The band had a revolving line-up of bassists and drummers, their most prolific being drummer Patty Schemel, and bassists Kristen Pfaff (d. 1994) and Melissa Auf der Maur. In 2002 the group disbanded to pursue other projects. Eight years later in 2010, Hole was reformed by Love with new members, despite Erlandson's claim that the reformation breached a mutual contract he had with Love. The reformed band released the album Nobody's Daughter, which had originally been conceived as Love's second solo album. In 2013, Love retired the Hole name, releasing new material and touring as a solo artist.
Hole has been noted for being one of the most commercially successful female-fronted rock bands of all time, selling over three million records in the United States alone and having a far-reaching influence on contemporary female artists. Music and feminist scholars have also recognized the band as the most high-profile musical group of the 1990s to discuss gender issues in their songs, due to Love's aggressive and violent lyrical content, which often addressed themes of body image, abuse, and sexual exploitation.
Hole went on to become the most commercially successful female-fronted grunge band in history, selling over 3 million records in the United States between 1991 and 2010. In spite of Love's often polarizing reputation in the media, Hole received consistent critical praise for their output, and was often noted for the predominant feminist commentary found in Love's lyrics, which scholars have credited as "articulating a third-wave feminist consciousness". Love's subversive onstage persona and public image coincided with the band's songs, which expressed "pain, sorrow, and anger, but [an] underlying message of survival, particularly survival in the face of overwhelming circumstances." Music journalist Maria Raha expressed a similar sentiment in regard to the band's significance to third-wave feminism, stating, "Whether you love Courtney [Love] or hate her, Hole was the highest-profile female-fronted band of the '90s to openly and directly sing about feminism."
While Rolling Stone compared the effect of Love's marriage to Kurt Cobain on the band to that of John Lennon and Yoko Ono, they noted that "Love's confrontational stage presence, as well as her gut-wrenching vocals and powerful punk-pop songcraft, made her an alternative-rock star in her own right." Author Nick Wise made a similar comparison in discussion of the band's public image, stating, "Not since Yoko Ono's marriage to John Lennon has a woman's personal life and exploits within the rock arena been so analyzed and dissected." The band has been cited as a major influence on several contemporary artists, including indie singer songwriter Scout Niblett, Brody Dalle of the Distillers and Spinnerette, Sky Ferreira, Lana Del Rey, Tove Lo, Tegan and Sara, and the British rock band Nine Black Alps. The band ranked at #77 of VH1's 100 Greatest Hard Rock Artists.
Hungry Like The Wolf
Hole Lyrics
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Steam in the subway, earth is afire
Woman you want me, give me a sign
You check my breathing just a moment behind
In touch with the ground
I`m on the hunt, I`m after you
Smell like I sound
And I`m hungry like a wolf
Night is alive, earth is afire
I`m on the hunt, I`m after you
Smell like I sound
I`m lost and I`m found
And I`m hungry like the wolf
In the song "Hungry Like the Wolf" by Hole, the lyrics paint a vivid picture of a city night full of energy and desire. The steam in the subway and the Earth being "afire" highlight the intensity and passion of the moment. The singer is seeking a woman's attention, wanting her to give him a sign that she is interested. The reference to the woman checking the singer's breathing suggests a close physical proximity and a heightened sense of anticipation.
The chorus of the song emphasizes the singer's state of mind, comparing him to a wolf, hungry for his prey in the night. He is on the hunt, pursuing the woman he desires with a sense of urgency and determination. The line "Smell like I sound" suggests that the singer is confident in his pursuit, exuding an energy and confidence that matches the intensity of the night.
The song's lyrics capture the raw, primal energy that comes with desire and the thrill of the chase. The animalistic imagery of a wolf on the hunt adds to the song's sense of abandon and intensity. Overall, "Hungry Like the Wolf" is a powerful expression of desire and the passion that comes with seeking what one desires.
Line by Line Meaning
Down in the city, night is alive
The city is bustling with energy, especially at night.
Steam in the subway, earth is afire
The subway is filled with steam, which adds to the excitement of the city.
Woman you want me, give me a sign
He's interested in a woman and is waiting for her to show her interest in him.
You check my breathing just a moment behind
He's so excited about the possibility of being with this woman that he's almost out of breath, and she's noticing.
In touch with the ground
He's very alert and aware of his surroundings and the people in them.
I'm on the hunt, I'm after you
He's actively pursuing this woman and trying to catch her attention.
Smell like I sound
He's confident and attractive and can back up his words with his actions.
I'm lost and I'm found
He's a bit disoriented, but he's found a new purpose in pursuing this woman.
And I'm hungry like a wolf
He's so eager to be with this woman that he's metaphorically comparing himself to a wolf on the hunt.
Night is alive, earth is afire
The city is full of energy and excitement, and he's caught up in it all while pursuing this woman.
And I'm hungry like the wolf
He's still eager and excited about pursuing this woman.
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: DAVID WILLIAM HENEKER, JOHN (GB 2 TAYLOR, JOHN (GB 2) TAYLOR
Lyrics Licensed & Provided by LyricFind
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