Great White started their career as Dante Fox, playing their first gig in 1981 at The Troubadour in Hollywood, California. After recording several demos, the band chose as manager Alan Niven, who had worked for the independent distributor Greenworld in Torrance, California and had dealt with Mötley Crüe's debut self-release. Niven suggested the name change from Dante Fox after seeing singer Jack Russell introduce Mark Kendall (guitarist) during his solo as "Mark Kendall, the Great White", due to his naturally white-blonde hair, white Fender Telecaster guitar, white jumpsuit, and white Capezio shoes. In 1982, founding members Mark Kendall, Jack Russell, drummer Gary Holland, and bassist Lorne Black recorded and released a 5-song EP, Out of the Night, on the independent label Aegean formed by Niven. Niven then convinced the Los Angeles radio station KMET to begin adding songs from the EP to its playlist in heavy rotation. KLOS-FM soon did the same. The band suddenly went from drawing 100 people to a local club to drawing thousands in L.A. concert halls such as Perkins Palace in Pasadena, The Palace in Hollywood and the Country Club in Reseda. As an unsigned act, Great White headlined at Six Flags Magic Mountain in Valencia playing to 6,250 people. Near the end of 1983, EMI America signed the band and subsequently released Great White's eponymous debut album ('Great White') in early 1984. The band immediately toured the UK supporting Whitesnake's Slide It In tour and the entire US and Canada opening for Judas Priest's Defenders of the Faith tour. 'Shot in the Dark', their follow-up independent release, marked the arrival of drummer Audie Desbrow. By the time Capitol Records signed the band and reissued Shot in the Dark, keyboardist-guitarist Michael Lardie had come aboard. After the release of Shot in the Dark, Great White hit the road with Dokken and was on the verge of even bigger success.
The band hit the mainstream in 1987 when they released 'Once Bitten', which featured the hits "Rock Me" and "Save Your Love". Once Bitten... was certified platinum in April 1988.
The band followed up with '...Twice Shy' in 1989. The album included their biggest hit, "Once Bitten, Twice Shy", a cover of a UK hit single by Ian Hunter. They received a Grammy Award nomination for Best Hard Rock Performance. The album was certified platinum in July 1989 and then double platinum in September of that same year. The model Bobbie Brown (also known for being in Warrant's "Cherry Pie" video) appeared in the video for "Once Bitten, Twice Shy". They finished off the 80s touring in support of ...Twice Shy as headliners and with some best known bands, such as Bon Jovi.
In 1990, the band featured in the heavy metal video series Hard 'N' Heavy containing music, concert footage and interviews. The video included Slash and Duff from Guns N' Roses appearing with the band at a Children of the Night Benefit concert in L.A., the performance helping to raise money for housing abused homeless children. Both bands shared the same manager, Alan Niven at the time.
The band continued into the next decade performing the song "House of Broken Love" at the American Music Awards in January 1990. In March, Great White embarked on their first tour of Japan. They returned to the United States for the Memorial Day weekend festival dubbed The World Series of Rock, which featured Whitesnake, Skid Row, Bad English, and Hericane Alice. Great White recorded two more albums for Capitol Records, 'Hooked', which was certified gold, and 'Psycho City'. In support of Hooked, Great White did a tour as headliner tour, had a guest slot with German metal band Scorpions and travelled to Europe and Japan. Psycho City was followed by a US tour with Kiss.
Capitol issued the compilation 'The Best of Great White 1986-1992' in 1993, when Great White had already departed the label to begin work on their next studio release, 'Sail Away'. Before the release of the album, Great White spent seven months on the road headlining clubs. According to Lardie, it was "the longest stint we ever did without a break." Great White kept up the pace once Sail Away was released on Zoo Records in 1994, touring the US several times over the following year and a half. Their next release, Let It Rock, was released in 1996 through yet another label, Imago Records.
In 1999, the band released 'Can't Get There from Here' and embarked on a tour with Ratt, Poison, and L.A. Guns. The album featured the single "Rollin' Stoned", which managed to chart at No. 8 on the Billboard Mainstream Rock Tracks chart.
In a memo dated 20 January 2000 Mark Kendall announced he was leaving Great White, shortly thereafter both Audie Desbrow and Sean McNabb left Great White. Kendall was replaced by guitarist Matthew Johnson. Desbrow, clearly very unhappy with the financial state of the band posted a tirade on his website lambasting Jack Russell and Michael Lardie, while claiming to have been "fired" from Great White. Meanwhile, it was rumored that Sean McNabb was fired for going to management and asking to see the accounting books. Despite only having one original member left, the band announced plans to begin work on a new album in late 2000. Early in the process, some of the new songs were played for John Kalodner at Columbia Records. It was mutually agreed that the "magic was gone" and the band decided their heart was not in the recording process. They subsequently left Columbia Records and discontinued work on the new album. On 5 November 2001 Jack Russell announced the end of Great White, stating that he was moving on, and that Great White would play one final farewell show on 31 December 2001 at the Galaxy Theatre in Santa Ana, CA. Both Kendall and McNabb rejoined the band for the farewell show, recorded for a live CD entitled 'Thank You...Goodnight!' released by Knight Records. The live album includes two new tracks, "Back to the Rhythm" and "Play On" from their discontinued studio sessions, both of which would ultimately wind up on their reunion album 'Back to the Rhythm' in 2007.
