Heap grew up playing music from an early age, and by her eleventh birthday she was writing her own songs. From the age of 15, she studied at the BRIT School Of Performing Arts & Technology in Croydon, South London, recording three tracks for the school's annual CD between 1994 and 1995, "Aliens" being the title track of the latter.
After being introduced to Nik Kershaw by his manager Mickey Modern, Heap and Kershaw recorded four demos that Mickey Modern took to Rondor Music. Consequently, a few months later Heap signed her first record contract at 18 to independent record label Almo Sounds. During 1996, Heap began working with an experimental pop band called Acacia, which featured her future collaborator Guy Sigsworth and was fronted by the singer Alexander Nilere. While never a full member of the band, Heap was a guest vocalist (as a counterpart to Nilere) and contributed to various Acacia single and album tracks in 1997. One Acacia song, "Maddening Shroud", would later be covered by Frou Frou.
Heap enjoyed a prestigious live début, performing four songs (backed by friends Acacia) between sets by The Who and Eric Clapton at the 1996 Prince's Trust Concert in Hyde Park, London. Her début album, I Megaphone (an anagram of "Imogen Heap") was internationally released in 1998 on independent record label Almo Sounds and garnered critical acclaim. However, as production of the album neared completion, it was announced that the record label had been sold and would be shut down. I-Megaphone featured collaborations with Guy Sigsworth and Dave Stewart. In Japan, the regional distributor, Zora, re-released the album in 2002, featuring "Blanket," her collaboration with Urban Species which was released as a single in the United Kingdom, and a Frou Frou remix of one of her B-sides, a video to which was released exclusively to Japanese media. Following the disbanding of her UK and USA record label, I Megaphone was scarce in circulation, having not been re-printed until November 2006. An independent Brazillian record label has rights to the record, and has issued limited copies, some of which are available on eBay. It has also been released through the iTunes Music Store under the Almo label.
At the same time as the Japanese re-release, Heap was working on new tracks with producer Guy Sigsworth, who had collaborated on "Getting Scared" from I-Megaphone. Together, they formed an electro-pop group Frou Frou, releasing an album called "Details" and singles, "Breathe In", "It's Good To Be In Love" and "Must Be Dreaming." The album was a full collaboration between the two artists. Frou Frou were approached to cover "Holding Out for a Hero", originally performed by Bonnie Tyler, for the soundtrack to the highly successful movie Shrek 2. An album track, "Let Go", was featured in the movie Garden State in 2004.
In December 2003, Heap announced on her web site that she was going to write and produce her second solo album, using her site as an online blog to update fans on progress, even seeking them to be her A&R team for the lyrics to "Daylight Robbery". Heap set herself a deadline of one year to make the album (she booked the album mastering for December 2004), and re-mortgaged her flat to fund production costs, including the use of studio time and instruments (which she purchased as a birthday present to herself). Having been burned by previous challenges with record labels (Heap had been spurned twice by record companies, when Almo Sounds was sold and when Frou Frou's label staff focused on promoting other acts), Heap decided to form her own record label on which to release the new record. At the end of 2004, Heap premiered two album tracks online, enabling fans to pay for a digital download, entitled "Just For Now" (which was up for a limited time as a Christmas gift), and "Goodnight And Go", which had been featured on the second season of hit US TV drama The O.C.
In April 2005, The O.C. season two finale featured another track, the sparse vocodered-vocal track, "Hide And Seek". The track was released immediately to digital download services such as iTunes where it became an instant fixture in the chart. The track was released as a digital download on the 5th July 2005 in the UK and peaked at #8 on the iTunes download chart.
The album, entitled "Speak For Yourself" was then released in the UK on July 18th 2005 on her own record label, Megaphonic Records. The album was also released on iTunes UK, where it entered the top 10, selling strongly. "Hide And Seek" also received radio attention from the popular UK radio station BBC Radio One, with DJ Scott Mills featuring it as his "Record of the Week", and provoking strong reactions ("love it or hate it") from other DJs at the station. Due to popular demand, the track was commercially released on a special limited edition (1500 copies were printed) 7" vinyl in the UK in September. Speak For Yourself was licensed to Sony BMG imprint RCA Victor in August 2005, enabling the record to be released in the United States, Canada and Mexico. It was released in those territories in November, and Heap appeared on the Hotel Cafe Tour promoting the record. Imogen also performed "Goodnight And Go" on The Late Show with David Letterman on January 11, 2006. Heap is slated to continue touring in 2006 in the US and UK to support the record.
