Hüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.
A particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as "molten metal pouring from the speakers." Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.
The group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.
Mould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.
Grant Hart died from cancer on September 14, 2017.
Statues
Hüsker Dü Lyrics
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friends
what is all about
do everthing you've got to do
tell me tell me tell me do
are you different are you new?
no you're just a statue
You hang around
think everybod
y loves you
but do they know the real you
tell me tell me tell me do
are you different are you new?
no you're just a statue
The lyrics of Hüsker Dü's "Statues" depict a sense of disconnection and alienation that one may feel despite being surrounded by people. The song talks about someone who is in the company of their so-called friends, but is still pissed off and doesn't seem to connect with them. They feel like they are just going through the motions of doing everything that they're supposed to do, but it's not genuine. The tone is questioning and skeptical, as the singer repeatedly asks if the person is different or new, but ultimately determines that they are just a statue.
The song highlights a sense of existential crisis, as the singer is essentially asking what the point of it all is. The person in question is seemingly trying to fit into a certain mold of being surrounded by beautiful faces and being liked by everyone, but doesn't feel like they are truly themselves. The repetition of the phrase "tell me tell me tell me do" emphasizes a desire for genuine connection and understanding.
Overall, "Statues" is a poignant reflection on the difficulty of finding meaningful connection and authenticity in a world that often prioritizes superficiality and conformity.
Line by Line Meaning
You get all pissed off and hang around with you so called friends
You become angry and spend time with your supposed friends
what is all about
What is the reason behind your behavior
do everthing you've got to do
You try to do everything in your capacity
tell me tell me tell me do
Can you inform me about the situation
are you different are you new?
Do you have any unique qualities or characteristics
no you're just a statue
You are merely an inanimate object
You hang around
You spend time idly
Surround yourself beautiful faces
You interact with attractive people
think everybod
You believe that everyone
y cares
cares for you
but they don't give a damn
However, they don't actually care about you
you try so hard to fit in
You make an effort to blend in
tell me tell me tell me why
Can you explain why
are you lonely or just shy?
Do you feel isolated or simply introverted
no you're just a statue
You are still an immovable object
You sit there s
You remain stationary
ilently
without making a sound
watching the world go by
Observing the activities of others
people come and people go
Individuals appear and depart in your life
but you're never really there
However, you don't truly participate in these interactions
you're just a shell of a person
You are just an empty exterior without any depth
tell me tell me tell me true
Can you tell me honestly
do you even know who you're fooling?
Are you aware of who you are deceiving
no you're just a statue
You are a static figure without any true identity
Lyrics © BMG Rights Management
Written by: GRANT HART
Lyrics Licensed & Provided by LyricFind