James was born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins. According to Etta, her mother claimed that her father was the white Rudolph "Minnesota Fats" Wanderone, and that they received financial support from him on the condition that they keep his paternity a secret. This seems unlikely, though it has not been definitively disproved. Etta was born in Los Angeles in 1938. At the time, Wanderone was known to be managing a pool hall in Washington, D.C. and had not yet become known to be the cross-country traveller he later became.
She received her first professional vocal training at five years old from James Earle Hines, musical director of the Echoes of Eden choir at St Paul Baptist Church in Los Angeles. Her family moved to San Francisco in 1950, and she teamed up with two other girls to form a doo-wop singing group. When the girls were fourteen, band leader Johnny Otis had them audition. They sang an answer to Hank Ballard's "Work with Me, Annie" called "Roll Wwth Me Henry". Otis particularly liked the song, and against her mother's wishes, James and the trio went to Los Angeles to record the song in 1954. The song was recorded on the label Modern Records. By this time, the trio renamed the song "The Wallflower (Dance with Me, Henry)" and released it in 1955. James named her vocal group The Peaches. Richard Berry, a Los Angeles doo-wop luminary, is featured on some of their records.
"The Wallflower" reached number two on the rhythm and blues charts in February 1955, but was undercut in the wider market by a rushed-out cover version by Georgia Gibbs on Mercury Records; in fact, the very first time Gibbs was recorded in studio, they used the first take recorded and it became number one on the top 100 songs nationally. The song's royalties were divided between Hank Ballard, Etta James, and Johnny Otis, and its huge success attracted the attention of the R&B world, resulting in James going on tour with Little Richard. On the tour, though, according to James, she witnessed and experienced situations to which minors are not usually privy, and she allegedly acquired a drug habit.
Soon after the success of "Wallflower", The Peaches and James parted company, but this did not halt her career. Shecontinued to record and release albums throughout much of the decade, and enjoyed more success. Her follow-up, "Good Rockin' Daddy", became another fifties hit. Other songs however, such as "Tough Lover" and "W-O-M-A-N" failed to gain any significant success. James toured with Johnny "Guitar" Watson and Otis Redding in the fifties, and has cited Watson as the most significant influence on her style..
In 1960, James signed a recording contract with Chess Records. She went on to have the biggest success of her career from this label, recording her biggest and most memorable hits. Chess went into high gear with James, releasing many duets with her then boyfriend, the married Harvey Fuqua, who was the lead singer of the Moonglows. One of her duets with Fuqua, "If I Can't Have You", became a hit on the R&B charts in 1960. As a solo artist however, she had more enduring success. One of her first singles released by Chess in 1960 was called "All I Could Do Was Cry"; this blues number became a big hit on the R&B charts in 1960. Leonard Chess, one of the founders of Chess Records, helped James along the way. He saw the potential for her to go in a more pop-oriented direction, and she started recording more pop tunes for the label.
The year 1961 became a year of great change for James. In 1961 came the release of one of her first pop-oriented tunes called "At Last". The song became a big hit in 1961, reaching number two on the R&B charts. The song even went as far as twenty-two on the pop charts that year. It became her signature song. Other songs, such as "Trust in Me", also became hits, and the 1962 tune "Something's Got a Hold On Me" showed more of James' gospel side, a genre she had sung since childhood.
She had other big hits in the 1960s, but mainly on the R&B charts: the song "Pushover" in 1963 and "Stop the Wedding", "Fool That I Am", and "Don't Cry Baby", were hits for her between 1961 and 1963. Her 1963 album Etta James Rocks the House, recorded at Nashville's "New Era" club, also gave her career a boost. James then became one of the most successful R&B artists of the 1960s, having many more top ten and top twenty hit singles. Performing in Memphis, Tennessee helped make her into a blues icon.
In 1967, James released her next hit single, "Tell Mama", and it became a top ten hit on the R&B charts. After a dry period of no hits for almost four years, the song once more made James a household name. The follow-up, "Security", was also a success, and proved that James had staying power on the charts again. Whilst less success came for James after this hit, she was still on the charts regularly and, despite the death of Leonard Chess, stayed with the Chess label into 1975. Towards the end of the Chess years though, she went into more rock-based songs. She recorded for many other labels, and continued to release albums, such as 1978's Deep In the Night on Atlantic Records.
