Gibbs was the youngest of four children of Russian Jewish immigrant parents.Her father died when she was six months old, and she spent her first seven years in an orphanage in Worcester, separated from her other siblings.
She revealed a natural talent for singing at a very young age, and was given the lead in the orphanage's yearly variety show. She was reunited with her mother (who had visited her once every other month) when the latter found employment as a midwife. However, her job often forced her to leave her daughter alone for weeks at a time with only a Philco radio for company.
Gibbs began her professional career at the age of thirteen, and was singing in Boston's Raymor Ballroom the following year. She cut her first record with the Hudson-DeLange Orchestra in 1936 (aged 16 or 17). "You don't really know loneliness unless you do a year or two with a one-night band, Gibbs said of her life on the big band circuit. sing until about 2 a.m. Get in a bus and drive 400 miles. Stop in the night for the greasy hamburger. Arrive in a town. Try to sleep. Get up and eat." (Worcester Telegram & Gazette, May 12, 1994.)
She soon found steady work on popular radio shows including Your Hit Parade, Melody Puzzles and The Tim And Irene Show. Gibbs freelanced in the late 1930s and 1940s singing with the bands of Frankie Trumbauer, Hal Kemp, Tommy Dorsey and Artie Shaw. It was with Shaw's band (then billed as Fredda Gibson) that she scored her first hit, Absent Minded Moon (1942).
In 1943, she changed her name to Georgia Gibbs and began appearing on the popular Camel Caravan radio program, hosted by Jimmy Durante and Garry Moore (it was Moore who bestowed the famous nickname "Her Nibs, Miss Georgia Gibbs" upon her). The nickname is a playful reference to her diminutive stature of barely over 5 feet. She was a regular performer on this show until 1947.
Gibbs signed with Majestic Records in 1946, and while she recorded many great records she would have to wait until 1950 for her first hit single, If I Knew You Were Coming, I'd Have Baked A Cake (on the Coral label). During this period she also was the featured singer on tours with comedians Danny Kaye and Sid Caesar. Miss Gibbs had a natural talent for comedy as well, and worked well in support of the immensely popular Kaye. But success as a singer continued to elude her. As noted in a 1952 Time article:
"Georgia," they kept telling her, "you gotta get a sound." Musical soothsayers were trying to get Songstress Georgia Gibbs into line with the latest fashion. Perhaps, they thought, she should sing mechanized duets with herself (like Patti Page), or she might try an echo chamber background (like Peggy Lee). But gimmicks were not Georgia Gibbs's cup of tea. She had a big, old-fashioned voice, a good ear, a vivacious personality, and she knew how to sing from the shoulder. She would stick with plain Georgia Gibbs.
And she eventually had success "sticking with plain Georgia Gibbs". Possessed of a versatile voice, she cut a long list of great records in every category from torch songs to rock-and-roll, to jazz, swing, old fashioned ballads and cha-chas. Her most successful record was Kiss Of Fire which reached the #1 position on the pop music charts in 1952. Kiss of Fire was adapted from the Argentinian tango El Choclo and the lyrics, arrangement and delivery communicate passion on a Wagnerian scale. It immediately became one of the defining songs of the era.
Sultry and throbbing, with a touch of vibrato, Georgia Gibbs' voice is best showcased on romantic ballads and torch songs like Melancholy Baby, I'll Be Seeing You, Autumn Leaves and You Keep Coming Back Like A Song. Yet she could be equally thrilling belting out a red hot jazz numbers like Red Hot Mama and A-Razz-A-Ma-Tazz, or jiving with tunes like Ol Man Mose and Shoo Shoo Baby. Her Swingin' With Her Nibbs album (1956) demonstrated her natural affinity for improvisation as well.
Gibbs continued to be a frequent visitor to the charts throughout the first half of the decade (with over 40 charted songs), and was briefly successful doing rock 'n' roll songs as well. She appeared on many television shows throughout the decade, including the legendary Ed Sullivan show, and hosted one of her own, Georgia Gibbs And Her Million Record Show. She cut her final album, Call Me (1966) and rarely performed after that.
She spent many years being best known for her cover versions of Etta James' The Wallflower (recorded by Gibbs with modified lyrics under the title Dance With Me Henry) and of LaVern Baker's Tweedle Dee (which created some ado due to Ms. Baker's vociferous complaints) and for her novelty number The Hula Hoop Song, which was her last hit, in 1958.
Georgia Gibbs died of leukemia on December 9, 2006, aged 87, at New York's Memorial Sloan-Kettering Cancer Center.
Silent Lips
Georgia Gibbs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't keep me waiting
Silent lips say those words I long to hear
Say you want me, you need me, you love me
Time can fly, don't be shy
Just hold me near
Silent lips, why treat my poor heart like this
If you're too shy to tell me you love
Let me know by the silence of your kiss
[BRIDGE]
(Silent lips)
(Silent lips)
(Silent lips)
[REPEAT ALL]
In "Silent Lips," Georgia Gibbs sings about the frustration of being in love with someone who is too afraid to express their feelings. She pleads with her lover to use their "silent lips" to communicate what they really mean, and tells them not to keep her waiting. She longs to hear the words "I love you," "I need you," and "I want you," but her lover remains silent, driving her crazy with suspense.
The song is a powerful expression of the anxiety and uncertainty that often come with love. The idea of "silent lips" is particularly striking, as it implies that despite the absence of words, there is still a rich inner world of feeling and emotion that remains unexpressed. This creates a tension that is palpable in the music, as Gibbs' voice rises and falls with longing and repressed desire.
Overall, "Silent Lips" is a moving and expertly crafted love song that captures the pain and beauty of unrequited love.
Line by Line Meaning
Silent lips speak to me
Even when you're not saying anything, I can read the message you're sending me
Don't keep me waiting
Please don't leave me hanging, just tell me what's on your mind
Silent lips say those words I long to hear
Sometimes, what isn't said speaks the loudest, and I'm dreaming of the words you're not saying
Say you want me, you need me, you love me
I want to hear you express your feelings for me with words
Time can fly, don't be shy
Life is too short to waste time being afraid; take a risk and tell me how you feel
Just hold me near
Even if you can't find the words, just being close to me can express everything I need to know
Silent lips, the suspense will drive me crazy
The lack of communication is causing me anxiety and filling me with doubt and worry
Silent lips, why treat my poor heart like this
Your lack of communication is hurting me and leaving my heart in agony
If you're too shy to tell me you love
I understand that words can be hard to express, especially when it comes to love
Let me know by the silence of your kiss
You don't have to say anything; just let your actions speak for you and kiss me deeply to show me you love me
(Silent lips)
(Silent lips)
(Silent lips)
Contributed by Alexander K. Suggest a correction in the comments below.
Kosta Tesfa
Never silent, continue to listen to sweet Georgia
Glynis Corso
My dad:)
Torsten Jansson
Silent lips was a big hit in Sweden, Georgia Gibbs peaked at no 5. Here is a Swedish cover version, "Ingenting" (Nothing): https://www.youtube.com/watch?v=wnnsmYgqxkg
titti edvinsson
best of the best