In 1997, Gaelic Storm appeared in the film Titanic as the steerage band. This catapulted them into touring, where they were met with extreme success and popularity. They have toured throughout the United States and Canada, in the United Kingdom, France, and Japan.
To this date, Gaelic Storm tours aggressively, and plays over 125 dates a year. It has also put out six albums since its inception, including the compilation album Special Reserve. The band is notable for its energetic rendering of traditional Irish music and Scottish traditional music, and for its albums which repeatedly top the Billboard world music charts.[citation needed]
Gaelic Storm's album Bring Yer Wellies was released on July 25, 2006 and debuted at #2 on the Billboard World Chart, #16 on the Internet Sales Chart and #31 on the Independent Album Chart. Their fifth album, How Are We Getting Home?, was released in August 2004 and debuted at #3 on the Billboard World Music Charts, #10 on the Billboard Heatseekers Chart and re-entered the September 2005 World Albums Chart at #3. "Gaelic Storm". Retrieved on 2007-11-13.
Over its history, the band has replaced its fiddle player a few times, its drummer once, and added Highland, Uilleann, and Deger (electronic) bagpipes to its instrumentation.
In January 2006 the band released its first DVD titled "Gaelic Storm: Live In Chicago". The show was filmed live at the House of Blues in Chicago.
A Simlish version of the song, Scalliwag, from the band's latest album, Bring Yer Wellies, was recorded and featured on the World music channel in the expansion pack, The Sims 2: Bon Voyage, for the popular PC Game, The Sims 2.
Now the next album of Gaelic Storm was released in July 8, 2008, titled "What's the Rumpus?" released by their own label, Lost Again Records. Taken from the Amazon.com Editorial Review of the album, "Inspired by the music that drives their loyal fan base, Whats the Rumpus is a wild party of an album, full of colorful characters and outrageous stories, flavored with Gaelic Storm's signature acoustic sound that gets you dancing and never lets you go. I think this is some of the best writing we have ever done, everything seemed to come together perfectly for this CD, says Steve Twigger, This is the culmination of a great deal of hard work and a barrel of good times. From the upbeat opening title track to the final cut, The Night I Punched Russell Crowe; (a true story involving singer Patrick Murphy), the music captures the contagious energy of the bands carefree attitude and infectious live performances. With instruments ranging from African drums, Irish bagpipes and Celtic fiddle to trombones and Cajun-style accordions, WTR is a three-ring circus of acrobatic songs, swirling tunes and galloping rhythms. Steve Twigger produced the project with co-production by drummer Ryan Lacey and Pat Manske, and additional production by Patrick Murphy. Returning to The Zone studio in Austin TX where the band recorded their previous release Bring Yer Wellies, Gaelic Storm also enlisted the help of a few select Austin locals including Lloyd Maines and 1960's psychedelic performer, Arthur Brown, to round out their eclectic Celtic sound. To quote Patrick Murphy, We have so much fun together as a band, we managed to capture some of the good times we have together on this recording.
Gaelic Storm also includes: Ryan Lacey on drums and world percussion (graduated twice from the Los Angeles Music Academy, once for hands and once for sticks), Pete Purvis of Merrickville, Ontario on uilleann pipes, tin whistle, deger pipes and highland pipes (a Grade 1 piper who toured with award winning pipe bands including the Braemar Pipe Band and played at 2000 Sydney Olympics) and the newest member of the band Jessie Burns on fiddle (originally from Suffolk, England, now living in Colorado)." and Celtic rock genres.
The Barnyards of Delgaty
Gaelic Storm Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tara Market for tae fee
I met up wi' a famer child.
The Barnyards o' Delgaty
Chorus:
Lin-tin-addy, too-rin-addy
Lin-tin-addy, too-rin-ee
The Barnyards of Delgaty
He promised me the ae best pair,
That ever I laid my eyes upon,
When I got to the barnyards,
There was nothin' there but skin and bone!
