Due to legal difficulties between Clinton and Revilot, The Parliaments' label, the name was abandoned in favor of Funkadelic, which consisted of the same group of people (that is, both the former Parliaments and their back-up band, now both combined in the name "Funkadelic"). The group signed to Westbound in 1968.
The group's self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson and Ross, though the actual recording also included several uncredited sessionmen then employed by Motown, as well as Ray Monette (of Rare Earth) and Bernie Worrell.
Bernie Worrell was officially credited starting with Funkadelic's second album, 1970's Free Your Mind... and Your Ass Will Follow, thus beginning a long collaboration between Worrell and Clinton (who had been friends for quite a while). Worrell would go on to produce many Parliament and Funkadelic albums, as well as play keyboard on albums by other members of P Funk.
After the release of Maggot Brain in 1971, Bootsy Collins and Catfish Collins joined the group. The brothers would go on to become major contributors to the P Funk sound. In 1972, this new line-up released America Eats Its Young, but many members left the group after that, due to internal squabbles, plus Hazel spending a year in jail for drug possession and assault and Tawl Ross experiencing a bad LSD trip and/or speed overdose, while Billy Bass quit due to financial concerns. Michael Hampton, a seventeen-year-old guitar prodigy, replaced Hazel.
1975 brought Funkadelic to Warner Brothers, and saw the release of Hardcore Jollies in 1976. The same year, Westbound released a compilation of archived tracks titled Tales of Kidd Funkadelic, which did significantly better than Hardcore Jollies and included "Undisco Kidd", a R&B Top 30 single. In 1977, Westbound capitalized on the success of Tales of Kidd Funkadelic by releasing The Best of the Early Years. Funkadelic recorded and released its magnum opus, One Nation Under a Groove in 1978. The title track spent six weeks at #1 on the R&B charts, while Parliament was enjoying success with "Flash Light" and "Aqua Boogie."
As the 1980s wore on, legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup among Parliament's record label, Parliament and Funkadelic disintegrated. George Clinton recorded several solo albums (sometimes under the name George Clinton & the P-Funk Allstars).
Filmmaker Yvonne Smith of Berkeley, California-based Firelight Media produced Funkadelic: One Nation Under a Groove, a full-length documentary about the groundbreaking group, which aired on PBS in 2005.
ALSO......
Though it often took a back chair to its sister group Parliament, Funkadelic furthered the notions of black rock begun by Jimi Hendrix and Sly Stone, blending elements of '60s psychedelia and blues plus the deep groove of soul and funk. The band pursued album statements of social/political commentary while Parliament stayed in the funk singles format, but Funkadelic nevertheless paralleled the more commercial artist's success, especially in the late '70s when the interplay between bands moved the Funkadelic sound closer to a unified P-Funk style.
In the grand soul tradition of a backing band playing support before the star takes the stage, Funkadelic began life supporting George Clinton's doo wop group, the Parliaments. After having performed for almost ten years, the Parliaments had added a rhythm section in 1964 -- for tours and background work -- consisting of guitarist Frankie Boyce, his brother Richard on bass, and drummer Langston Booth; two years later, the trio enlisted in the Army. By mid-1967, Clinton had recruited a new backing band, including his old friend Billy "Bass" Nelson (born January 28, 1951, Plainfield, NJ) and guitarist Eddie Hazel (born April 10, 1950, Brooklyn, NY). After several temporary replacements on drums and keyboards, the addition of rhythm guitarist Lucius "Tawl" Ross (born October 5, 1948, Wagram, NC) and drummer Ramon "Tiki" Fulwood (born May 23, 1944, Philadelphia, PA) completed the lineup.
The Parliaments recorded several hits during 1967, but trouble with the Revilot label backed Clinton into a corner. He hit upon the idea of deserting the Parliaments' name and instead recording their backing group, with the added vocal "contributions" of the former Parliaments -- same band, different name. Billy Nelson suggested the title Funkadelic, to reflect the members' increased inspiration from LSD and psychedelic culture. Clinton formed the Funkadelic label in mid-1968 but then signed the group to Detroit's Westbound label several months later.
