Hüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.
A particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as "molten metal pouring from the speakers." Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.
The group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.
Mould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.
Grant Hart died from cancer on September 14, 2017.
All Tensed Up
Hüsker Dü Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To curb your appetite
Take a couple of these
You'll be up all night
I can scream, I can jump, I can shout
I can tear the whole place down
When I take a couple of these
I don't want you around
All tensed up, did too many pills
Wanna get near you but I can't stand still
Baby, I love you, but I'm too loaded
To love you properly
The lyrics of Hüsker Dü's song "All Tensed Up" portray a sense of anxiety and restlessness. The opening of the song speaks about using pills to suppress hunger, which can lead to sleeplessness. The line "take a couple of these, you'll be up all night" suggests that the singer is using pills that may cause insomnia.
The following lines indicate that the singer is experiencing a surge of energy which is manifesting in screaming, jumping, and tearing down the place. It seems the state of being all tensed up from the pills is making the singer feel a bit manic. However, the singer does not want the significant other around, despite confessing love for them, indicating that the reaction is perhaps out of control. The phrase "all tensed up" is repeated throughout the song, indicating that the feeling is persistent.
The chorus continues this theme, stating that the singer is "too loaded to love you properly," indicating that perhaps their substance use is getting in the way of their ability to connect with others. The last line of the chorus, "Wanna get near you but I can't stand still," could symbolize the singer's inability to be present and calm in the relationship due to the overstimulation of pills.
Line by Line Meaning
Got these little pills
Referring to the pills the singer has acquired
To curb your appetite
Suggesting a different use for the pills
Take a couple of these
Instructions for usage of the pills
You'll be up all night
Explaining the effects of the pills
I can scream, I can jump, I can shout
Listing actions the singer can do
I can tear the whole place down
Insinuating destruction as a possibility
When I take a couple of these
Linking the pills to the singer's behavior
I don't want you around
Expressing desire for separation from someone
All tensed up, did too many pills
Admitting to the singer's current state
Wanna get near you but I can't stand still
Desire to be closer to someone, but physical incapability
Baby, I love you, but I'm too loaded
Acknowledging love for someone despite the current state
To love you properly
Inability to show love in an ideal way due to drug use
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: MOULD
Lyrics Licensed & Provided by LyricFind