(1) Irma (born 1988 in Douala, Cameroon) is a singer-songwriter from Cameroon. She is now living in France.
Irma is from a family with a musical background. Her father is guitarist and her mother was in a church choir. As a child Irma was performing at masses too. At age 15 she went to a high school in Paris to improve her school education.
No doubt about it: Irma is part of a generation that can do just about anything. She’s capable of removing the blinkers of received ideas and transcending the boundaries between categories. And she was also daring enough to re-record her first album, initially entrusted to the greatly respected New York producer, Henry Hirsch, long-time musical partner of Lenny Kravitz. “We recorded in a place two hours from New York, in a chapel that had been converted into a studio. I thought it sounded good, but when I listened to it again back in Paris, I was pretty disappointed! Too many musicians around her, too many effects and not the emotion she was after. Driven by the audacity of youth, the 20-year-old Irma took the risk of re-recording in Paris. And it was worth it because the album reveals her personality, with her soft vocals and hazy aura, and shows a gentle modesty that is perfectly consistent with her barely disguised shyness. She did most of the takes herself from the mixing desk in a studio converted from a former cellar. She played around with the various tracks to recreate the private world of this young woman barely out of childhood and give us a sense of the atmosphere of the bedroom where she composed for many years.
Born in Douala into a family from Bangangté in western Cameroon, Irma arrived in Paris in 2003 to continue her secondary school studies. She was 15 years old and already showing some serious talent. This was the start of a new life for the teenager, who discovered the voices of neo soul and singers “with guitars” as she puts it, starting with Ben Harper’s ‘Live from Mars’, one of her favourite albums given to her by her mother and ‘Change the World’ by Eric Clapton, which she dug up from her father’s record collection. The young Cameroonian guitarist and songwriter redid songs by her heroes in her own style and started posting videos on YouTube in 2007: for starters, a cover of ‘Au Suivant’ inspired by seeing –M- and Camille’s version on the TV programme Taratata, followed by the Jackson 5’s ‘I Want You Back’, Yael Naïm’s ‘New Soul’, and Django Reinhardt’s ‘After You’ve Gone’. It didn’t take long for praise to start flooding in; lots of fans wanted to find out (lots) more. Wanted to hear some of her own songs. They got ‘Letter to the Lord’ with its original black-and-white clip, and it opens the album. “I describe the process of searching for inspiration. I write to the Lord asking him to send me some chords. A love letter,” she says, never shy with references to her faith which is “very important” to her. Later she posted the wonderful ballad ‘Somehow’, a piano-vocal number that concludes the collection, opening up new horizons for this singer-songwriter who had until now composed her own personal brand of mostly sweet, sometimes bitter songs on the guitar. Irma prefers the subtle charms of light and dark to the glaring lights of seduction.
The hype built up so quickly that she started to receive emails from tempted producers, including a big cheese from My Major Company who’d succumbed immediately to the charms of ‘I Know’. Things moved very fast after that. In August 2008, the beautiful stranger succeeded in winning over 416 Internet co-producers in just one weekend; in under 48 hours she had collected the €70,000 she needed to record her first album. “It was amazing because we had reckoned on 5 months to get the money together.” She marked her arrival at My Major Company with a fundraising record that has not yet been matched! And we can expect a similarly bright future for this album composed of well-crafted tunes that will strike a chord with listeners of all generations, and choruses that draw on the influences of all the singers who have struck and shaken her heart, beginning with her absolute idol, Michael Jackson. “I’ve got everything of his! I love everything about him! His energy, his tunes, his voice, his sensitivity, his showmanship: he had the whole world spellbound! I’d only just started taking classical piano lessons!”
Irma trod the same fertile pop and soul path as the former little prince of soul who became the king of pop, if we want a resumé of her style that doesn’t, however, tell the full story. How can you sum up in a few words the multitude of influences that have gone into making this unclassifiable album? She is as indebted to Cat Power and Eric Clapton as she is to The Fugees and Queen, but you can also add Regina Spektor and Fink, the star of the Ninjatune team. “My songs are the fruit of everything I’ve assimilated: two seconds on the radio, a few notes in a film, or a whole album. I just need to set that all to music.” It’s not as if she’s a debutant. She brought a few of her own compositions with her from Cameroon – ‘I Know’, ‘Love You’, ‘End of the Story’ and others. A third of the album dates back to her early years when the little girl got her hands on a guitar her father had bought and taught herself to play. “Simple verse-chorus songs in a major key”, which the young woman she has become has since reworked to reflect her new liking for neo soul sounds, as on ‘Their Truth’ with its funky hip-hop-like beats, churchy organ, the crackling of vinyl records and her even warmer vocals.
You’ll have realised by now that Irma is a composite character with a shifting identity; multiple and yet singular. Like her songwriting. Her lyrics tell us about her without ever being autobiographical, stories of love, its joys and its disappointments. “The words come to me completely naturally,” Irma says modestly. But her lyrics certainly don’t lack irony. ‘Your Guide’, for example, pokes fun at young people who are indifferent to everything, already disappointed in love, have survived everything, against all the odds. She is quite the opposite, ready to embark on this strange journey called music and fully intending to perform live, a dimension she added in spring 2010. “I spent the whole of March 2010 with Diam’s. It was the first time I’d been on tour and travelled like that.” Irma has supported many different artists including –M-, Mickey and Tété since then. Each time she had “twenty minutes, five tracks”, completely alone with her guitar and her voice. And last autumn she performed weekly dates at the Java, just like a real star. The crowd always ended up falling under the spell of her husky melodies.
