(1) Irma (born 1988 in Douala, Cameroon) is a singer-songwriter from Cameroon. She is now living in France.
Irma is from a family with a musical background. Her father is guitarist and her mother was in a church choir. As a child Irma was performing at masses too. At age 15 she went to a high school in Paris to improve her school education.
No doubt about it: Irma is part of a generation that can do just about anything. She’s capable of removing the blinkers of received ideas and transcending the boundaries between categories. And she was also daring enough to re-record her first album, initially entrusted to the greatly respected New York producer, Henry Hirsch, long-time musical partner of Lenny Kravitz. “We recorded in a place two hours from New York, in a chapel that had been converted into a studio. I thought it sounded good, but when I listened to it again back in Paris, I was pretty disappointed! Too many musicians around her, too many effects and not the emotion she was after. Driven by the audacity of youth, the 20-year-old Irma took the risk of re-recording in Paris. And it was worth it because the album reveals her personality, with her soft vocals and hazy aura, and shows a gentle modesty that is perfectly consistent with her barely disguised shyness. She did most of the takes herself from the mixing desk in a studio converted from a former cellar. She played around with the various tracks to recreate the private world of this young woman barely out of childhood and give us a sense of the atmosphere of the bedroom where she composed for many years.
Born in Douala into a family from Bangangté in western Cameroon, Irma arrived in Paris in 2003 to continue her secondary school studies. She was 15 years old and already showing some serious talent. This was the start of a new life for the teenager, who discovered the voices of neo soul and singers “with guitars” as she puts it, starting with Ben Harper’s ‘Live from Mars’, one of her favourite albums given to her by her mother and ‘Change the World’ by Eric Clapton, which she dug up from her father’s record collection. The young Cameroonian guitarist and songwriter redid songs by her heroes in her own style and started posting videos on YouTube in 2007: for starters, a cover of ‘Au Suivant’ inspired by seeing –M- and Camille’s version on the TV programme Taratata, followed by the Jackson 5’s ‘I Want You Back’, Yael Naïm’s ‘New Soul’, and Django Reinhardt’s ‘After You’ve Gone’. It didn’t take long for praise to start flooding in; lots of fans wanted to find out (lots) more. Wanted to hear some of her own songs. They got ‘Letter to the Lord’ with its original black-and-white clip, and it opens the album. “I describe the process of searching for inspiration. I write to the Lord asking him to send me some chords. A love letter,” she says, never shy with references to her faith which is “very important” to her. Later she posted the wonderful ballad ‘Somehow’, a piano-vocal number that concludes the collection, opening up new horizons for this singer-songwriter who had until now composed her own personal brand of mostly sweet, sometimes bitter songs on the guitar. Irma prefers the subtle charms of light and dark to the glaring lights of seduction.
The hype built up so quickly that she started to receive emails from tempted producers, including a big cheese from My Major Company who’d succumbed immediately to the charms of ‘I Know’. Things moved very fast after that. In August 2008, the beautiful stranger succeeded in winning over 416 Internet co-producers in just one weekend; in under 48 hours she had collected the €70,000 she needed to record her first album. “It was amazing because we had reckoned on 5 months to get the money together.” She marked her arrival at My Major Company with a fundraising record that has not yet been matched! And we can expect a similarly bright future for this album composed of well-crafted tunes that will strike a chord with listeners of all generations, and choruses that draw on the influences of all the singers who have struck and shaken her heart, beginning with her absolute idol, Michael Jackson. “I’ve got everything of his! I love everything about him! His energy, his tunes, his voice, his sensitivity, his showmanship: he had the whole world spellbound! I’d only just started taking classical piano lessons!”
Irma trod the same fertile pop and soul path as the former little prince of soul who became the king of pop, if we want a resumé of her style that doesn’t, however, tell the full story. How can you sum up in a few words the multitude of influences that have gone into making this unclassifiable album? She is as indebted to Cat Power and Eric Clapton as she is to The Fugees and Queen, but you can also add Regina Spektor and Fink, the star of the Ninjatune team. “My songs are the fruit of everything I’ve assimilated: two seconds on the radio, a few notes in a film, or a whole album. I just need to set that all to music.” It’s not as if she’s a debutant. She brought a few of her own compositions with her from Cameroon – ‘I Know’, ‘Love You’, ‘End of the Story’ and others. A third of the album dates back to her early years when the little girl got her hands on a guitar her father had bought and taught herself to play. “Simple verse-chorus songs in a major key”, which the young woman she has become has since reworked to reflect her new liking for neo soul sounds, as on ‘Their Truth’ with its funky hip-hop-like beats, churchy organ, the crackling of vinyl records and her even warmer vocals.
