Bojangles of Harlem
Fred Astaire / Ginger Rogers Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Ask anyone up Harlem way
Who that guy Bojangles is.
They may not know who's president,
But ask 'em who Bojangles is.

He's in the most entrancin' business,
It's what they call the "dancin' business",
When there's a beat

Up on the street,
Brother, you go and bet all your dough!
Sister, you know!
That ain't no one but Bo!

Oh! Bojangles of Harlem,
You dance such hot stuff!
Young folks love you in Harlem,
They say you've got stuff!
Tough guys rumba out of poolrooms
And kids start "truckin'" out of schoolrooms!

Oh! Bojangles of Harlem!
The whole town's at your heels!
Leaving their flats,
Missing their meals!
Running like rats,

Going astray,
Throw those long legs away!

Overall Meaning

The song "Bojangles of Harlem" by Fred Astaire and Ginger Rogers is an ode to the legendary tap dancer Bill "Bojangles" Robinson. The lyrics reflect the widespread adoration for Robinson in Harlem during the 1930s, where he was considered a cultural icon. Many people in Harlem knew who Bojangles was, though they may not have known who the current president was. The song highlights Robinson's impressive talent and his ability to enthrall audiences with his dancing. When there was a beat on the street, everyone knew that Bojangles was sure to be dancing to it.

The song goes on to describe the immense influence Bojangles had on the community, particularly on younger generations. Young folks loved him in Harlem and thought he had "stuff" - an elusive quality that set him apart from other performers. Even tough guys were compelled by his rhythm, and schoolkids would start "truckin'" (dancing) in the classroom when they heard his name. The chorus repeats, hammering home the idea that Bojangles had taken Harlem by storm - the whole town was at his heels, with people running like rats to get a glimpse of him.

Overall, "Bojangles of Harlem" is a celebration of Bill Robinson, an artist who rose to prominence in a time when Black performers were still fighting for recognition and respect. The song attests to Robinson's significant impact on Harlem's culture and to the fact that his influence stretched far beyond just the entertainment industry.

Line by Line Meaning

Ask anyone up Harlem way
Inquire from anyone in Harlem

Who that guy Bojangles is.
Who is the gentleman called Bojangles?

They may not know who's president,
Many Harlem residents might not have knowledge of the current president

But ask 'em who Bojangles is.
But they will surely know who Bojangles is.

He's in the most entrancin' business,
He is in the most captivating profession.

It's what they call the "dancin' business",
It's what is commonly known as the dancing business.

When there's a beat
When music is playing and people are dancing

Up on the street,
On the streets of Harlem

Brother, you go and bet all your dough!
You should bet all your money, brother!

Sister, you know!
Sister, you are well aware!

That ain't no one but Bo!
That is clearly none other than Bojangles.

Oh! Bojangles of Harlem,
Oh! The famous Bojangles of Harlem!

You dance such hot stuff!
You are an excellent dancer, Bojangles!

Young folks love you in Harlem,
The young people of Harlem are very fond of you.

They say you've got stuff!
They say that you are very talented!

Tough guys rumba out of poolrooms
Even the tough guys come out of the poolrooms to see you dance the rumba.

And kids start "truckin'" out of schoolrooms!
And school children start doing the truckin' dance out of their classrooms!

Oh! Bojangles of Harlem!
Oh! Bojangles, the popular figure of Harlem!

The whole town's at your heels!
The entire town is following in your footsteps!

Leaving their flats,
Leaving their apartments behind,

Missing their meals!
Skipping their meals!

Running like rats,
Running like rats out of their holes,

Going astray,
Going astray from their usual routines

Throw those long legs away!
Dancing so energetically that it appears as if they are throwing their long legs away!

Lyrics © Universal Music Publishing Group, RESERVOIR MEDIA MANAGEMENT INC
Written by: JEROME KERN, DOROTHY FIELDS

Lyrics Licensed & Provided by LyricFind

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Comments from YouTube:

bionicrat

13y↑9

I'm black and I think it is the most fabulous homage to someone. The way he is dancing with such rhythm and perfection. Why would anybody go through such a wonderful performance such a creative performance if they were racist?

Gregory May

43w↑1

The whole dance routine is awesome!