In late 2002, in part due to his failure to attract good audiences while on the road with his solo band, Jack Russell contacted Kendall, who himself was struggling to gain an audience on his own. Kendall agreed to play some dates with Russell's band, allowing Russell to use the name Great White once again. Billed as "Jack Russell's Great White," the tour was to consist primarily of classic songs from the Great White catalog with some of Russell's solo work mixed in. Eventually, more dates were added and the tour extended through the early months of 2003.
The band returned to the national spotlight on 20 February 2003. At the beginning of a Great White performance at The Station night club in Rhode Island, pyrotechnics used by the band's crew created a spray of sparks that ignited the foam soundproofing material in the ceiling around the stage. One hundred people including the band's guitarist Ty Longley, died in the fire that followed. In 2008 the band agreed to pay $1 million to survivors and victims' relatives of the fire while admitting to no wrongdoing. This amount also covers former tour manager Daniel Biechele along with the band members, record label, and management as it existed at the time of the fire. The settlement was the maximum allowed under the band's insurance plan. Victims had previously received $3.8 million raised by United Way of America.
Though the media referred to the band as "Great White" following the tragedy in Rhode Island, the band was officially performing under the moniker of "Jack Russell's Great White" at the time of the incident. In fact, prior to the fire, the band's official website posted a message stating that Great White had not re-formed. It's unclear when the band began officially going by "Great White" again.
Great White played their first full show following the Rhode Island tragedy on 22 July, starting a benefit tour for the survivors and victims of the fire. The band toured until 2005 to raise funds for the Station Family Fund, which had been set up to help the victims of the tragedy. In late 2005, citing "medical reasons", the band canceled the second half of their summer tour. The "medical reasons" turned out to be Jack Russell's addictions to alcohol and cocaine. This was the end of this version of Great White, as Jack Russell entered rehabilitation and did not perform again until 2007. Russell used the year of 2006 to get sober and get a facelift that was detailed on ExtraTV. Russell later referred to this incarnation of Great White as "Fake White", saying "It still sounded like Great White, but not – almost like we were doing a cover of ourselves."
Talk of a reunion of Great White began in a 2004 interview. Later in 2006, guitarist Mark Kendall officially announced that Great White had re-formed its classic lineup. The re-formed lineup of Russell, Kendall, Lardie, McNabb and Desbrow played their first date together in more than 5 years on 27 January 2007 at the Keyclub in Hollywood performing in the Harpseals.org Benefit Concert for the Seals 2007. In 2008, bassist Sean McNabb left Great White to concentrate on a career in theater and acting. McNabb was promptly replaced with Scott Snyder (Ramos, Accomplice). McNabb went on to join Dokken.
Great White released their album, 'Rising', on 13 March 2009 in Europe via Frontiers Records and on 21 April in the US.
In 2010, Jani Lane of Warrant filled in for Jack Russell, while Russell recuperated from surgery after suffering a perforated bowel. Terry Ilous (XYZ) replaced Jack Russell at the Coach House during the summer of 2010, and Paul Shortino (Rough Cutt, Quiet Riot, King Kobra) filled in for Russell when Great White performed at Stockholm Rock Out Festival in September. In December 2011, Russell formed a new incarnation of Great White with a brand-new lineup under the name of "Jack Russell's Great White".
On 18 March 2012 Great White announced their first new album with Ilous, 'Elation' , to be released in May that year, along with a live album ('30 Years: Live From The Sunset Strip') and a concert DVD of the band's 30th-anniversary show at the Key Club in Hollywood on 22 March.
Lorne Black, Great White's original bassist, who performed and recorded with the group up through the Once Bitten album, died on September 27, 2013. He was 50 years old.
On June 2, 2017, Great White released their most recent studio effort, 'Full Circle', on Bluez Tone Records, with Wagener as the producer. The song "Big Time" was released as the first single and video. On July 9, 2018, Great White announced that they had parted ways with Terry Illous as their singer and he was replaced by Mitch Malloy.
On May 31, 2022, Great White announced vocalist Andrew Freeman of Last In Line replaced Malloy as the band's lead singer and frontman.