Despite a dry period during the early to mid 1980s, James got back on track and began to record music again. She received accolades for her 1981 rendition of Randy Newman's "God's Song". Her 1988 album Seven Year Itch proved this comeback capability; the album showed more of her soul side. In 1989, she recorded the song "Avenue D" with David A. Stewart of Eurythmics. The song was featured on the soundtrack to the Robert Wise film Rooftops. She also performed with the Grateful Dead for two shows in 1982. In the 1990s she continued to record and perform. Her albums widely varied in styles and genres. Her 1992 album, The Right Time, was another soul album that was released by Elektra Records. She also began to record more jazz, which became the style for many of her 1990s albums.
Drug-related and romantic problems interfered with her career, but James managed to maintain a career throughout the latter half of the twentieth century. Later in life, she struggled with obesity, experiencing mobility and knee problems. In 2003, she underwent gastric bypass surgery.
In 2011, a vocal sample from Etta's "Something's Got a Hold on Me" was used in "Levels" by Avicii. "Levels" became a monster EDM hit, making Etta's "sometimes I get a good feeling" one of the most recognizable samples in 21st century music.
She died on 20th January 2012.
Do Nothin Till You Hear From Me
Etta James Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pay no attention to what's said
Why people tear the seam of anyone's dream is over my head
Do nothin' till you hear from me
At least consider our romance
If you should take the word of others you've heard
Don't you know, I haven't a chance
True I've been seen with somebody new
But does that mean that I'm been untrue?
When we're apart the words in my heart reveal how I feel about you
Some kiss may cloud my memory
And others arms may hold a thrill
But please do nothin' till you hear from me
And baby you never will
In the lyrics to Etta James's "Do Nothin' Till You Hear From Me," the singer urges their lover to not make any decisions or judgments until they have heard directly from the singer. The singer advises disregarding any gossip or information that may be circulating about their relationship, emphasizing the importance of direct communication. The line "Why people tear the seam of anyone's dream is over my head" suggests that the singer is puzzled by why others might seek to interfere with or undermine their romantic connection.
The singer continues to implore their partner to not act hastily or believe hearsay about their relationship. They emphasize the significance of the bond they share, encouraging the partner to give their romance proper consideration before drawing conclusions based on rumors or external opinions. The line "If you should take the word of others you've heard, Don't you know, I haven't a chance" conveys the singer's vulnerability and hope that the partner will trust in their love instead of letting outside voices sway their feelings.
Throughout the song, the singer addresses the doubts and uncertainties that may have arisen due to their apparent interactions with someone new. They acknowledge the potential for misunderstandings when apart, but express sincerity and devotion through the words in their heart. The lyrics "True I've been seen with somebody new, But does that mean that I'm been untrue? When we're apart the words in my heart reveal how I feel about you" encapsulate the singer's feelings of fidelity and the enduring love they hold for their partner.
The final verses of the song highlight the singer's acknowledgment of the temporary distractions or temptations that may arise in the absence of their partner. Despite the allure of other experiences, the singer urges their lover to remain steadfast and not act impulsively based on external influences. The plea "But please do nothin' till you hear from me, And baby you never will" encapsulates the singer's commitment to transparent communication and a desire for their partner to trust in the enduring strength of their connection. The overall message conveyed in the lyrics is one of trust, loyalty, and the importance of open and honest communication in a relationship.
Line by Line Meaning
Do nothin' till you hear from me
Wait for my communication before taking any actions.
Pay no attention to what's said
Ignore any rumors or gossip.
Why people tear the seam of anyone's dream is over my head
I don't understand why people would try to ruin someone else's dreams.
At least consider our romance
Take some time to think about our relationship.
If you should take the word of others you've heard, Don't you know, I haven't a chance
If you believe what others say about me, there is no hope for our relationship.
True I've been seen with somebody new
It's true that I have been seen with someone else.
But does that mean that I'm been untrue?
But does that automatically make me unfaithful?
When we're apart the words in my heart reveal how I feel about you
When we are not together, my feelings for you are evident.
Some kiss may cloud my memory
A past kiss might temporarily confuse me.
And others arms may hold a thrill
Being held by someone else could create an exciting moment.
But please do nothin' till you hear from me
Please don't make any decisions until you have heard from me.
And baby you never will
And you will never hear anything from me.
Lyrics © Freibank Musikverlags und vermarktungs GmbH, MUSIC SALES CORPORATION, Kanjian Music, Sony/ATV Music Publishing LLC
Written by: DUKE ELLINGTON, BOB RUSSELL
Lyrics Licensed & Provided by LyricFind
Erik brodland
on I Just Want to Make Love to You
Love this song so much, it makes me think of my son's Beautiful mommy jasmin and her amazing.voice.