CBC
HEDp.e. Lyrics

In this life
Life, generally, has little by way of backward glances or recriminations. It is possible to move on, and striving to do so is essential.

Never look back
Continuing to look back or dwell on the past is not only unproductive, it is impossible to truly grow when we are shackled to the mistakes or regrets of days gone by.

Never do that
Focusing on the present moment allows us to avoid dwelling on past mistakes.

Stay focused
A continued effort must be made to concentrate on the tasks at hand, in order to achieve what we really need.

Stay on track
Once we've identified what we really want, we need the courage to stick to the decisions we've made and maintain our direction amidst distractions and temptations.

Gotta fuck hos
The performer asserts that sexual conquest is an important motivating factor that has come to define his success and identity.

Gotta get it from the back
Rear-entry or “doggy style” coitus is a preferred sexual position for the performer.

Gotta get hi hit hydro
The phrase “hi hit hydro” is unclear and may or may not be a reference to drug use.

Never crack
The performer wants to emphasize his mental and physical toughness. Through his music, he asserts his ability to succeed in his field with hard work and a mind that is unbreakable.

I fuck that pussy
The performer describes his sexual behavior in crass and vulgar terms

I gotta get it wet
The performer wants to engage in sexual activity with a receptive partner, eager to participate in a consensual act of intercourse.

I play with the pussy
The performer describes the act of stimulating the female genitals in a sexually pleasurable manner

I bite down on the neck
The performer suggests a violent act intended to bring pleasure to both partners during intercourse.

Bitch - I got no respect
The performer emphasizes his own dominance and lack of concern for others' feelings, using inflammatory and derogatory terms.

Your hair gets pulled
The performer explains a rough, painful sexual act he will perform on his partner.

Your pussy wrecked
The performer suggests the aftermath of sexual activity as having the potential to cause physical damage.

You a slut
The performer calls his partner names, making it clear that she is viewed as little more than a collection of sexual objects.

I don't care
The performer has no regard for his partner, treating her in a way that suggests she is only valuable as an object for his sexual gratification.

Face in the pillow
The performer describes a submissive sexual position where his partner is completely powerless, unable to see what is happening

Ass up in the air
The performer describes how he likes his partner to be positioned during intercourse

I spank you black and blue
The performer describes an act of violence against his partner during sex that leaves her bruised and/or injured

Them sluts in the club'll be like
The performer describes his desire to engage with and objectify multiple women in a nightclub setting

What happened to you?
The performer describes a sexual encounter that leaves the partners physically damaged and/or injured.

Push it
The performer encourages his partner to continue engaging in sexual activity, becoming more aroused

I know you won't complain
The performer anticipates no protest or denial from his partner, a further display of physical and psychological dominance

I know you know my name
The performer has a high degree of sexual confidence that is inextricably linked to his overall sense of power and control.

You don't need to do a thang
The performer's partner is passive throughout their encounter, allowing him to take complete control

Why don't you just spread your legs and
The performer commands his partner to engage in sex in very specific ways, underscoring his attitudes about gender roles and power

Cum bitch cum - I want you to
The performer's language continues to objectify his partner, demanding that she participate in an orgasm for his gratification.

Say my name when you feel this pain
The performer wants to hear his partner vocalize her physical pain during sexual activity as a further display of his power

You wanna tell me how to sing and act
The performer addresses criticism he has received from third parties about his musical approach and artistic choices

Fuck that
The performer is dismissive of external opinions and criticism, emphasizing his autonomy from outside voices

You wanna tell a nigga what he should do
The performer suggests that external criticism is rooted in experiences of racism

Fuck you
The performer responds with hostility and aggression to external criticism he perceives as inequitable

You skinny with a 36D
The performer objectifies and insults his critic, describing their physical attributes in derogatory terms.

Come fuck me
The performer is asking his critic to engage in sexual activity with him, using crude and insulting language

No - I'm not your boyfriend
The performer establishes a boundary with his critic, emphasizing that the critic is not part of his personal life in any meaningful way.

Bitch - Ya can't trust me
The performer articulates his overall untrustworthiness, a claim he could be making to his sexual partners in general

My God - I just got lucky
The performer describes a sexual encounter with a sense of surprise and awe.

She so horny - she wanna fucky sucky
The performer describes his partner's enthusiasm for sex in infantilizing and objectifying language

Yea that bitch so slutty
The performer again uses degrading and objectifying language to describe his partner.

Out at the club makin out with her buddies
The performer reports on his partner's social behavior in a way that suggests desire and interest in her sexual proclivities.

Out at the club and dressed all slutty
The performer emphasizes his partner's clothing choices in a way that suggests desire and interest in her sexual display.

I wanna bust my nut
The performer expresses his desire for orgasm

You wanna love me
The performer suggests that his partner is more emotionally involved in their relationship than he is.

I wanna suck your tits
The performer's sexual desires remain fixated on the physical and degrading

You wanna hug me
While the performer's partner yearns for emotional connection, the performer physicalizes his desire

She's so fine
The performer describes his partner's physical appearance

I'm so ugly
The performer describes his own appearance in a way that is self-derogatory and self-pitying.

Front - back - side to side
The performer describes his desired sexual positions

Destroy that pussy - destroy
The performer uses violent and aggressive language to underscore his desire for sexual aggression and domination

Fuck - fuck - fuck - fuck - fuck
The performer uses repetitive and aggressive language to underscore his desire for sexual activity

I don't give a fuck if it's in back of the bus or up in the bed
The performer's sexual desires are agnostic to social context or morality.

The back of your he'd will get fed
The performer offers a suggestion to his partner about where to position herself for sexual activity.

And I can't wait to see your face
The performer implies aggression and domination, particularly the display of fear on his partner's face during sex

I can't wait to grab that waist
The performer emphasizes his visual and physical control over his partner during sex.

And just rape you
The performer crosses a taboo boundary, implying sexual aggression and violence leading to non-consensual sex

Take you on a drive-by
The performer contrives a violent sexual scenario in which he and his partner engage in sex during a shooting or drive-by attack

Eyes roll back when I break ya spine
The performer describes the level of sexual pleasure his partner derives from his violent sexual behavior

Make love - fuck that - I'll make a slut cry
The performer emphasizes his preference for violent sex over sentimental or romantic sex, the latter of which he insults and diminishes

Fuck that - I'll make a slut cum nine times
The performer boasts his sexual abilities and emphasizes his ability to bring a partner to the peak of sexual pleasure multiple times.

Then I'll say "Can we make more babies"
The performer is dismissive and playful in his attitude toward contraception and sexual responsibility

Can I get that pussy from behind
The performer repeats his sexual preference for rear-entry or “doggy style” coitus

Can I make these pussy lips smoke
The performer employs sexual and aggressive language to describe his aggressive sexual urges

Like clubs from the eighties
The performer's language pivots to an allusion to cocaine use in the 1980s, suggesting the extent of his sexual aggression and dominance.