As well as TV soundtracks (Frou Frou and Heap's solo records have been featured in shows as varied as The O.C. to CSI, among others), Heap has also contributed solo tracks to movie soundtracks. Her cover of the song "Spooky" (made famous by the band Classics IV, and previously covered by Dusty Springfield) for the soundtrack to the Reese Witherspoon movie Just Like Heaven. Heap also wrote a special track entitled "Can't Take It In" for the soundtrack to The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. She has also appeared on the second soundtrack for the HBO television series "Six Feet Under", entitled "Six Feet Under Vol. 2: Everything Ends" with a 50-second track that closed the Season 4 episode "I'm A Lonely Little Petunia (In An Onion Patch)". Three versions were recorded and are available from Heap's official web site.
In addition to producing her own records, she has also produced a track for Nik Kershaw and has collaborated with artists as diverse as Joshua Radin, Jeff Beck, Temposhark, LHB, Way Out West, Jon Bon Jovi, Mich Gerber, Sean Lennon, Urban Species, Blue October, Jon Hopkins and Acacia.
Heap's 2009 album 'Ellipse' features Canvas, Aha! and Half Life.
Sites: Twitter
www.imogenheap.com
Blanket
Imogen Heap Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Music is my blanket
Emotionless the city lies
Cruel it is, it clouds my eyes
The dull the dark shades on my day
I live inside this place
Always tense and filled with rage
Above the concrete fields below
With you i wanna go, wanna go
Music is my sanctuary
Music is my blanket
I see only what i wanna see
I'll be only what i wanna be
My blanket covers me, yes
"Yeah, check it
Now as a yout man I was body poppin' breakin' on the lino
Traded in my lino for a pad and a biro
Used to stand in line just so as I could sign my giro
But now my ends meet in the best way that I know
(Hat, snare, kick) and the beats that go boom
See the music I consume to escape the doom and gloom
All the beats and melodies keep realities at bay
But what happens when the records done and starts to fade away"
Alone within myself again
I try to veil away my pain
The dirty grey surrounding me 'round
And now I hear no sound
"I feel like Melle Mel from way back in the days
As i wonder how i keep from going under
I got trouble on my mind like my name is chuck d
And like Marvin Gaye it makes me wanna holler
When the music hits me I feel no pain
That's why i gotta put you on again and again
I take the needle off the technics and put it in my vein
All my troubles get crushed as the rush hits my brain
And away goes trouble down the drain"
I see only what I wanna see
I be only who I wanna be
My blanket covers me
Music is my sanctuary
Music is my blanket
I see only what I wanna see
I be only who I wanna be
My blanket covers me
Music is my sanctuary
Music is my blanket
You are my living world
You are my living world
You are you are you are my
My only living world.
Imogen Heap's "Blanket" is a song about the comforting power of music. Heap sings that music is her "sanctuary" and her "blanket," providing her with a safe space and a shield against the harsh reality of the world around her. The city is described as emotionless and cruel, "clouding" her eyes with dark shades. Heap feels trapped in her "metal cage," always tense and angry, longing to escape to a better place. Music is her escape, her way of seeing only what she wants to see and being who she wants to be. The song speaks to the way that music can offer a form of therapy, helping us to cope with difficult emotions and the challenges of life.
The song is built around a repeating chord progression that creates a hypnotic, mesmerizing effect. Heap's vocals are intimate and personal, expressing a sense of vulnerability and longing. The song features a rap interlude by MC Xander, in which he adds his own perspective on the power of music to heal and uplift. The lyrics of his rap describe the ways that music can help us escape from reality, providing a temporary respite from our troubles. Ultimately, the song is a celebration of the transformative power of music, a reminder of its ability to take us to a better place and offer us a sense of hope and comfort.
Line by Line Meaning
Music is my sanctuary
Music is a place of refuge where I can escape from the harshness of reality.
Music is my blanket
Music is a source of comfort that wraps around me and shields me from the pain and suffering of the world.
Emotionless the city lies
The city is a cold and uncaring place where people are disconnected from their emotions.
Cruel it is, it clouds my eyes
The city is cruel and oppressive, and it makes it difficult for me to see the beauty in the world.
The dull the dark shades on my day
The city is a boring and depressing place that drains the color and life from my days.
