Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of The Replacements; however, the band refined its sound to be more mainstream, which helped it become one of the most popular adult alternative rock bands of the latter half of the '90s, selling millions of records to audiences largely unfamiliar with their inspirations. That's no bitch on the band, either -- their music simply improved in craft and accessibility as the years progressed, and radio happened to be receptive to what a decade earlier would have been considered collegiate power pop. Thus, the band landed two huge hits with the acoustic ballads "Name" and "Iris."
Originally a cover band with a taste for power pop and classic rock & roll, the group soon began writing its own songs. Their early sound recalled the The Replacements' origins as a bratty punk band (circa Sorry Ma, Forgot to Take Out the Trash) -- melodic, snotty, and a little bit thrashy. That sound was the reason the band attracted the interest of the heavy metal label Metal Blade, which issued their debut album in 1987 (known either as The Goo Goo girls or First Release). 1989's Jed continued in a similar vein; the college radio breakthrough came with 1990's Hold Me Up, a Replacements-ish power pop record.
1993's Superstar Car Wash was the Goo Goo Dolls' artistic breakthrough; though it did nothing to quell the Replacements comparisons, it was a finely crafted pop/rock record, and its lead single, "We Are the Normal," was co-written with Replacements leader Paul Westerberg himself. Still, Superstar Car Wash wasn't the commercial force the band hoped it would be, especially in light of the success of similar bands like the Gin Blossoms. That all changed with 1995's A Boy Named Goo, when an L.A. rock station put the acoustic-driven ballad "Name" into heavy rotation. It was eventually released as a single nationwide, and went Top Five late in the year; platinum sales for the album followed close behind. Unfortunately, the original drummer was no longer around to enjoy the band's success; prior to the album's release, he'd been sacked and replaced by drummer Mike Malinin.
Dissatisfied with the royalty rates in their Metal Blade contract, the band waged a legal battle that wound up allowing them to jump to parent company Warner Brothers. Somewhat drained, Rzeznik and the band shook off a case of writer's block to contribute the ballad "Iris" to the soundtrack of the 1998 americanized version of City of Angels (Featuring Nicolas Cage and Meg Ryan). Appearing that April, the song was a monster smash, although it was never released as a single (so its official Top Ten pop chart status doesn't convey how popular it was); for a better indicator, "Iris" spent nearly a year on Billboard's airplay charts, including an astonishing 18 weeks at number one, and was nominated for three Grammys. The band's next album, Dizzy Up the Girl, was released in September, during the middle of "Iris"'s marathon airplay run, and sold over three million copies. Its clean, polished sound completed the Goo Goo Dolls' transformation into mainstream pop/rockers who happened to have alternative roots. Further hits from the record followed over the next year, including "Slide," "Dizzy," and the Grammy-nominated "Black Balloon," and the band toured heavily in support. The Goo Goo Dolls revamped their sound for 2001's career retrospective, Ego, Opinion, Art & Commerce. A year later, the trio hit the charts with "Here Is Gone" from their seventh studio album, Gutterflower. The CD/DVD combo Live in Buffalo: July 4, 2004 helped fans endure the long wait for the band's next studio album, Let Love In, which didn't appear until 2006. The band toured through the summer of 2007. The band released the first of two greatest hits compilation, entitled Greatest Hits Volume One: The Singles, November 13th 2007.
In February 2008, the band officially headed into studio to work on their new record.
In August 2010, the band released their ninth album, Something for the Rest of Us. In June 2013, the band's tenth studio album, Magnetic, was released. In December 2013, drummer Mike Malinin announced that he left the band.
In May 2016, the band released their eleventh studio album, Boxes. The Goo Goo Dolls' 12th studio album, Miracle Pill, was released on September 13, 2019.
