Formed in 1961, the band was active for 60 years, almost non-stop. They had 56 years of studio output, starting in 1965, which made them the world's longest surviving rock band, formed a year before The Rolling Stones, until their tragic end on 5 February 2021, when guitarist founding member George Kooymans revealed that he had been diagnosed with the neuro-muscular disease, ALS.
The band's core line-up of four was unchanged from 1970 to 2021, although extra musicians had short stints in the band in the 1970s. Golden Earring was always touring, except in 2000 (their only sabbatical year) and the final year of their existence, due to the Covid-19 pandemic.
In 1961 George Kooymans (age 13) and his neighbour Rinus Gerritsen (age 15) formed The Tornado's in the Zuiderpark district of their home town of The Hague, The Netherlands. The band's first line-up mainly played The Shadows and The Ventures covers, as well as other instrumental tunes, and played its first gigs at school parties.
In 1963, as the band found out that there already was a British band called The Tornados, they decided to change their name into The Golden Ear-rings (after a Peggy Lee song). The band now performed around The Hague, soon had a devoted local following and landed a record deal with Polydor. Their début single, 1965's Please Go, immediately landed in the Dutch Top 10.
Under the Golden Earrings moniker the band eventually recorded four albums and had twelve hit singles in the Netherlands between 1965 and 1969, ten of which reached the Dutch Top 10. Several of their records were released internationally in Europe and even North America, although they failed to make an impact there.
One of the band's sixties singles became their first Dutch #1 hit: 1968's somewhat carnavalesque Dong-Dong-Diki-Digi-Dong, although that tune is now frowned upon by the band and generally regarded as inferior to other sixties Earrings gems, such as That Day (1966, the first Dutch pop single to have been recorded in the U.K., at London's Pye Studios), Sound Of The Screaming Day (1966) and the epic Just A Little Bit Of Peace In My Heart (1969).
The band's lead singer during the early Golden Earrings years was Frans Krassenburg. He was replaced by Barry Hay (ex-The Haigs) in 1967. The band's drummer for much of the 1960s was Jaap Eggermont. His successors were Sieb Warner (1969) and, in 1970, Cesar Zuiderwijk (ex-Livin' Blues), Golden Earring's definitive drummer.
The band's international career modestly started to take off in 1969, the year of their psychedelic Eight Miles High album, their first haphazard tour of the United States and also the year in which the band name was slightly changed into The Golden Earring and finally (dropping the article within a year), Golden Earring. On their early U.S. tours, their long, wild cover version of The Byrds' classic Eight Miles High impressed audiences and press alike. Golden Earring's 19-minute album version, as well as the stand-alone 1969 single, Another 45 Miles, were the first Golden Earring recordings to get some North American airplay.
The arrival of drummer, Cesar Zuiderwijk, in 1970, completed what would turn out to be the group's definitive line-up: Barry Hay (lead vocals/guitar/flute), George Kooymans (guitar/vocals), Cesar Zuiderwijk (drums) and Rinus Gerritsen (bass/harmonica/keyboards).
1970 saw a dramatic shift in Golden Earring's musical style. After the melodic, often Beatle-esque sixties beat of The Golden Earrings and a brief phase of psychedelia and hippie rock in 1968 and 1969, the single Back Home marked the birth of Golden Earring's trademark heavy, riff-based brand of hard rock with catchy hooks. Back Home hit #1 in the Dutch charts and 'broke' Golden Earring in most of Europe, notably countries such as Germany, Switzerland, Austria and France.
This marked the start of a decade of domestic and international glory. Between 1966 and 1976 seventeen consecutive Earring singles rocketed into the Dutch Top 10, while their international popularity increased, especially after their lengthy 1972 tour of Europe, supporting The Who. Buddy Joe (1972) achieved considerable chart success in the German-speaking countries of Europe, but 1973's Radar Love was their breakthrough smash hit worldwide: #13 in the U.S. Billboard Hot 100, #1 in the U.S. Cashbox chart, #5 in Britain, #8 in Australia, #10 in Canada, #5 in Germany, #6 in Belgium, #1 in Spain and also #1 in (last but not least) Rhodesia (now Zimbabwe), to name but a few.