I live inside this place
I am trapped in this city, and it is suffocating me.
Locked up inside my metal cage
I feel trapped and confined in the urban environment.
Always tense and filled with rage
The stress and pressure of city life make me angry and frustrated.
Above the concrete fields below
I dream of soaring above the city streets and seeing the world from a new perspective.
With you I wanna go, wanna go
I long to escape the city with someone I love.
I see only what I wanna see
I choose to focus on the things that bring me joy and happiness, and ignore the rest.
I'll be only what I wanna be
I refuse to let the world define me or limit my potential.
My blanket covers me, yes
Music is a source of comfort that helps me cope with the difficulties of life.
"Yeah, check it
The singer is beginning a rap interlude.
Now as a yout man I was body poppin' breakin' on the lino
When I was young, I loved to dance and express myself through movement.
Traded in my lino for a pad and a biro
As I grew older, I exchanged my love of dance for a passion for music and songwriting.
Used to stand in line just so as I could sign my giro
I used to queue up for government assistance, but now I make a living through my music.
But now my ends meet in the best way that I know
I have found a way to make a living doing what I love.
(Hat, snare, kick) and the beats that go boom
The singer is describing the basic elements of hip hop music.
See the music I consume to escape the doom and gloom
Music is a form of escapism that helps me forget about the problems in the world.
All the beats and melodies keep realities at bay
The rhythms and melodies of music help me stay grounded and focused on the present moment.
But what happens when the records done and starts to fade away
The artist wonders what will happen when the music stops and reality comes crashing back in.
Alone within myself again
The singer is feeling lonely and isolated.
I try to veil away my pain
The artist is attempting to hide or suppress their emotional pain.
The dirty grey surrounding me 'round
The singer is surrounded by the dull and lifeless environment of the city.
And now I hear no sound
The singer is so consumed by their emotions that they are disconnected from the world around them.
I feel like Melle Mel from way back in the days
The singer is referencing the legendary rapper and imagining themselves as part of the early days of hip hop.
As I wonder how I keep from going under
The artist is struggling to stay afloat amidst the challenges of life.
I got trouble on my mind like my name is chuck d
The artist is referencing the rapper Chuck D, whose music often dealt with issues of racial inequality and social injustice.
And like Marvin Gaye it makes me wanna holler
The singer is referencing the soul singer Marvin Gaye, who sang about the pain and suffering caused by war and social unrest.
When the music hits me I feel no pain
The singer finds solace in the healing power of music.
That's why I gotta put you on again and again
The artist needs to listen to the music repeatedly to continue feeling its effects.
I take the needle off the technics and put it in my vein
The artist is using music as a form of drug, injecting it into their body to feel its effects more intensely.
All my troubles get crushed as the rush hits my brain
The artist feels a sense of release and euphoria when the music takes hold.
And away goes trouble down the drain
The singer is able to forget about their problems and find some relief through music.
You are my living world
The artist is addressing someone they love and value deeply.
You are my living world
The singer emphasizes the importance of their relationship to this person.
You are you are you are my
The singer repeats the phrase for emphasis.
My only living world
The singer suggests that this person is their entire world and source of happiness.
Lyrics © Universal Music Publishing Group
Written by: IMOGEN JENNIFER HEAP, PETER AKINRINLOLA
Lyrics Licensed & Provided by LyricFind
@philhayhoe1
Revisiting this wonderful clip after the sad news that Jeff has passed away. This perfectly showcases his talents - restrained, accurate and free to fly in the solo. We've just lost the best guitarist of his or perhaps any generation. Rest in Peace Jeff.
@JeffMiller-lp3dp
Same, same.
@silviameiss8087
So true. I've listened to it multiple times today
@glatisant74
So beautiful performance. I keep coming back here every few months, and yesterday again. Wish wonderful persons like Jeff would stay with us, throughout my lifetime. Lost such an important piece of my world. Was just so good to know he is out there and doing his stuff. Will be so much missed.
@bobrat
A true Magician 🎩 of the Guitare
@SteenHolm134
Same here.🙏🏼
@stanesposito2664
There will never be another Jeff Beck and this makes me so sad. This song, band and performance is amazing and beautiful.
@fabioalmerighi1371
No l
@b0bthebuilder198
And he brought in little Tal. Good dude!❤
@cheyne15
Can't believe this was 16 years ago... What a combination of two musical geniuses. R.I.P. Jeff