the band.
A new line-up were put together during and after the recording of Below the Lights, including old-timer Cato Bekkevold (Red Harvest founder), Arve Isdal (aka. Ice Dale) and Herbrand Larsen. With all the changes left behind, Enslaved reached new heights with their live performance, also adding strong visual elements in the shape of video art and more. English market leader Kerrang! rewarded their Inferno 2004 performance with a full house: 5 K!’s.
The new line-up recorded ISA during the autumn of 2004, and was released in Oct/Nov ’04 (Feb ’05 in the US). The album received raving reviews in all territories (except Finland obviously), and put Enslaved at the very forefront of contemporary Extreme Metal. A European Tour with fellow Norsemen Vreid took place in February and March 2005. The tour was rewarded with both great reviews and great turnouts. In absentia, during the tour, Enslaved also received both the Norwegian Grammy and the independent Alarm Price for ISA.
The band released the full length album Ruun in 2006, which received great critics world wide and Enslaved received the Norwegian Grammy (Metal) for the second time in a row. Ruun is an extreme progressive metal record with growl-vocals and quite different from the bands first records.
Enslaved released the album Vertebrae in 2008, which gained wide critical acclaim, including Terrorizer Magazine's album of the year and critic's choice album of the year award for 2008. Many of their techniques on the album, particularly harmonies, have been compared to Pink Floyd
Although the band now records in English, their early songs were mostly recorded in Icelandic or Old Norse, with one track on their first full-length album being performed in ancient Norwegian. Lyrics from Frost to Mardraum were mainly in their native Norwegian. Most of their lyrics relate to Norse mythology or history.
They have also recorded a collaboration with the Norwegian noise duo Fe-Mail, under the name Trinacria.
Current members:
* Ivar Bjørnson - guitar, keyboards (1991-) - (Desekrator, ex-Borknagar, ex-Phobia, Obnoxious, ex-Gorgoroth (as "Daimonion"), live session guitar for Taake)
* Grutle Kjellson - bass, vocals (1991-) - (Desekrator, ex-Phobia, guest for V:28, Insanity)
* Arve Isdal - guitar (2002-) - (Malignant Eternal, Audrey Horne, I)
* Cato Bekkevold - drums (2003-) - (Demonic, ex-Ashes to Ashes , Sirius, ex-Red Harvest, Dunkelheit)
* Hakon Vinje - keyboards, vocals (2017-)
Former members:
* Trym Torson (Kai Johnny Mosaker) - drums (1991-1995) - (Emperor, Zyklon, Imperium, Tartaros, Shadow Season, Paganize)
* Richard Kronheim - guitar (1997-2002) - (ex-Subtitles, ex-St. Satan, ex-Kliftones, ex-Desekrator)
* Per Husebø (aka. Dirge Rep) - drums (1997-2002) - (Gehenna, Orcustus, Gorgoroth, ex-122 Stab Wounds, Desspo Hallelujah, Neetzach, ex-Aura Noir, Secht)
* Harald Magnus "Rivheim" Helgeson - drums (1995-1997) - (Thundra, Zeno Morf, ex-Dwelling Souls, session for Evig Natt)
* Freddy Bolsø - drums (2003) - (ex-Blood Red Throne)
* Herbrand Larsen - keyboards, vocals (2004-2016)
* Øyvind Madsen - keyboards (live only) - (Sulphur, Vulture Industries, live for Black Hole Generator)
Discography:
Full-Length Albums:
1994 - Vikingligr Veldi
1994 - Frost
1997 - Eld
1998 - Blodhemn
2000 - Mardraum: Beyond the Within
2001 - Monumension
2003 - Below the Lights
2004 - Isa
2006 - Ruun
2008 - Vertebrae
2010 - Axioma Ethica Odini
2012 - RIITIIR
2015 - In Times
2017 - E (note that the official title of the album is actually the Elder Futhark rune ᛖ, or Ehwaz, which looks like the roman letter M, but the album title is often written as E for simplicity, including in official sources)
Demos:
1991 - Nema
1992 - Yggdrasill
Splits:
1994 - Emperor/Hordanes Land (split with Emperor)
Live albums:
2009 - Live at the Rock Hard Festival
2017 - Roadburn Live
DVDs:
Enslaved also has two DVD releases, primarily consisting of concert footage.