Radar Love remains an enduring 'car classic' and radio anthem of global fame to this day. Between 1969 and 1985 Golden Earring completed ten major tours of North America, building a considerable North American fanbase, as well as five headlining tours of Great Britain in 1973 and 1974 alone. Golden Earring toured as 'special guests' of The Who, Aerosmith, Led Zeppelin, .38 Special, Rush and many more, whereas bands like Aerosmith, KISS, ZZ Top and Lynyrd Skynyrd opened for Golden Earring. The album that spawned Radar Love, 1973's Moontan, was certified 'Gold' by North America's RIAA in 1974 and sold millions of copies worldwide.
The band failed to achieve similar chart success in the years after Radar Love: the progressive Switch (1975) and To The Hilt (1976) charted in Billboard's album charts, but yielded no major U.S. hits. The singles were clearly not what North American audiences wanted from the 'Radar Love guys'.
Golden Earring was forgotten by many outside of The Netherland and by 1980 even Dutch audiences started to lose interest: albums such as No Promises, No Debts (1979) and Prisoner Of The Night (1980) were commercial flops, leading to the band's decision (in 1981) to record a 'final LP and then call it quits.
The lead single from 1982's 'farewell album', Cut, a Kooymans-penned tune called Twilight Zone, surprisingly became an even bigger hit in the U.S. than Radar Love: #10 on the Billboard Hot 100 and #1 on Billboard's Mainstream Rock Tracks, thanks to heavy MTV rotation of the Dick Maas-directed video. The song (#1 in The Netherlands) revived Golden Earring's stateside career overnight. The Cut LP was certified 'gold' in Canada, with Twilight Zone hitting #3 in the Canadian charts.
In their native Netherlands the band did manage to extend their creative and commercial peak this time: the single When The Lady Smiles and the album N.E.W.S. ('NorthEastWestSouth'), both released in 1984, repeated the success of Twilight Zone and Cut. 'Lady' peaked at #3 in Canada, but fared disappointingly in the U.S. as MTV and even radio stations banned the track because of its controversial video, once again directed by Dick Maas, in which the rape of a nun was suggested.
After 1985 things rapidly went downhill for Golden Earring internationally (they would not tour the U.S. again), but - after a creative and financial crisis that lasted throughout the second half of the 1980s - the band wrote one of their most enduring Dutch hits in 1991 (the power-ballad, Going To The Run, which fared partially well in Russia) and discovered a new gold mine in their home country a year later: acoustic concerts in theatres, the concept of MTV Unplugged.
To everybody's surprise, the band's acoustic live album, The Naked Truth, slowly became their all-time biggest selling album in The Netherlands. Its sequels, Naked II (1997) and Naked III (2005) also went platinum at least once in The Netherlands.
Golden Earring's by far most succesful album internationally remains 1973's Moontan, which sold well over 3.5 million copies outside of The Netherlands and was certified 'gold' in the U.S., Canada and the United Kingdom (and platinum in the U.S. in later years).
Golden Earring released 25 studio albums, 9 live albums and countless succesful compilations. Almost all of these records were certified gold, often platinum, in The Netherlands. More than anything else, though, the band remained a live force of legendary status in their home country and beyond. They toured throughout each year until the very end, almost exclusively in the Netherlands, although there are still occasional live appearances in Belgium and Germany. 2009 saw Golden Earring's long overdue return to the United Kingdom: their sold out shows in Ipswich and London's Shepherd's Bush Empire were their first live appearances in England since 1978.