NuNu Cars

16y↑6

This to me is the greatest solo I've ever seen.I am a black man from the bronx and I'm saying fred was the best and he was no Racist.Back in 1936 they didn't have to make pay tribute to Bojangles but felt that they wanted to out of respect for him and his craft.this I believe is also fred's tribute to John Bubbles Of Buck and bubbles who was with fred when he was filming this

Molly

12y↑1

Fred is an amazing dancer, singer, and actor. I just watched a movie a few days ago and he was in it! He was great, but its so sad that such a talented man had to leave us. This is a tribute to both Bojangles and Astaire! Probably the two best best dancers the world will ever know

Nobody's Home

14y↑2

It is sickening that people say this great performer is being racist. He is not. This is a true and brilliant tribute to a great man.

steven pollock

13y↑1

It doesn't matter if you were Black, Green, Yellow, Brown or White then or now. There never has been nor will there ever be anyone who will even come close to being as talented, gifted, brilliant and divine as Fred AStaire!

jkoff76

15y↑1

It's amazing how close this is to Bojangles real steps. It's like he becomes the famous Harlem Dancer. Incredible!!

James scanlan

12y↑1

It was a tribute to someone he admired, not racism. And, by the way, it was an astonishing display of coordination and choreography. Brilliant stuff.

fbflys

15y↑1

If anybody thinks this video is by any means racist, it's because they have issues! This is one of the best dance numbers I have ever seen! No CG effects or computer animation; nothing but top notch dancing!

steven pollock

13y↑1

Please, just recognize the man for what he is. Simply, the greatest dancer there ever was and ever will be. In addition, he created magic, dreams and everlasting beauty with Ginger Rogers in an era where simple joy, artistry and talent captured a Nation!

Bennett Carter

12y↑1

The dancing artist who inspired Fred in this role was John William Sublett, or Bubbles of Buck and Bubbles. John often tutored Fred. Since the great Bill Robinson was a Hollywood staple, Fred decided to honor John with this number. He is the shadow dancer you see. Every serious student of dancing understands the lnfluences all of these artist have contributed to the art. Even a shy young Indiana boy named Michael. He was such a student that he named his pet simian "Bubbles!

John Fullerton

16y↑1

This is absolutely brilliant. Every once in a while you come across something that gets you excited - when I first saw this a year ago - I had one of those moments. Yes, it is politically incorrect for our day. But what can you say, Fred Astaire was an entertainment genius.

suremate

16y↑1

This is his best solo. I love it.

cowpoet2222

15y↑1

Thanks vsfishy. And just to add: This is not only NOT racist but anti-racist. Its one of the bravest and cleverest statements made about black & white relations considering that era. The symbolism of the dancers black and white attire and paying homage to black talent by dancing in the shadows of black giants is inescapable. See also the poignancy of the moves when he dances facing the shadows

mrigmaiden1

14y↑1

The tribute is painful and beautiful all at once. The level of skill needed to execute that production was huge! I think the blackface just highlights the nastiness of the times. I think Astaire did a fair imitation of Bojangles movements, a bit more animated but still got the point across. I think Bill Bailey, Pearl Bailey's brother did a smoother imitation of Bojangles, but Astaire was talented. Nobody can argue that. We just feel psychic pain when we see the racism so pervasive its in movies!

Gregory May

43w↑1

One of the finest dance scenes the 30s had to offer!

anaesthete

46w↑1

Thank you for the well-written intro - it is an homage, and absolutely NOT a mockery :)

James scanlan

14y↑1

It's unfortunate that Fred in blackface(well it looks more like a John Boehner tan than anything else) distracts from the brilliance of the dancing. I don't think there's a human alive who could replicate the astonishingly athletic, graceful, moves that Astaire demonstrates here. I first saw it thirty years ago and the finale still gives me that little spark of pleasure it did the first time I saw it.

Isleif

14y

I love to watch this video it seems to me timeless in good taste and profesionalism. This is what a well understood american values is all about. Thanks to the person who upload this.

JoeAndMichael

13y

Note, no racist wide-eyed closeups of his face, no exaggerated eye or lip makeup or expressions on his face. Nothing but joy and respect. In a way, this tribute is saying "Bill Robinson was so great a dancer that even his shadow couldn't keep up with him!" I wish there were more footage of the real Bill Robinson. All I've seen is a few adorable clips of him with Shirley Temple (HE was adorable, not just Shirley!).