Released in 1970, Funkadelic's self-titled debut album listed only producer Clinton and the five members of Funkadelic -- Hazel, Nelson, Fulwood, and Ross plus organist Mickey Atkins -- but also included all the former Parliaments plus several Motown sessionmen and Rare Earth's Ray Monette. Keyboard player Bernie Worrell also appeared on the album uncredited, even though his picture was included on the inner sleeve with the rest of the band.
Worrell (born April 19, 1944, Long Beach, NJ) was finally credited on the second Funkadelic album (1970's Free Your Mind...and Your A** Will Follow). He and Clinton had known each other since the early '60s, and Worrell soon became the most crucial cog in the P-Funk machine, working on arrangements and production for most later Parliament/Funkadelic releases. His strict upbringing and classical training (at the New England Conservatory and Juilliard), as well as the boom in synthesizer technology during the early '70s, gave him the tools to create the horn arrangements and jazz fusion-inspired synth runs that later trademarked the P-Funk sound. Just after the release of their third album, Maggot Brain, P-Funk added yet another big contributor, Bootsy Collins. The throbbing bass line of Collins (born October 26, 1951, Cincinnati, OH) had previously been featured in James Brown's backing band, the J.B.'s (along with his brother, guitarist Catfish Collins). Bootsy and Catfish were playing in a Detroit band in 1972 when George Clinton saw and hired them.
The Clinton/Worrell/Collins lineup premiered on 1972's America Eats Its Young, but soon after its release several original members left the camp. Eddie Hazel spent a year in jail after a combination drug possession/assault conviction, Tawl Ross left the band for medical reasons relating to an overdose of LSD and speed, and Bill Nelson quit after more financial quarrels with Clinton. Funkadelic hired teenaged guitar sensation Michael Hampton as a replacement, but both Hazel and Nelson would return for several later P-Funk releases.
Funkadelic moved to Warner Bros. in 1975 and delivered its major-label debut, Hardcore Jollies, one year later to lackluster sales and reviews. The same year, Westbound raided its vaults and countered with Tales of Kidd Funkadelic. Ironically, the album did better than Hardcore Jollies and included an R&B Top 30 single, "Undisco Kidd." In 1977, Westbound released The Best of the Early Years while Funkadelic recorded what became its masterpiece (and arguably the best P-Funk release ever), 1978's One Nation Under a Groove.
During the most successful year in Parliament/Funkadelic history, Parliament hit the charts first with "Flash Light," P-Funk's first R&B number one. "Aqua Boogie" would hit number one as well late in the year, but Funkadelic's title track to One Nation Under a Groove spent six weeks at the top spot on the R&B charts during the summer. The album, which reflected a growing consistency in styles between Parliament and Funkadelic, became the first Funkadelic LP to reach platinum (the same year that Parliament's Funkentelechy Vs. the Placebo Syndrome did the same). In 1979, Funkadelic's "(Not Just) Knee Deep" hit number one as well, and its album (Uncle Jam Wants You) reached gold status.
At just the point that Funkadelic appeared to be at the top of its powers, the band began to unravel. As is sometimes the case, commercial success began to dissolve several old friendships. In 1977, original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas had left the P-Funk organization to record on their own. In early 1981, they hit the R&B charts with a single called "Connections and Disconnections," recorded as Funkadelic. To confuse matters more, the original Funkadelic appeared on the charts at the same time, with the title track to The Electric Spanking of War Babies.