2003 - Live Retaliation
2005 - Return to Yggdrasill
Trivia:
* Grutle Kjellson and Cato Bekkevold are avid sport fishing enthusiasts; in fact, the two met at a related event.
* The band's song Havenless from Below the Lights was featured in the film "Metal: A Headbanger's Journey".
* The band were also reported to have appeared in an episode of the American cartoon series South Park, but this later transpired to be a practical joke at the expense of the Norwegian press.
Eit Auga Til Mimir
Enslaved Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Utgards mèrke, langt der ute
Eg kjem ikkje inn, eit offer du krev?
Eit offfer eg krev, ingen lovnad eg gjen
Eg kan gje deg styrke, eg kan gje deg dauden
De seier du kan ta meg av dage.
Du seier du kan ta meg av dage.
Skapar av svakhet, meg kan du ikkje truga.
L¦r deg ¥ sj¥ med det retta auga.
Du dunkle, du freistar ¥ f¥ meg i knt,
du taler i g¥ter, og f¥r meg vred.
Med vrede, du veike, du ingenting f¥r.
Din visdom eg krev for at du skal forst¥
Du vil eg skal lida, og end¥ til dåy.
Du glèymer mi makt, at du er min tr«ll.
Ditt opphav du glèymer. Du prisar bedrag
Di verd er ei faginning, ingen heilhet, ingen svar
Orden eg skaper, men du motstrebar meg
Du talar med klårt, kva er det du krev.
Eg krev eit offer, eg krev at du blèr.
Du v¥ga ¥ trosse dei eldste, som bar deg fram
"Utgards mèrke langt der ute, eit offer vart krevd,
eit offer dei fekk, Eit sinn vart styrka, men
lekam gjekk tapt, Klok vert den som veit ¥ v¥ga"
"Han ofra sitt auge, for at fjan skulle sj¥
Han blèdde for dei som til slutt lot han r¥.
Men ingen lovnad ei ga ham, det vart ingen fred.
Dei skal fframleis kjempa, til jorda sig ned"
(Musikk: Grutle Kjellson)
(English translation: AN EYE FOR MIMIR)
(Lyrics: R. Kronheim, Grutle Kjellson, Dirge Rep)
The darkness of Utgard, far out there
I can not enter, are you demanding sacrifce
I demand a sacrifice, no promise I will give
I can provide you with strenght
You say you can end my days
But without my excistance
Creator of weakness, me you can not threaten
Learn how to see with the right eye
Obscure One, you attemp to get me on my knees
You speak through riddles, and call forth my wrath
With wrath, weakling, nothing is achieved
I demand your wisdom, to make you understand
You want me to suffer, and even to die
You are forgetting my power, you are but my slave
Your source of origin you're forgetting, your praising deceit
Your world is an illusion; no wholeness, no answer
Order I crfeate, but your opposing me
Your speaking with a cunning tongue, what are your demands
I am demanding a sacrifice, I demand to see you bleed
You have dared to oppose the Ancient Ones that brought you into excistance
The darkness of Utgard, a sacrifice was demanded, a sacrifice they received
A mind was strengthened, but the flesh was lost
He who dares becomes wise
"He gave his eye to see
He bled for those who let him rule at last
But no promises they gave him, no peace became
They shall still be fighting 'til the earth sinks"
(Music: Grutle Kjellson)
The song "Eit Auga Til Mimir" by Enslaved is a powerful song reflecting on Norse mythology and the story of Odin sacrificing his eye in order to gain wisdom from the well of Mimir. The lyrics express the struggle between Utgard (the darkness far out) and the singer, as Utgard demands a sacrifice and the singer responds by challenging Utgard's power and asking for wisdom. The song has a strong metaphysical theme running through it, as it explores the challenge of understanding the world around us and the value of sacrifice in gaining that understanding.