DailyBrusher

14y

What stamina! What brilliance! I love the way he changed his style to be more open, and round, closer to the dancer he was honoring! I wonder whether FA choreographed the ensemble work, or whether it was Bugsby Berkeley or some one else? Is this from "Shall We Dance?"

Bobby Rivers

13y

In his autobiography, STEPS IN TIME, Astaire wrote of how much in awe he was of Bill Robinson and the thrill of meeting him. He also includes of funny story of when he and Robinson played pool together.

baldrottweiler

13y

You are right. This is a great musical number. I say it this New Years Eve while waiting for the ball to drop. As an African American I can and appreciate Fred Astair's talent as a dancer, but I do resent the fact that there was equally as much black talent at the time but was stifled or overlooked by Hollywood due to the racism that prevailed then. I don't fault you for or find you racist for posting this. I'm glad you did. Take care.

trueiopian

16y

Awesome tribute! Bojangles is a very influential dancer I find this in no way offensive and I'm black

rich lefleur

14y

This is an amazing. I never get tired of it.

Andini 🪲

14y↑1

This is not racist at all. This is a great work of art. :) FRED ASTAIRE ROCKS

Moosie

13y

Can you imagine Bojangles himself dancing this? It would have been AWESOME as well. Perhaps Astaire and Bojangles are dancing it out in heaven!!!

enterprise1701h

16y

In my personal opinion this is definately politically incorrect; but I think that this is just one great man's tribute to another great man, not meant to be racist in any way, shape or form. I don't think that that should get in the way of enjoying an absolutely amazing piece of dancing and choreography. Fred's dancing is excellent; I love the that he used his hands for extra sounds! This whole routine is incredible!

eotto2001

13y

Warner Herzog was on Fresh Air today with Terry Gross saying this is one of the best pieces of film ever. Stereotypes aside, this is damn amazing.

BarbB1953

15y

Thanks for posting this. Don't apologize: Read Astaire's "Steps in Time" and what he says about Robinson, who taught him a lot. That's precisely why the dance starts out with giant feet and legs, and then Astaire shows his own, much smaller ones. Astaire went in blackface here to disguise himself - no hamming it up: He's not Fred Astaire in this number: he's Bojangles himself (who was at the height of his career when this was made). That is the highest tribute any performer could give another.

James scanlan

15y

Actually, Astaire looks more like he's got a good tan than that he's in blackface but everyone is missing how extraordinary this musical number is--the timing and the athleticism takes your breath away. Now if you want to see real blackface that is unacceptable to modern day audiences, check out Judy Garland and Mickey Rooney in Babes on Broadway. Not their fault of course.

David Jubinville

14y↑1

BRILLIANT! He is a true master

moonspots01

15y

Dancing/performing in blackface was never intended to be racist in any way. Many white performers admired black dancing skill and the ability to loose themselves in performing. Al Jolson always enjoyed blackface because he was able to escape into another personality; totally free to speak. Like so much, blackface has been hijacked by the ignorant and rebranded into something it never was. Usually for self-serving motives. Thanks for the video posting!

Chriss Murray

44w↑1

What a sad world we live in where a piece like this has to be 'apologised for' in case someone finds it 'offensive'.

Beccka

16y

I can believe that Astaire meant nothing bad by this presentation. Blackface was not considered offensive when he performed. Today, though, most people recognize that it really *is* and insult - while Astaire was praised for his work, Robinson spent his career being pushed into minor roles. It's very interesting to see this, though. Thanks for posting.

anickamilujefilm

15y↑1

I love Fred, the best dancer!!!

honeegrrl

14y

I love the performance and I'm not taking anything away from the great Fred Astaire but he didn't have to use black face, the tribute would have been just as brilliant without it and again, I am not taking anything away from Fred Astaire, he was a brilliant dancer and he had such class and style.

Ethel Bustamante Scarselli

14y

Beautiful! He was great at his craft!

iiwatcher

12y

I get the same sense. He may have been bigoted, but not racist. A white guy of his time. It's not as simple as he was good or he was bad. People are complicated. One thing is for sure, he was an amazing talent. One of the greatest of all times. Btw, Michael Jackson was totally inspired by Fred Astaire, and got many of his moves from him.

mansoldworld

14y

This is soooo beautiful ... I just watched this movie ... GREAT Unfortinatly , thers no more movies like this! :(

poisonandantidote

14y↑1

Werner Herzog, the great German director, showed this clip at the beginning of a master class and said, OK, cinema can't get any better than this, we can all go home now.

macvoutie

15y↑1

This is one great dancer honoring another and yes Fred dances more like Bubbles from Buck & Bubbles but as stated he was Freds teacher.