Lin-tin-addy, too-rin-addy
Lin-tin-addy, too-rin-ee
Lin-tin-lowrin-lowrin-lowrin
The Barnyards of Delgaty
The old grey horse sat on his rump,
The old white mare sat on her whine
When it came to the "Whup" and crack
They shouldn't rise at yokin' time.
Lin-tin-addy, too-rin-addy
Lin-tin-addy, too-rin-ee
Lin-tin-lowrin-lowrin-lowrin
The Barnyards of Delgaty
When I go to the kirk on Sunday
Many's the bonny lass I see
Sittin' by her father's side
And winkin' o'er the pews at me!
Lin-tin-addy, too-rin-addy
Lin-tin-addy, too-rin-ee
Lin-tin-lowrin-lowrin-lowrin
The Barnyards of Delgaty
And I can drink and not get drunk,
I can fight and not be slain
I can sleep with another man's wife
And still be welcome to my ayn.
Now my candle is burnt out
My snotter's fairly on the wane
Fare the well ye Barnyards,
You'll never catch me here again!
Lin-tin-addy, too-rin-addy
Lin-tin-addy, too-rin-ee
Lin-tin-lowrin-lowrin-lowrin
The Barnyards of Delgaty
The lyrics of Gaelic Storm's song "The Barnyards of Delgaty" tell the story of a man who travels to Tara Market in search of a pair of horses promised to be the best he has ever seen. Along the way, he encounters a farmer's child who leads him to the barnyards of Delgaty. However, when the man arrives, he finds only malnourished and weak horses that were promised to be the best. The song describes the disappointment of the man and the sorry state of the barnyards.
Throughout the verses, the chorus is repeated, serving as a collective refrain for the song. The chorus, which includes the phrases "Lin-tin-addy, too-rin-addy" and "Lin-tin-lowrin-lowrin-lowrin," is meant to evoke a sense of Gaelic musical tradition and creates a memorable tune that is easy to recognize. The man also speaks about his experiences in the kirk on Sunday, seeing bonny lasses and even hints at his infidelity by conveying that he can sleep with another man's wife and still be accepted. At the end of the song, the man declares he will never return to the barnyards again and bids them farewell.
Line by Line Meaning
As I came in by Tara Market
I arrived at Tara Market
Tara Market for tae fee
Tara Market charged a fee for entry
I met up wi' a famer child.
I encountered a child of a farmer
The Barnyards o' Delgaty
The location I arrived at is the Barnyards of Delgaty
Lin-tin-addy, too-rin-addy
Nonsense syllables chanted in the chorus
Lin-tin-addy, too-rin-ee
Nonsense syllables chanted in the chorus
Lin-tin-lowrin-lowrin-lowrin
Nonsense syllables chanted in the chorus
The old grey horse sat on his rump,
The gray horse sat on its hindquarters
The old white mare sat on her whine
The white mare sat on its haunches
When it came to the "Whup" and crack
When it came to whipping and cracking a whip
They shouldn't rise at yokin' time.
They wouldn't get up when it was time for work
When I go to the kirk on Sunday
When I attend church on Sunday
Many's the bonny lass I see
I see many beautiful young women
Sittin' by her father's side
Sitting next to their father
And winkin' o'er the pews at me!
Winking at me over the pews
And I can drink and not get drunk,
I have a high tolerance for alcohol
I can fight and not be slain
I am a skilled fighter and do not easily get defeated
I can sleep with another man's wife
I have committed adultery and not been punished
And still be welcome to my ayn.
My actions do not cause me to be ostracized by my own community
Now my candle is burnt out
Now I have come to the end of my life
My snotter's fairly on the wane
My life is coming to a close
Fare the well ye Barnyards,
Goodbye to the Barnyards
You'll never catch me here again!
I will not return to this place
Contributed by Chase G. Suggest a correction in the comments below.