During 1980, Clinton began to be weighed down by legal difficulties arising from Polygram's acquisition of Parliament's label, Casablanca. Jettisoning both the Parliament and Funkadelic names (but not the musicians), Clinton began his solo career with 1982's Computer Games. He and many former Parliament/Funkadelic members continued to tour and record throughout the '80s as the P-Funk All Stars, but the decade's disdain of everything to do with the '70s resulted in critical and commercial neglect for the world's biggest funk band, especially one which in part had spawned the sound of disco. During the early '90s, the rise of funk-inspired rap (courtesy of Digital Underground, Dr. Dre, and Warren G.) and funk rock (Primus and Red Hot Chili Peppers) re-established the status of Clinton & co., one of the most important forces in the recent history of black music. ~ John Bush, Rovi
Mommy What's a Funkadelic?
Funkadelic Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I will lick your funky emotions
(Hey baby, hey, had something last night, man, it was strange, it taste so good, it was some good Stuff)
Do it again
Yeah
Hey baby
What's your thang?
Mess around and get our thing goin' on
Yeah, ha, ha, ha!
Ohh, ohh
Whoa!
Yeah
Shucks!
Ba-ba ba ba ba
Ba-ba ba ba ba
Ba-ba ba ba bomp bomp buh buh buh buh bah!
By the way, my name is Funk
I am not of your world
Hold still, baby, I won't do you no harm
I think I'll be good to you
Fly on
Hmm, hehhehheheh
Whoa
Lord!
Like I said, I won't do you no harm
I am Funkadelic
Dedicated to the feeling of good
And baby, I'm good at being good
Let me play with your emotions
For nothing is good unless you play with it
Yeah
Fly on
Fly on, baby
So... Nasty!
I didn't make the rules
I follow them
And what's so nasty about funky music?
Heh, heh, feels good to me!
Lord!
Ba-ba ba ba ba
Ba-ba ba ba ba
Ba-ba ba ba bomp bomp buh buh buh buh bah!
[Repeat x 4]
Whoa! Yeah!
Wait a minute
Do you feel that?
Lord
Lord, baby
Fly on
Fly on, baby
Let me kiss your mind
Hahha
Let me slide a yard of tongue down your throat
There's nothing wrong with that
Merely a kiss
Why is everyone afraid to say,
Kiss me baby! (make it?)
Whoa, yeah
Kiss me baby!
Kiss me
I like it like that
I like it like that
Owww!
Play with it, baby
Play with it
Play with your emotions
Go ahead, brother
Release all of those feelings
We don't need no words
Just feelings
Do it again brother, oh!
One more time, oh!
Yeah
Oh!
I recall when I left a little town in North Carolina
I tried to escape this music
I said it was for the old country folks
I went to New York
Got slick
Got my hair made, hehheheheh
I was cool, heh heh
I was cool
But I had no groove, hehheheh
No groove, no groove, no groove, no groove
I had no groove
But here it comes!
But now, fly on baby
Here it comes
'Cause I got it
Fly on baby
You got it
Dig, oh
Dig
[Repeat x 6]
Dig, baby
You got it
You got it now
You got it
Fly on
Fly on sisters
Play on brothers
Ba-ba ba ba ba
Ba-ba ba ba ba
Ba-ba ba ba bomp bomp buh buh buh buh bah!
[Repeat x 2]
Can you feel that baby
It's called Funkadelic music
It will blow your funky mind
Yeah!
(Rolling on the one, tape's in motion)
The lyrics to the Funkadelic song "Mommy What's a Funkadelic?" express a desire for intimate connection through the medium of music. The opening lines suggest a spiritual exchange, with the singer offering to suck the listener's soul in exchange for the pleasure of licking their funky emotions. The exchange is intensified as the singer suggests touching and "messing around" with each other, leading to a crescendo of physical desire expressed through kissing and the release of emotions. The lyrics celebrate the power of funk music to connect people on a visceral level, emphasizing the importance of feeling and sensation over words.
Line by Line Meaning
If you will suck my soul
I will lick your funky emotions
(Hey baby, hey, had something last night, man, it was strange, it taste so good, it was some good Stuff)
If you give me your commitment, I will give you a taste of my funky emotions. (Hey, last night I experienced something amazing, it was new and it tasted great)
Do it again
Yeah
Hey baby
What's your thang?