Dudley1970

12y

@pablocarbonari : I thought exactly the same thing when I first watched this a couple of years ago; I don't usually go for this sort of thing, but that "shadow dancing" sequence really struck me - very creative, very cool, and indeed amazing.

Esmee Phillips

43w

Hermes Pan reused the idea in 'Footlight Serenade', when Betty Grable literally shadowboxes with herself.

jacksparrow14

14y↑1

wow the concept was GREAT! MJ really had great taste in art

lautanner

15y

You know what's funny? People seemed to be offended by Michael Jackson's looks but it didn't change the fact that his dancing was awesome and entertaining as hell. Same story here. I don't care if his face is purple, it's a great number.

Najla

12y

Looks like Fred Astaire is giving credit where it is due, to the great dancer and his inspiration, Bojangles

William Cooper

16y

The movie was made in 1936. Watching this for the First time, I was shocked to See Fred in Blackface. But when you watch the routine (Damn, that first solo was hot!!!) you get a sense that it was not racist!!! As far as comparing steps, Bojangle's steps were cleaner, more definable, but Astaire was excellent is his own right.

Natalia Salvador

14y

brilliant. i just can't stop watching it...

fhr331

16y

Both Fred Astaire and Eleanor Powell paid tribute to Bill Robinson wearing blackface in two different movies -- it was done that way as an homage to Robinson and intended as a tribute not mockery. This was an era when Hollywood was unrepentently racist -- no point in pretending otherwise; but the fact that two of the greatest white dancers ever to appear in film paid tribute to Robinson is proof of his stature and the respect other dancers had for him.

walt1896

15y

There are better "tappers" than Astaire. Still he is a corner of dance onto himself: A Unique Dancer. Gene Kelly always said people called him and Astaire tap dancers because they didn't know what else to call them. Astaire also combined tap and ballroom which dancers others have mentioned did not. And, Kelly also did ballet.

Ann Oldham

43w

Think ballroom was where he excelled. But Fred was pretty amazing. I could watch him all day.

JL0183

14y

fuccin excellent, timeless dance routine

AlphaXQ

15y

yet again its fred with his outstanding talent again :D

baldrottweiler

13y

One more observation I want to mention and I will end it from here. The director choice to have the cast darkened up in a sepia tone as opposed to using black cork shows that they were looking to create a more exotic element to the scene rather than a comical one had they had gone completely dark.

Filsterman1

14y

great video and commentary...Thank you for posting it!!!

Jaded118

16y

if you really think that. you don't understand this beautiful tribute at all.

redjr1991

15y

i can't believe that people would argue that this is racist. This dance is executed beautifully and he does nothing to make it racist. All Mr. Astire is trying to do here folks is remember a friend, an influence. If you can not grasp that then don't watch the video. This video is not meant to hurt anyone or their feelings. If you feel that it is meant to do that then you know nothing about Mr. Astire or the friendship he had.

Pablo Carbonari

13y

The three shadow part is amazing considering the time when it was made!

Esmee Phillips

39w

Hermes Pan.

Judith IN

15y

To me, the interesting thing about this number is that it is not really done in the style of Bill "Bojangles" Robinson. I've recently learned that John "Bubbles" Sublett was Fred's consultant on this routine; it certainly looks more "Bubbles" than "Bojangles"

vibra64

15y↑1

Great dancer. Period.

Frank Cohen

13y

Well said, PepsiPrime. Simply amazing performance

Ben Munise

15y

This is probably the best dance number from the single most well-known dancer in the world. Anyone angry because modern sympathies are upset by blackface can just live with their impotent frustration: this was filmed seventy years ago. You can call the Merchant of Venice anti-semitic but that doesn't make it so.

Judith IN

15y

You are missing the point: Astaire's dance here was a genuine TRIBUTE to Bill "Bojangles" Robinson, as was Eleanor Powell's blackface step dance in the film "Honolulu"

Piper

14y

black face needs to come back in a big way. i'm all for it.

vverewolfchick

17y

THank you for not letting the possibility of "Racism" impude love for Fred Astaire! For that I must salute you!! This film is so NOT RACIST!