The lyrics of "Eit Auga Til Mimir" are powerful and poetic, drawing on the rich imagery and mythology of Norse culture. The singer meets Utgard, a representative of darkness, and is immediately challenged to sacrifice something in order to gain knowledge and power. But the singer recognizes that without his own power and existence, Utgard would also cease to exist. This leads to an intense struggle between the two forces, as the singer demands wisdom and understanding and Utgard tempts him with cunning words and riddles.
Line by Line Meaning
The darkness of Utgard, far out there
Referring to the realm of Utgard, which is distant and shrouded in darkness.
I can not enter, are you demanding sacrifce?
The singer is unable to enter Utgard, and wonders if the demand for sacrifice is a prerequisite for entry.
I demand a sacrifice, no promise I will give
The singer demands bloodshed or sacrifice without offering any assurance or comfort.
I can provide you with strenght, I can give you death
The artist can offer strength and empowerment, but also death and destruction.
You say you can end my days
Addressing an adversary, the artist acknowledges a threat to their life.
But without my excistance, would you not be
The singer asserts their own importance and impact on the adversary.
Creator of weakness, me you can not threaten
Acknowledging themselves as the source of their opponent's vulnerability, the singer claims immunity to threats and intimidation.
Learn how to see with the right eye
The artist encourages their adversary to open themselves up to a new perspective or perception, suggesting that they may be misguided or blinded.
Obscure One, you attemp to get me on my knees
Accusing their adversary of being difficult or unclear, the artist refuses to submit to their demands.
You speak through riddles, and call forth my wrath
Their adversary speaks in difficult, confusing ways and provokes the artist's anger.
With wrath, weakling, nothing is achieved
The singer suggests that their opponent's tactics will only lead to failure or defeat, regardless of their emotions or strategy.
I demand your wisdom, to make you understand
The artist seeks their adversary's knowledge and insight to better comprehend the situation.
You want me to suffer, and even to die
The singer suggests that their adversary is motivated by a desire to inflict harm or death upon them.
You are forgetting my power, you are but my slave
The singer asserts their dominance and control over their adversary, who they view as subservient.
Your source of origin you're forgetting, your praising deceit
Addressing their adversary's deception, the singer suggests that they have forgotten their true history or background.
Your world is an illusion; no wholeness, no answer
The artist dismisses their adversary's worldview as incomplete or insubstantial, lacking any real solutions.
Order I crfeate, but your opposing me
The artist claims to bring a level of order to the chaos, but acknowledges their adversary's resistance.
Your speaking with a cunning tongue, what are your demands
The singer accuses their adversary of being sly or deceptive, and seeks to clarify their intentions.
I am demanding a sacrifice, I demand to see you bleed
The singer doubles down on their demand for sacrifice, insisting on bloodshed as well.
You have dared to oppose the Ancient Ones that brought you into excistance
The artist accuses their adversary of defying or insulting the divine forces that brought them into being.
The darkness of Utgard, a sacrifice was demanded, a sacrifice they received
Recalling the initial demand for sacrifice, the artist notes that it was indeed carried out.
A mind was strengthened, but the flesh was lost
The artist reflects on the consequences of the sacrifice, acknowledging a mental or spiritual gain but also a physical or material loss.
He who dares becomes wise
The singer suggests that true wisdom or enlightenment comes from taking risks or being bold.
But no promises they gave him, no peace became
The outcome of the sacrifice was not accompanied by any assurances or reconciliation.
They shall still be fighting 'til the earth sinks
The conflict or struggle will persist indefinitely, perhaps even until the end of time or the destruction of the world.
Contributed by Madelyn W. Suggest a correction in the comments below.