Eric Johnson (born August 17, 1954) is a Grammy Award winning guitarist and… Read Full Bio ↴Eric Johnson (born August 17, 1954) is a Grammy Award winning guitarist and recording artist from Austin, Texas USA. Best known for his success in the instrumental rock format, Johnson regularly incorporates jazz, fusion, New Age, and even country and western elements into his recordings. A widely recognized virtuoso, Johnson's stylistic diversity, technical proficiency, and unique playing style have drawn praise from Carlos Santana, Eric Clapton, Jeff Beck, Prince, B.B. King, and the late Stevie Ray Vaughan. His critically-acclaimed, platinum selling 1990 recording Ah Via Musicom produced the single "Cliffs of Dover", for which Johnson won a 1991 Grammy award for Best Rock Instrumental Performance.

(2) Very few musical artists achieve a true signature style -- one that makes comparisons to other musicians impossible. But Texas guitarist Eric Johnson arguably comes as close to this echelon as any musician from the past quarter-century. Like fellow Lone Star State guitarists Johnny Winter, Billy Gibbons, and Stevie Ray Vaughan, Johnson blends the rock style of Jimi Hendrix and the blues power of Albert King. Yet Johnson's wide array of additional influences (from the Beatles and Jeff Beck to jazz and Chet Atkins) makes for a guitar sound as unique as his fingerprints.

"When I first heard Eric," Winter recalled, "he was only 16, and I remember wishing that I could have played like that at that age." Former Doobie Brothers guitarist Jeff "Skunk" Baxter said, "If Jimi Hendrix had gone on to study with Howard Roberts for about eight years, you'd have what this kid strikes me as." The Austin prodigy appeared on the cover of Guitar Player magazine while working with Texas jazz/fusion band the Electromagnets and as a session player (Cat Stevens, Carole King, Christopher Cross), and a 1984 performance on the TV show Austin City Limits set his recording career in motion.

Johnson's 1986 debut album, Tones, certainly proved that the hype was warranted. Playing with the ace rhythm section of bassist Roscoe Beck and drummer Tommy Taylor, Johnson mixed blazing instrumentals ("Zap," "Victory") with Beatles-influenced vocal tunes like "Emerald Eyes" and "Bristol Shore." Johnson used the same half-and-half format on the 1990 follow-up, Ah Via Musicom, but a trio of the album's tunes surprisingly made him the first artist to have three instrumentals from the same album to chart in the Top Ten in any format (with "Cliffs of Dover" earning Johnson a Grammy for Best Rock Instrumental).

But, if Johnson had a perceived weakness, it was the perfectionism that caused four years to pass between recordings. Even in concert, he would painstakingly tune his guitar between songs, by ear, for minutes on end. With the success of Ah Via Musicom, the guitarist admitted to feeling pressure to raise the bar again. But Johnson's studio nitpicking delayed Venus Isle until 1996, and the disappointing CD contained fewer instrumentals and sounded forced.

A stint on the 1997 G3 tour with fellow headlining guitarists Joe Satriani and Steve Vai, and its resulting live release, breathed new life into Johnson and sparked the idea of a live album. Overhauling his band for the 2000 CD Live and Beyond, Johnson brought in bassist Chris Maresh and drummer Bill Maddox, and concentrated on more of a blues feel. The guitarist still blended instrumentals with his vocal tunes ("Shape I'm In," "Last House on the Block"), but perhaps realized that his thin voice was too one-dimensional for guttural blues or R&B. Guest vocalist Malford Milligan ignites "Don't Cha Know" and "Once a Part of Me," helping Johnson's blazing debut on Vai's Favored Nations label and reestablishing the versatile virtuoso's status for the 21st century. As Vai himself testified, "Eric has more colorful tone in his fingers than Van Gogh had on his palette."

Souvenir, an album available only through Johnson's website, appeared in 2002, followed by CD and DVD versions of New West's Live from Austin, TX and Bloom, the second album for Vai's Favored Nations imprint, in 2005. Johnson returned in 2010 with Up Close, a studio album that slightly emphasized the guitarist's Texas roots. A collaboration with jazz guitarist Mike Stern, Eclectic, appeared in 2014. ~ Bill Meredith

Get to Go
Eric Johnson Lyrics

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You don't need nobody, knock on your door
You don't need nobody, knock on your door
If they're a mean mistreater
What good are they for?
You don't need nobody to push you down
You don't need nobody to push you down
In a cruel, cruel, world
Find better ground.

Let's go

In a time where I stop and ask myself
If I'm out just out of my mind
Cause I'm wondering why we don't choose love to get high?
And I think you should know the chance is there
Cause it's all just all in my mind
And then everyone from everywhere could know
And get to go
Let's go
Don't need no reason to say I told you so
Don't need no reason to say I told you so
Cause we all fall down
Let's get to go

In a time when I stop and ask myself
If I'm out I'm out of my mind
Cause I'm wondering why we can't use love to get high?
And I think you should know the answer's here
It's all it's all in my mind

And the people from over all this world could know
Let's get to go

Overall Meaning

The lyrics of Eric Johnson's song "Get to Go" convey a message of self-sufficiency and independence. The repeated lines "You don't need nobody, knock on your door" and "You don't need nobody to push you down" emphasize the idea that we don't need anyone else to validate us or bring us down. Johnson suggests that if someone is a "mean mistreater," they are not worth our time or energy. Instead, he encourages us to seek out "better ground" and not let anyone else dictate our happiness.

The second half of the song shifts to a more optimistic tone, as Johnson ponders why we don't choose love to find happiness instead of other vices. He acknowledges that the answer is already within us, and everyone in the world can have the opportunity to find it and "get to go." The lyrics are encouraging us to look within ourselves for happiness and love, and not rely on external sources or other people to provide them for us. Ultimately, the song celebrates the power of self-reliance and love to bring us joy and fulfillment.

Line by Line Meaning

You don't need nobody, knock on your door
You don't need anyone to bother you or interfere with your life.

If they're a mean mistreater What good are they for?
If someone is cruel and mean to you, they don't deserve to be a part of your life.

You don't need nobody to push you down In a cruel, cruel, world Find better ground.
Don't let anyone bring you down in this harsh world, instead find your own path and something to stand on strong.

In a time where I stop and ask myself If I'm out just out of my mind Cause I'm wondering why we don't choose love to get high?
Reflecting on our choices and why we don't use love to experience pure joy.

And I think you should know the chance is there Cause it's all just all in my mind And then everyone from everywhere could know And get to go Let's go
The potential of love is always there, and if we embrace it, we can all experience it and share in it.

Don't need no reason to say I told you so Cause we all fall down Let's get to go
There's no need to point fingers and blame others for our mistakes, instead let's move forward and experience life together.

Contributed by Matthew A. Suggest a correction in the comments below.

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