Judith IN

15y

I agree times are different now. The paint wasn't a gag; it was part of a theatrical costume. Al Jolson, the most famous white to perform in blackface, was a staunch supporter of civil rights for blacks, helped the careers of many, entertained black friends in his home. For details, read about Jolson at wikipedia. The only thing that really counts in this Astaire number is how Bill Robinson would have seen it - and because of their mutual respect, I think he would have been pleased.

Brenda Freeman

15y

Eleanor Powell also did an impression of Bill Robinson. Both Fred and Eleanor were very good friends with Bill "Bojangles".

fabrizzzio48

14y

Just one thing Pepsi Prime, "and I'm sure if Astaire was alive today he would apologize for any ill-feeling." He'd have nothing to apologize about, period.

jkoff76

16y

I don't think this is racist and I know a lot of black writers who dont either. You have to remember that Bill Robinson and Fred Astaire were friends and contemporaries. I mean why would the song be called "Bojangles of Harlem" and the dance be his entire routine. Al Jolson was to me the definition of racism, this is a loving tribute to one of the greatest artists!!

Kyuuketsuki47

12y

This was done during a movie killer. It is hard to do that during a movie. Back in the 1930s there were no "extras" to do commentary. I'm sure if there were, he would have. There is actually a recent article from the NYT about it, "Astaire's Bill Robinson - Tribute or Caricature?" Perhaps if you read that you'll understand why so many don't consider this a racist act, but rather a tribute to black dancers. Blackface was not always used in a racist manner.

honeegrrl

14y

This performance was brilliant, he could have left out the blackface though, the performance was still brilliant.

Phillip Pacheco

12y↑1

If there's a film heaven, this is it.

daytonville

16y

I completely agree with some other posts that this is done in complete ADMIRATION of Bojangles not to insult Bojangles.

etrimbleable

12y

Some recent books that have been published about Fred Astaire made me wonderful if he could have been a "bit of a bigot" as stated by late author Peter Levinson. But I know Fred Astaire admired Michael Jackson, Sammy Davis, Count Basie, Jimmy Smith and loved horn player Jonas Jones. Based on some of the comments I have read, I know what a racist is. Fred Astaire was no racist. He left a wealth of talent to admire and I love watching every minute of it.

followthefleet1

13y

@baldrottweiler ...Excellent comment and I'm sure Fred and Ginger would fully agree with you. Fred conveyed the same sentiment, and admired Bojangles Robinson, the Nicholas Brothers...and especially John Bubbles, who influenced him even more than Bojangles...because he danced not only with his feet, but his whole body. And as well, note that it was Ginger Rogers who starred in "Storm Warning", which was Warner Brothers 1950 hard nosed drama, skewering of the KKK.

theblackriverteam

13y

I think what people dont get is that it's not the context at all but rather the appearence. Black face will always be offensive, but fred Astaire, to a degree, did not come off as a racist. (though he likely was given the time, but his performance isn't offensive because thats how bojangle's danced)

macvoutie

15y

Right Prez, if we're talkin' bout respect Fred always tipped his hat in the right direction. Same goes for Gene Krupa, the drummer, who said many times he owed his style primarilly to two men.,Baby Dodds and Chick Webb.

missaudreyh

15y

there's obviously Bill Robinson, check out his stairs routine, it's on here and it's really impressive. More modern- Jason Samuels Smith, Dormeshia Sumbry-Edwards, Bril Barrett

Notrya

12y

acho muito legal como o fred se movimenta etou tentamdo ficar igual a ele no sapateado

dannytheman1313

43w

I want to be fair because I think Fred really did appreciate Bill Robinson. I think he wanted to show white people the kind of dancing that made Bill famous because there were people who would have never seen it otherwise. Somewhere along the line the performance kind of escaped him and this became a minstrel show.

i

14y

@mansoldworld Yeah, I agree. I'd really like to see a movie that is simple, but grand like this without any of the things current Hollywood likes slipping in.. I'd be happy just watching dancers with some acting ability as opposed to actors with some dancing ability. Though I can't even think of anyone that I've enjoyed seeing recently that fits this. Gregory Hines? (RIP) :(

whiteflag1000

14y

Love this shadow animation. This is so cool.