In 2011 the band recorded their first album of new material since 2003's Millbrook U.S.A.: Tits 'n Ass - studio album #25 for the Dutch legends - was released on 11 May 2012 on Universal Music and hit #1 in the Dutch album charts one week after its release to become Golden Earring's 8th #1 album in their home country. Certified 'gold' in The Netherlands, the album was generally believed to be Golden Earring's final studio outing, but December 2015 saw the release of a five-track mini album entitled The Hague, released more than fifty years after their début single and just before the band's sold out 'Five Zero' anniversary concert at Amsterdam's Ziggo Dome in front of a 17,000-strong crowd. 2019 saw the release of a stand-alone single, Say When: Golden Earring's final studio recording.
Nobody was aware of it at the time, but the band's 16 November 2019 performance at the Rotterdam Ahoy would turn out to be their final concert. After a year of Covid-19 lockdowns, guitarist George Kooymans announced his ALS diagnosis on 5 February 2021, the disease rendering him unfit to perform. Within hours, the band admitted that carrying on without Kooymans was unthinkable. In the words of lead singer, Barry Hay: "This is the end of the line for the band. It's a death blow. We always said: we'll keep going until the first one of us goes down. I never expected it to be George."
The band's final performance was released as a live CD and DVD in April 2022, named after Barry Hay's final words at the end of countless Golden Earring shows: You Know We Love You!.
Studio albums (released as Golden Earring, unless noted otherwise)
Just Ear-rings (1965, as The Golden Earrings or The Golden Ear-rings)
Winter-Harvest (1967, as Golden Earrings, sometimes spelled as Winter Harvest)
Miracle Mirror (1968, as Golden Earrings)
On The Double (1969, as Golden Earrings)
Eight Miles High (1969, as The Golden Earring)
Golden Earring (1970, colloquially known as 'Wall Of Dolls')
Seven Tears (1971)
Together (1972)
Moontan (1973)
Switch (1975)
To The Hilt (1976)
Contraband (1976, U.S. title: Mad Love)
Grab It For A Second (1978)
No Promises... No Debts (1979, spelled as No Promises, No Debts on most online platforms)
Prisoner Of The Night (1980)
Cut (1982)
N.E.W.S. (1984)
The Hole (1986)
Keeper Of The Flame (1989)
Bloody Buccaneers (1991)
Face It (1994)
Love Sweat (1995, covers album)
Paradise In Distress (1999)
Millbrook U.S.A. (2003)
Tits 'n Ass (2012)
The Hague (EP, 2015)
Live albums
Live (1977)
2nd Live (1981)
Something Heavy Going Down (1984, includes one new studio track)
The Naked Truth (1992, acoustic)
Naked II (1997, acoustic)
Last Blast Of The Century (2000)
Naked III (2005, acoustic, incorrectly listed as Naked Truth III on some streaming platforms)
Live In Ahoy 2006 (2006, live DVD + CD set)
You Know We Love You! (2022, live DVD + CD set)
Additional information:
Wikipedia: http://en.wikipedia.org/wiki/Golden_Earring
Official website: https://www.golden-earring.nl
Last Frontier Hotel
Golden Earring Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Light up the desert sky
There's no one waiting for me
At the Last Frontier Hotel
At the Last Frontier Hotel
I'm feeling tired and hungry
And I'm weary to the bone
To justify my soul
To justify my soul
One last drink and one more smoke
And a one way ticket to the end of the show
Na na na na na, na na na na na
Na na na na na, na na na na na
Coming back to you Sin City
I heard your devil call
I'll kill my past to stay here
Carve my name on your wall
I'll carve my name on your wall
I'm feeling tired and hungry
I can see the curtain fall
Rode ten thousand miles to get here
To justify my soul
To justify my soul
One last drink and one more smoke
And a one way ticket to the end of the show
Na na na na na, na na na na na
Na na na na na, na na na na na
Voice:
Turn on your lights Las Vegas
Light up the desert sky
There's no one waiting for me
At the Last Frontier Hotel
The lyrics to Golden Earring's song "Last Frontier Hotel" depict a weary traveler's arrival in Las Vegas, specifically at the Last Frontier Hotel. The first verse sets the scene, as they ask for the lights of Las Vegas to be turned on to light up the desert sky. However, there is a sense of loneliness and disappointment in the following line, as the traveler realizes that there is no one waiting for them at the hotel. This sets the tone for the rest of the song, conveying a feeling of exhaustion and longing.