Singles:
There You Are (Hold Me Up)
Just the Way You Are (Hold Me Up)
I'm Awake Now (Freddy's Dead: The Final Nightmare Soundtrack)
We Are the Normal (Superstar Car Wash)
Fallin' Down (Superstar Car Wash)
Only One (A Boy Named Goo)
Flat Top (A Boy Named Goo)
Name (A Boy Named Goo)
Long Way Down (A Boy Named Goo)
Naked (A Boy Named Goo)
Lazy Eye (Batman & Robin Soundtrack)
Iris (City of Angels Soundtrack/Dizzy Up the Girl)
Slide (Dizzy Up the Girl)
Black Balloon (Dizzy Up the Girl)
Dizzy (Dizzy Up the Girl)
Broadway (Dizzy Up the Girl)
Here Is Gone (Gutterflower)
Big Machine (Gutterflower)
Sympathy (Gutterflower)
Give A Little Bit (Live in Buffalo: July 4, 2004/Let Love In)
Better Days (Target's Sounds of the Season/Let Love In)
Stay With You (Let Love In)
Let Love In (Let Love In)
Before It's Too Late (Sam & Mikaela's Theme) (Transformers Soundtrack)
Home (Something for the Rest of Us)
Real (AT&T Team USA Soundtrack)
Not Broken (Something For The Rest Of Us)
Acoustic #3
Goo Goo Dolls Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With the lies they told you
And the least they ever gave you
Was the most you ever knew
And I wonder where these dreams go
When the world gets in your way
What's the point in all this screaming
Your voice is small and fading
And you hide in here unknown
And your mother loves your father
'Cause she's got nowhere to go
And she wonders where these dreams go
'Cause the world got in her way
What's the point ever trying
Nothing's changing anyway
They pres their lips against you
And you love the lies that they say
And I tried so hard to reach you
But you're falling anyway
And you know I see right through you
'Cause the world gets in your way
What's the point in all this screaming
You're not listening anyway
Goo Goo Dolls' song Acoustic #3 is a poignant reflection on the desperate search for meaning and purpose in a society guided by falsehoods and shallow promises. The lyrics describe the futility of trying to pursue one's dreams in a world that constantly puts up barriers and offers only fleeting satisfaction. The song is structured around two contrasting verses, each telling a story of a different individual whose aspirations have been thwarted by the harsh realities of life.
The first verse refers to a person who has been deceived and manipulated by others, who have covered up their true intentions with lies and half-truths. Despite this, the person has managed to glean some knowledge and wisdom from their experiences, although it is far from sufficient to achieve their ambitions. The second verse is about a woman who is trapped in a loveless marriage, unable to fulfill her dreams because of her family obligations. She too wonders where her hopes and aspirations have gone, and questions the point of continuing to strive for them when everything around her remains stagnant.
Throughout the song, the theme of disillusionment is underscored by the singer's lament that nobody seems to listen or care. Despite the singer's efforts to reach out and connect with these lost souls, they fall deeper into their despair. The song is a somber reminder of the overwhelming weight of societal norms and expectations that can crush the human spirit, even in the face of boundless determination.
Line by Line Meaning
They painted up your secrets
Your private thoughts were exposed and manipulated
With the lies they told you
They deceived you with falsehoods
And the least they ever gave you
The minimum amount they provided for you
Was the most you ever knew
That was the extent of your knowledge and experience
And I wonder where these dreams go
I am curious about the fate of your ambitions
When the world gets in your way
When external factors impede your progress
What's the point in all this screaming
Why bother with all this yelling?
No one's listening anyway
No one is paying attention or responding
Your voice is small and fading
Your speech is feeble and diminishing
And you hide in here unknown
You conceal yourself here, unknown to the outside world
And your mother loves your father
Your mom loves your dad
'Cause she's got nowhere to go
Because she has no other options
And she wonders where these dreams go
She is puzzled about what happens to her aspirations
'Cause the world got in her way
Because external factors obstructed her progress
What's the point ever trying
What is the reason for even attempting?
Nothing's changing anyway
Regardless, nothing is transforming
They press their lips against you
They kiss and flatter you
And you love the lies that they say
You enjoy the false promises they tell you
And I tried so hard to reach you
I made a significant effort to approach you
But you're falling anyway
Despite my actions, you are still declining
And you know I see right through you
You recognize that I can perceive your true intentions
'Cause the world gets in your way
Because external factors impede your progress
What's the point in all this screaming
Why bother with all this yelling?
You're not listening anyway
Regardless, you are not paying attention or responding
Lyrics © BMG Rights Management
Written by: JOHN RZEZNIK
Lyrics Licensed & Provided by LyricFind