Underground for Dummies
Francis Sage Lyrics
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Spare me the details, e-mails, memos
Dookie-gold chain letter to whom it may concern
Put this around your neck until your hangin on my every word
Stalkin', walkin' in my big black boots
I'm the DLY artist with thick grass roots
Had a couple managers as a youth
"What does a manager do?"
Now one of them he saw dollar signs in my skin color
The other, he said to keep it undercover
Post-VIP Posse, Pre-Internet Nazi era
Powers of suggestion suggested I be what I'm not and that's not me ever
From Lasienega to Meadowbrook Drive
Never looked surprised
Cut to the chase with metal hooks and knives
Now it's battle time, I stepped in the arena
Thirteen year old gladiator freak with a fever for the flavor of a fight on the mic
Follow the leader
Mistachuck was the surrogate father
Krs-One, the teacher
There I was, sneakin into clubs
Beat an emcee to the punch over instrumentals dubbed
From tape deck to tape deck
Pause tape mix at breakneck speed
The only whitey in sight
That doesnt make me realer than you, or faker than you
But I'm authentic, forget it
Started breakin rules
Ten years later still hadnt stopped
Won the biggest battle in a Metallica shirt before the album dropped
A week later, smashed the trophy at a show
It was takin up the space that I needed to grow
Pop pop goes the weasel (the weasel)
Drop drop goes the easel (the easel)
This is hip hop for the people
Stop callin it emo (waah)
I know a kid who thinks he's hip hop cause he buys it
I know a kid who thinks he's hip hop cause he never buys shit
Underground or mainstream
Some are bound to change schemes
Y'all weren't doin this dirt
When Jeru came clean
Before the Freddie Foxxx conflict with DMX
Around the time Jay-Z and Nas's girl had sex
I used to wake up every morning on a hard wooden floor
Livin in Brooklyn with a car I couldnt afford
And if I wasn't hangin out in front of Fat Beats records, I was in the factory, mailing my 12-inches
Nowadays, the DJs don't even spin wax
So fuck a promo copy, buddy, you can download the track
Seratooo promo sexual laptop
A hollow existence in a bottle
Ya' sip sip and swallow
I tripped quick then followed a path that made sense
Started out with a live band then worked with turntablists
Now I strike a match with the back of my front teeth
And light up the stage with just speech
I remember the days Ken and Dave let me crash on their couch
And I saved what I could and put the cash in my mouth
When I played in my hood I had a fraction of outs
Til Atmosphere put me on and now I'm packin the house
Since the mid-80s this has been a game of cat and mouse
It's funny hearin all the shit these rappers brag about
Knowin all of them are walkin around with massive doubts
Talkin bout it's only status and platinum plaques that count
Pop pop goes the weasel (the weasel)
Drop drop goes the easel (the easel)
This is hip hop for the people (the people)
Stop calling it emo (wah)
Irony is dead, it's so motherfucking dead, I was there by it's deathbed
And the last words that it said
Was "Whiiiiite booyyyy"
I'm Still Sick with an independent record labek
I built quick just when I got Sick of Waiting Tables
Then in the blink of an eye I waged War
As a Known Unsoldier with a soul you can't pay for
I ran a business on my own two legs
Known to beg if I needed to with Home Grown bootlegs.
I cut and pasted images of my face and then sloppily placed 'em in a case. Strange Famous. I stayed True when School was in Session.
Went to college to buy time, that shit was expensive.
So I shamelessly self-promoted
The radio station would open doors and opportunities
Eventually made it to Oakland where anticon accepted me with open hands
Journals fot Personal on a one dollar advance.
Non-Prophets had a hope that a UK label smashed, so I crossed out my eyes and signed to Epitaph
This is the hustle of an emcee
The Distrust is Healthy
In a dirty industry where the promises are empty
I'm more honest than friendly
More handsome than sexy
Let me bring you up to speed, Humans do a Dance that's Deadly.
In the song "Underground for Dummies" by Francis Sage, the artist reflects on his journey through the music industry, starting with references to his early days of creating demos and navigating the complexities of the music business. He discusses the influence of various managers on his career, some of whom saw potential in him based on superficial factors like his skin color, while others advised him to keep his talents underground. These experiences shaped his understanding of authenticity and the importance of staying true to oneself in the face of external pressures.
Sage delves into his roots in hip hop, describing his early struggles and perseverance in a competitive industry where he often stood out as the only white artist. He pays homage to his influences like Mistachuck and Krs-One, whose mentorship guided him through the challenges of being a young artist trying to find his place. He emphasizes the value of hard work and dedication, as well as the significance of winning battles and smashing trophies as symbols of personal growth and artistic independence.
The lyrics also touch on the evolution of hip hop culture and the artist's observations on the changing landscape of the music industry. Sage criticizes those who claim to embody hip hop without understanding its roots, contrasting them with the pioneers like Jeru and Atmosphere who laid the groundwork for the genre. He reflects on the struggles of balancing artistic integrity with commercial success, highlighting the disillusionment with the mainstream music scene and the importance of staying connected to the core values of hip hop.
Throughout the song, Sage navigates themes of identity, perseverance, and artistic integrity, sharing personal anecdotes and insights into his career as an independent artist. He acknowledges the challenges of being a white artist in a predominantly black genre, while also celebrating the sense of community and mutual support within the underground hip hop scene. The lyrics are a reflection of Sage's journey through the music industry, showcasing his growth as an artist and his commitment to staying true to his roots amidst a constantly shifting musical landscape.
Lyrics © Wixen Music Publishing
Written by: SAGE FRANCIS, DAVID MADSON, DAVID PHILIP MADSON
Lyrics Licensed & Provided by LyricFind
AustinLnX
mike referenced this, well actually he stole a line. So underrated