The second verse delves further into the traveler's emotional state. They express their fatigue and hunger, feeling worn out to the bone after a long journey of ten thousand miles. Their purpose of coming to Las Vegas is to seek some sort of redemption or validation for their soul. They hope that being here will somehow justify their existence or actions, implying a sense of longing for meaning or acceptance.
The chorus emphasizes the traveler's mindset. They acknowledge that this might be their last chance, referring to "one last drink and one more smoke" before their journey comes to an end. It's as if they are aware of their mortality or the closure of a significant chapter in their life. The repetition of "na na na na na" provides a catchy and almost anthemic quality, giving a sense of resignation or acceptance.
The concluding lines reinforce the initial sense of disappointment. They express a desire to return to Las Vegas, referring to it as "Sin City," hearing the call of the devil. The traveler is willing to sever ties with their past and make a permanent mark in Las Vegas, carving their name on its wall. This demonstrates a willingness to sacrifice their past in order to stay in this city that represents something alluring and perhaps even transformative.
Overall, "Last Frontier Hotel" captures the emotions of weariness, longing, and the pursuit of meaning, all against the backdrop of Las Vegas.
Line by Line Meaning
Turn on your lights Las Vegas
Illuminate the city of Las Vegas with your vibrant energy and excitement
Light up the desert sky
Illuminate the vast desert landscape, casting a glow of hope and possibility
There's no one waiting for me
I have arrived at the Last Frontier Hotel, but there is no one there to greet or accompany me
At the Last Frontier Hotel
Referring to the specific location where the artist finds themselves, highlighting its significance
I'm feeling tired and hungry
Exhausted and famished, both physically and emotionally
And I'm weary to the bone
Deeply fatigued and mentally drained
Rode ten thousand miles to get here
Traveled a great distance, enduring hardships and challenges, to reach this destination
To justify my soul
In an attempt to find meaning and purpose, seeking validation for one's existence
One last drink and one more smoke
Indulging in vices, seeking temporary relief or distraction
And a one way ticket to the end of the show
Committing oneself to a journey or path with no possibility of return, embracing the finality of an outcome
Na na na na na, na na na na na
Repetitive vocalization, perhaps representing a sense of longing or anticipation
Coming back to you Sin City
Returning to Las Vegas, often associated with sin and indulgence
I heard your devil call
Acknowledging the allure and temptation of the city, personifying it as a seductive force
I'll kill my past to stay here
Willingness to leave behind one's past and the baggage associated with it in order to remain in Las Vegas
Carve my name on your wall
Desire for permanence and recognition within the city, leaving a lasting impression
I can see the curtain fall
Sensing that the end or conclusion is approaching, recognizing the inevitability of a certain outcome
I'll carve my name on your wall
Reaffirmation of the intention to leave a mark, to impact and be remembered within Las Vegas
Voice: Turn on your lights Las Vegas
An additional vocalization, emphasizing the plea or request to ignite the vibrant energy of Las Vegas
Light up the desert sky
Repeating the earlier line to reinforce the desire for illumination and excitement
There's no one waiting for me
Reiterating the loneliness and lack of companionship upon arrival at the Last Frontier Hotel
At the Last Frontier Hotel
Recapping the specific location where the artist finds themselves, highlighting its importance and significance
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
&w
Perfect lyrics and an epic climax. I will have this played at my funeral.
Tante Lien
Prachtig!!!!
Fakhri Belaataf
Briljant!
Yvonne Loch
Geweldig nummer.
Jos Buysman
Top klasse.
Lex Grijseels
Door de geluidsbarriere..naar het licht.................
pat laad
George ❤️
Martin Bommel
die komt ff binnen nu :(