You’ll have realised by now that Irma is a composite character with a shifting identity; multiple and yet singular. Like her songwriting. Her lyrics tell us about her without ever being autobiographical, stories of love, its joys and its disappointments. “The words come to me completely naturally,” Irma says modestly. But her lyrics certainly don’t lack irony. ‘Your Guide’, for example, pokes fun at young people who are indifferent to everything, already disappointed in love, have survived everything, against all the odds. She is quite the opposite, ready to embark on this strange journey called music and fully intending to perform live, a dimension she added in spring 2010. “I spent the whole of March 2010 with Diam’s. It was the first time I’d been on tour and travelled like that.” Irma has supported many different artists including –M-, Mickey and Tété since then. Each time she had “twenty minutes, five tracks”, completely alone with her guitar and her voice. And last autumn she performed weekly dates at the Java, just like a real star. The crowd always ended up falling under the spell of her husky melodies.
Her subtle charisma will overpower you too – and she promises to enchant us for many years to come.
(2) Irma Schultz Keller (born 1 October 1965) has appeared in many movies and television series in Sweden. As a singer, she has made five solo albums and participated in many other music projects like ‘Songs for December’ along with Uno Svenningsson. In 2007, Keller and Uno Svenningsson performed in Melodifestivalen and made it to the second chance round with the song ‘God Morgon’.
Saudade
Irma Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Relembrar é sorrir de novo com o teu sorrir...
É atualizar tua vida em mim,
mesmo sem que estejas aqui...
Relembrar é deixar a sede de vida desabrochar...
Relembrar é chorar o choro, que não sabe esperar...
É sentir a ausência de quem nunca se foi...
A saudade dói...
É um doce amargo...
Amar dói...
O coração é rasgado...
pois é querer estar perto de quem está dentro...
É esperar a volta de quem nunca se foi...
É deixar apenas o coração cantar...
O Amor quer ser tocado...
Nem que seja pelo olhar... pela voz...
ou apenas pelo silêncio do respirar...
Pelo silêncio...
These lyrics to Irma's song "Saudade" explore the complex and bittersweet emotions of remembering and longing for someone who is not physically present. The singer describes remembering as a gaze fixed in time, a moment that couldn't contain all the emotions felt. Remembering is also described as smiling once again with the same smile as the person being remembered, as if their presence is still felt. It is a way to update their life within oneself, even without their physical presence.
The act of remembering is described as allowing the thirst for life to bloom, but it also brings tears for the sadness of not being able to wait or hold onto certain moments. It is feeling the absence of someone who has never really left, and entrusting that person to God, who is seen as the beginning and the end.
The lyrics emphasize that saudade, which is a Portuguese term often described as a deep emotional longing, brings both pleasure and pain. It is a sweet bitterness, a reminder that love can be painful as it tears at the heart. This pain arises from wanting to be close to someone who is already within us, creating a sense of internal conflict.
Saudade is described as waiting for the return of someone who has not physically left, surrendering to the feeling of missing them. It is about leaving only the heart to sing, expressing the profound emotions and longing within.
The lyrics also suggest that love desires to be felt and experienced, even if it's just through a look, a voice, or the silence of breathing. The simplest acts of connection with the person being remembered hold immense significance, even if they are not physically present. The silence itself carries the weight of their presence and love, highlighting the power of a deep emotional connection.
Overall, these lyrics capture the heartbreaking beauty of saudade and the complexities of longing for someone who is not physically there. It depicts the pain, the conflict, and the longing that come with remembering and desiring the presence of a beloved person.
Line by Line Meaning
Relembrar é o olhar parado no tempo, que não coube ali...
Remembering is the gaze frozen in time, that didn't fit there...
Relembrar é sorrir de novo com o teu sorrir...
Remembering is to smile again with your smile...
É atualizar tua vida em mim, mesmo sem que estejas aqui...
It is to update your life in me, even without you being here...
Relembrar é deixar a sede de vida desabrochar...
Remembering is letting the thirst for life bloom...
Relembrar é chorar o choro, que não sabe esperar...
Remembering is crying the tears that don't know how to wait...
É sentir a ausência de quem nunca se foi...
It is feeling the absence of someone who was never gone...
É te entregar a Deus, Ele é o Princípio e o Fim...
It is surrendering you to God, He is the Beginning and the End...
A saudade dói...
Longing hurts...
É um doce amargo...
It's a bittersweet feeling...
Amar dói...
Loving hurts...
O coração é rasgado...
The heart is torn apart...
pois é querer estar perto de quem está dentro...
because it's wanting to be close to someone who is within...
É esperar a volta de quem nunca se foi...
It's waiting for the return of someone who never left...
É deixar apenas o coração cantar...
It's letting only the heart sing...
O Amor quer ser tocado...
Love wants to be touched...
Nem que seja pelo olhar... pela voz...
Even if it's through the gaze... through the voice...
ou apenas pelo silêncio do respirar...
or just through the silence of breathing...
Pelo silêncio...
Through the silence...
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: ARNOBIO SANTOS DE LIMA, JORGE CICERO DIAS PEREIRA
Lyrics Licensed & Provided by LyricFind