What say we touch each other?
Mess around and get our thing goin' on
Yeah, ha, ha, ha!
Ohh, ohh
Whoa!
Yeah
Let's do it again. Hey baby, what are your desires? Can we engage in touching and mess around for a good time? (Let's get our groove on, baby!)
Shucks!
Ba-ba ba ba ba
Ba-ba ba ba ba
Ba-ba ba ba bomp bomp buh buh buh buh bah!
Oh my! Ba-ba ba ba ba Ba-ba ba ba ba Ba-ba ba ba bomp bomp buh buh buh buh bah! (Excitement and energy)
By the way, my name is Funk
I am not of your world
Hold still, baby, I won't do you no harm
I think I'll be good to you
Fly on
Hmm, hehhehheheh
Whoa
By the way, I'm Funk and I don't conform to your norms. Stay still, baby, I won't hurt you. Let me take care of you. (I got you, baby!)
Lord!
Like I said, I won't do you no harm
I am Funkadelic
Dedicated to the feeling of good
And baby, I'm good at being good
Let me play with your emotions
For nothing is good unless you play with it
Yeah
Fly on
Fly on, baby
I won't hurt you, baby. I am Funkadelic and aim to spread positivity. Let me take control of your emotions, it's good to let go once in a while. (Let me give you pleasure, fly on with me!)
So... Nasty!
I didn't make the rules
I follow them
And what's so nasty about funky music?
Heh, heh, feels good to me!
Lord!
This is so good! I didn't create the rules, but I'm following them. What's wrong with funky music? It feels good to me! (I don't make the rules, but I'm loving it!)
Ba-ba ba ba ba
Ba-ba ba ba ba
Ba-ba ba ba bomp bomp buh buh buh buh bah!
[Repeat x 4]
Ba-ba ba ba ba Ba-ba ba ba ba Ba-ba ba ba bomp bomp buh buh buh buh bah! (Music and rhythm)
Whoa! Yeah!
Wait a minute
Do you feel that?
Lord
Lord, baby
Fly on
Fly on, baby
Wow! Can you feel it? Lord, fly with me baby! (Feeling the groove and the greatness of music)
Let me kiss your mind
Hahha
Let me slide a yard of tongue down your throat
There's nothing wrong with that
Merely a kiss
Why is everyone afraid to say,
Kiss me baby! (make it?)
Whoa, yeah
Kiss me baby!
Let me connect with you mentally and give you a passionate kiss. No harm in a deep kiss, it's just a way of expressing love. (Kiss me, make it good!)
Kiss me
I like it like that
I like it like that
Owww!
Play with it, baby
Play with it
Play with your emotions
Go ahead, brother
Release all of those feelings
I love it when you kiss me, keep it coming. Play with your emotions and enjoy the moment, release all the feelings that you've kept in. (Feel free to express yourself without any inhibitions!)
We don't need no words
Just feelings
Do it again brother, oh!
One more time, oh!
Yeah
Oh!
We don't need words, just let the feelings guide us. Let's do it again, with more feeling! (Emphasizing on the importance of feeling the music, and repeating the joyous feeling)
I recall when I left a little town in North Carolina
I tried to escape this music
I said it was for the old country folks
I went to New York
Got slick
Got my hair made, hehheheheh
I was cool, heh heh
I was cool
But I had no groove, hehheheh
No groove, no groove, no groove, no groove
I had no groove
But here it comes!
But now, fly on baby
I remember when I left my small town, I thought I was escaping the music. I thought it was for the old folks. I changed my look and I was cool, but I realized I was missing the groove. But now, I've got it and I'm taking you with me! (Emphasizing on the journey of discovering the groove)
Here it comes
'Cause I got it
Fly on baby
You got it
Dig, oh
Dig
[Repeat x 6]
Dig, baby
You got it
You got it now
You got it
Fly on
Fly on sisters
Play on brothers
I've got the groove and I'm feeling it. Fly on baby, you've got it too. Dig in and enjoy the music. (Emphasizing on everyone's ability to have the groove and enjoy the music - regardless of their gender or race)
Can you feel that baby
It's called Funkadelic music
It will blow your funky mind
Yeah!