Hand on the Trigger
Great White Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Puts away the past and looks into the mirror
The faces she sees so empty hardly recognised
But the tears of a heart left broken linger in her eyes
Got to find a way, some way to ease the pain
With her hand on the trigger, hand on her heart
Just one shot for love, one last shot for love, one more shot for love
She dreams of times remembered but those were better days
When the love they shared ran true and clear like the lines on an empty page
It's funny how it changes she sees how love is blind
With the nights she spends now waiting forever on her mind
Got to find a way, some way to ease the pain
She's had herself enough, she's going to have her day
Got her hand on the trigger, hand on her heart
Just one shot for love, one last shot for love, one more shot for love
Yes she feels so helpless like she's outside of herself
Visions of a life denied raging on and on inside
Got to find a way, some way to ease the pain
She's had herself enough, she's going to have her day
With her hand on the trigger, hand on her heart
Just one shot for love, one more shot for love
Got her hand on the trigger, hand on her heart
Just one shot for love, one more shot for love, one last shot for love
With a hand on her heart
With a hand on her heart
With a hand on her heart
A hand on her heart
The lyrics of Great White's song "Hand on the Trigger" describe a woman who is struggling with heartbreak and is contemplating taking her own life. The opening lines of the song describe how she has been sitting alone in her chair, with her thoughts as her sole company. As she looks at herself in the mirror, she is unable to recognize herself because of the emotional pain she is feeling. The woman's eyes are full of tears, evidence of the heartbreak she has been trying to escape.
The chorus of the song describes the woman's intention to take her own life, with her "hand on the trigger" and "one shot for love." She longs for the love she experienced in the past and the desire to go back to those "better days." However, she sees "how love is blind" and how it has changed, leaving her with an empty heart and nights filled with waiting. The lyrics convey a sense of hopelessness and despair, with the singer feeling powerless and helpless.
Overall, the song speaks to the emotional pain that comes with heartbreak, and the danger that can arise when someone feels like they have no other options. The lyrics highlight the importance of seeking help and finding healthy ways to cope with overwhelming emotions.
Line by Line Meaning
As the light calls back the shadows she rises from her chair
As the darkness recedes, she stands up from her seat
Puts away the past and looks into the mirror
She forgets her memories and examines her reflection
The faces she sees so empty hardly recognised
The unfamiliar faces staring back at her seem devoid of emotion
But the tears of a heart left broken linger in her eyes
Although she tries to conceal it, the pain of her broken heart is evident in her eyes
Got to find a way, some way to ease the pain
She desperately needs to find a solution to dull the ache in her heart
With her hand on the trigger, hand on her heart
She contemplates pulling the trigger of a gun while clutching her chest
Just one shot for love, one last shot for love, one more shot for love
She wishes for a single, final attempt at finding love
She dreams of times remembered but those were better days
She reminisces the good times, but knows that they are long gone
When the love they shared ran true and clear like the lines on an empty page
She recalls when their love was pure and unblemished, like a blank piece of paper
It's funny how it changes she sees how love is blind
She notes the fickle nature of love, and how it can deceive us
With the nights she spends now waiting forever on her mind
She spends her nights lost in thought, yearning for something that may never come
She's had herself enough, she's going to have her day
She has reached her limit and is determined to make a stand
Yes she feels so helpless like she's outside of herself
She feels powerless, as if she is watching herself from the outside
Visions of a life denied raging on and on inside
She struggles with the painful realization that the life she imagined is out of reach
Just one shot for love, one more shot for love
She hopes that one last attempt at love will suffice
Got her hand on the trigger, hand on her heart
She contemplates ending her life while grasping her chest
With a hand on her heart
She clings to her chest, consumed by the agony of her emotions
Contributed by Gabriel M. Suggest a correction in the comments below.
Jake LaGuna
This is a truly amazing time for Great white... These guys were so fucking amazing live back in the late 80's and early 90's... Jack's voice was so incredible and strong back then that he was asked by David Coverdale the secret to his voice being so close to his studio recordings... He was was humbled, but told him that his voice tracks in the studio were never "messed with that much and what you hear was what you get"... A pretty good compliment from Coverdale, whose live voice is also great
Paul mcPhee
Late 90's here
Marc Lévesque
before the club fire
Denise Brashears
His voice got stronger due to using the steroid prednisone. Screwed himself up pretty bad. So sad in reality.
80angelkiss
Such an underrated album ... One of the best in my opinion
J B
Just like the original recording but 100x better cause it's live!!
Jim Bob Z17
With the great albums they have it’s sad they couldn’t get along. They should be as popular as Def Leppard or any other band & be touring with bands like leppard & motley.
Diego Sentinel
Vaya vozarrón!
Kelly Wentz
Something about a man with tattoos and a bad boy attitude is so 🔥
Duane Delaney
I loved Sean on bass.