Mrs C

14y

Isn't this a tribute to a great man by a great man in the way it could be made at the time?

followthefleet1

14y

I'll just add that I don't think Fred had a racist bone in his body. He was first and foremost an artist, and learned from the Black tap tradition. This dance showed his appreciation for the entire Black contribution to dance. If anything Fred and Ginger felt badly that blacks were left out of so much in Hollywood. Spunky, down to earth, Ginger, especially felt really bad for Hattie MacDaniel, and believe it or not, made a strong anti-KKK film, "Storm Warning", in 1952, with Ronald Reagan!

Cat Luckenbach

16y

hah i learned this solo in a tap class of mine and it was harrdd!

followthefleet1

14y

PepsiPrime....I completely agree with your assessment that Fred didn't have a racist bone in his body...and that this dance was a tribute not only to Bill Robinson...but even more, to John Bubbles, who played Sportin' life in "Show Boat". Fred learned everything he could from the African American tradition...which he then incorporated into his "outlaw style". However, there was no scene in "Shall We Dance", where he did a dance with African Americans. You are thinking of "Follow the Fleet".

followthefleet1

14y

Fred's version of blackface makes no attempt to exaggerate facial features like, what I would consider, the racist earlier examples. But it's even more complicated than this for Fred thought more of another great black tap dancer, John Bubbles than Bill Robinson, as a tap dancer, because Bubbles danced much more with his whole body, an Astaire trademark. In a real sense Astaire's style depended upon several traditions" "a little bit of this and a little of that": tap, ballroom, and ballet all.

Judith IN

15y

And if you want to see Bill Robinson himself, I highly recommend you search YouTube for "Harlem is Heaven" and "Living in a Great Big Way" - the latter with the wonderful Jeni LeGon and Fats Waller.

Mark Lester

13y

He was the best.

00dev

13y

interesting tribute but we still have a long way to go

Frank Cohen

13y

PepsiPrime, my apologies for not mentionng what brought me here in the first place. Kudos to you on getting this mentioned in the NY Times and having it linked in the online edition!

followthefleet1

14y

PepsiPrime....In fact, the dance in "Follow the Fleet" was a solo dance...but he danced it to the music played by an on screen black band. And another little point, is that Fred admired the great black tap dancer, John Bubbles more than Robinson, because Bubbles danced with his WHOLE BODY...central to Astaire's dance style...whereas Robinson was as pure "hoofer". BTW....2,000 girls tried out for this chorus...chosen by Hermes Pan. Ginger Rogers had to go an radio to stop them from coming!

Tracy Strong

12y

Note that Astaire stages himself as unable to keep up with the shadow, ie with Robinson.

Bethany Briar

13y

This was the first time the shadow dance was on film, believe. :)

Camila Ribeiro

13y

And somebody will say that he had to be polite in front of the journalists. Well, he said that John Travolta wasn`t actually a dancer and that disco thing was a "Jitterbug", he could easily say something similar about Michael`s dance style...but he didn`t...he elected Michael as his descendant. Watch Fred`s movie called: Band Wagon, then after watch Smooth Criminal or Listen to Dangerous...and you`ll see that it`s Michael`s tribute to Fred.

ticklemepinke

16y

Some people LOOK for things to yell "racism"! It's this type of thinking that keeps it alive today.

lautanner

16y

I get the feeling that you already know the answer to that question. Sad as it is, the studios cared more about money than civil rights. As is the case today, there were movies geared toward white audiences and movies geared toward black audiences (with all black casts). Unless there was a major profit to be had, the two rarely merged.

lautanner

15y

I'm just now remembering when Michael Jackson played a fat white guy in "Ghosts." His character was one-dimensional and mean, but I wasn't offended. And it was hilarious when he danced in the costume!

jkoff76

16y

Nope, I'm 31 but I'll be a kid forever!!

meshachre

15y

At first i thought, his movement were labored and a bit arthritic which prompted me to look closer at the face. Lo and behold - there goes Boris Karloff in blackface! The tap dance answer to the great white hope. Hysterically funny.

steven pollock

13y

@baldrottweiler WHAT? I DON'T CARE IF YOU WERE BLACK, GREEN, YELLOW, BROWN OR WHITE BACK THEN, NOW OR IN THE FUTURE!!!!!!!!! THERE NEVER HAS BEEN NOR WILL THERE EVER BE SOMEONE WITH FRED ASTAIRE'S GENIUS AS A DANCER, PERFORMER, ARTIST, ATHLETE OR HOLLYWOOD LEGEND! HE IS THE GREATEST DANCER PLANET EARTH WILL EVER SEE!