(Rolling on the one, tape's in motion)
Can you feel that? It's Funkadelic music, it's going to give you an amazing feeling. (Describing the unique ability of Funkadelic music to make people feel alive)
Lyrics © Kobalt Music Publishing Ltd.
Written by: George Jr. Clinton
Lyrics Licensed & Provided by LyricFind
j f harrison
Studio album by Funkadelic
Released February 24, 1970
Recorded 1968-1969 in Tera Shirma Sound Studios, Detroit, Michigan
Genre Funk, psychedelic soul, psychedelic rock[1]
Length 46:37
Label Westbound
W-2000
Producer George Clinton
"Whole Lotta Love"
Single by Led Zeppelin
from the album Led Zeppelin II
B-side "Living Loving Maid (She's Just a Woman)"
Released 7 November 1969
Format 7" single
Recorded May 1969 at Olympic Studios, London
Genre
Hard rock[1][2] blues rock[3]
Length
5:34 (album version)
5:33 (single, 1st pressings)
3:10 (single, 2nd pressings)
Label Atlantic 2690 (US)
Writer(s)
John Bonham Willie Dixon John Paul Jones Jimmy Page Robert Plant
Producer(s) Jimmy Page
Certification Gold
Jenny
I'm a huge rock, soul and rap fan. This is one of my favourites of all time. Eddie Hazel is my favourite guitarist of all time.
Steve the music man
I was 12 when this came out. My sister brought this home and my life has not been the same since. I'm now 53 and still enjoy this classic. Thanks for posting this. This is some true deep raw uncut funk.
MorningView4
This song is almost too much handle... These cats were some of the funkiest to ever record together. Timeless music.
Bones Jr.
Many years ago, a friend and I tried to listen to this while on mushrooms. It got too intense and we had to turn it off...we were feeling too good, if that makes any sense.
Alexx Arson
Had this playing in the background as a I watched Disneys Fantasia 2000 on acid. Wonderful trip.
Clinton Leonard
Isn't the whole point of Fantasia how the animation creates a dichotemy with the music and becomes something more than either could be alone? Oh nevermind, it was 2000.
William Smith
They are the real. I've loved their work since I was a child. When you want to trip on the funk, no trip is complete without Funkadelics and lets not forget Parlaments to make the trip whole. Eddie Hazel R.I.P.!
Zerg121
Damn. So nasty and psychedelic. Love it!
funkedbyinjection
i wish everyone could have been there to see the beginnings of what woud become p-funk. they were so original and raw. a totally new sound. it was fun to watch them grow. back then, their concerts would last 3-5 hours; mostly just jamming on stage. it's too bad we can't download memories from our brains on to video.
August Greig
It's so funny you say that, because as I was listening to this, I was imagining the same exact thing. Being at a concert full of young, white, college kids, hippies, burnouts, people who were just there to score pot and acid, and a few black people who either dug on the music and realized it was something special, and a few others who never heard of Parliament and had just heard there were some people from James Brown's band playing tonight. Imagine their shock LOL, though I'm sure more than a few became fans fo life.
I was also imagining hearing them for the first time, and how life changing that would be, when comparing it to everything else going on at the time. Everything else was either folk inspired hippie music, blues inspired rock, or psychedelic rock. I put them up there with Black Sabbath and The Velvet Underground. All three bands sounded completely different than anything else at the time, and all three spawned multiple genres of music.
I can only imagine how cool it must ave made you feel to be into Funkadelic, introducing them to friends who never heard of them, and blasting it from your stereo with your parents thinking your crazy. It must have been amazing to eat 3.5 grams of mushrooms and go to their concert.
Oh, and without them, there would be no Prince.