Her subtle charisma will overpower you too – and she promises to enchant us for many years to come.
(2) Irma Schultz Keller (born 1 October 1965) has appeared in many movies and television series in Sweden. As a singer, she has made five solo albums and participated in many other music projects like ‘Songs for December’ along with Uno Svenningsson. In 2007, Keller and Uno Svenningsson performed in Melodifestivalen and made it to the second chance round with the song ‘God Morgon’.
Stureplan
Irma Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Han är trött och han vill sova
men han gör så gott han kan
Han knyter sin slips och dricker sin choklad
Han är på väg till sitt jobb och där trivs han inte bra
Men i vagnen på väg mot Stureplan
sitter hon mitt emot honom varje dag
Kvinnan på väg mot Stureplan
Han ser på henne genom fönstrets spegelbild
Han tittar i smyg så hon märker ingenting
Han tänker:
"Varför fråga när jag fruktar hennes svar?"
"Varför störa när vår färd är underbar?"
Och i vagnen på väg mot Stureplan
sitter han mitt emot henne varje dag
Han tänker på henne natt som dag
Kvinnan på väg mot Stureplan
Och det är hon som gör livet vackrare
Det är hon som gör färden kortare
Det är hon hon hon
Ja, det är hon
Hon hon hon
Ja, det är hon
Han går in på sitt rum och knäpper på sin skärm
Ser alla blanketter som ska behandlas innan fem
Men i tankarna flyr han till Stureplan
Han går av hon går av vid Stureplan
Folk vänder sig om när de går hand i hand
Man och kvinna har funnit varann
Och det är hon som gör livet vackrare
Det är hon som gör färden kortare
Det är hon hon hon
Ja, det är hon
Hon hon hon
Ja, det är hon
Ja, det är hon
The song Stureplan by Irma tells the story of a lonely man who commutes to work every day and doesn't enjoy his job. However, he finds solace in seeing a woman on the same commute to Stureplan, a popular and affluent area in Stockholm. He watches her every day and thinks about her constantly, but he's too afraid to speak to her. He finds comfort in the idea of being close to her, even if they never speak.
The lyrics convey a sense of longing and unrequited love. The man sees the woman as a symbol of hope and beauty in an otherwise mundane and unfulfilling life. He seems to be stuck in a rut, going through the motions of his daily routine, but the woman on the Stureplan commute gives him a sense of purpose and excitement.
The chorus reinforces the idea that the woman is the most important thing in his life, making everything else seem insignificant. Her presence makes life more beautiful and the commute more bearable.
Overall, the lyrics of Stureplan paint a picture of a lonely man searching for meaning in his life and finding it in the simple act of observing a woman on his daily commute.
Line by Line Meaning
Nu vaknar en ensam liten man
A solitary man wakes up
Han är trött och han vill sova
He is tired and wants to sleep
men han gör så gott han kan
But he tries his best
Han knyter sin slips och dricker sin choklad
He ties his tie and drinks his chocolate
Han är på väg till sitt jobb och där trivs han inte bra
He is going to his job, which he does not like
Men i vagnen på väg mot Stureplan
But on the train to Stureplan
sitter hon mitt emot honom varje dag
she sits opposite him every day
Han tänker på henne natt som dag
He thinks of her night and day
Kvinnan på väg mot Stureplan
The woman on her way to Stureplan
Han ser på henne genom fönstrets spegelbild
He looks at her through the reflection in the window
Han tittar i smyg så hon märker ingenting
He looks secretly so she doesn't notice
Han tänker:
He thinks:
"Varför fråga när jag fruktar hennes svar?"
"Why ask when I fear her answer?"
"Varför störa när vår färd är underbar?"
"Why disturb when our journey is wonderful?"
Och i vagnen på väg mot Stureplan
And on the train to Stureplan
sitter han mitt emot henne varje dag
he sits opposite her every day
Han tänker på henne natt som dag
He thinks of her night and day
Kvinnan på väg mot Stureplan
The woman on her way to Stureplan
Och det är hon som gör livet vackrare
And she is the one who makes life more beautiful
Det är hon som gör färden kortare
She makes the journey shorter
Det är hon hon hon
It is she, she, she
Ja, det är hon
Yes, it is she
Hon hon hon
She, she, she
Ja, det är hon
Yes, it is she
Han går in på sitt rum och knäpper på sin skärm
He goes to his room and turns on his screen
Ser alla blanketter som ska behandlas innan fem
He sees all the forms that need to be processed before five
Men i tankarna flyr han till Stureplan
But in his thoughts he escapes to Stureplan
Han går av hon går av vid Stureplan
He gets off, she gets off at Stureplan
Folk vänder sig om när de går hand i hand
People turn their heads when they walk hand in hand
Man och kvinna har funnit varann
Man and woman have found each other
Och det är hon som gör livet vackrare
And she is the one who makes life more beautiful
Det är hon som gör färden kortare
She makes the journey shorter
Det är hon hon hon
It is she, she, she
Ja, det är hon
Yes, it is she
Hon hon hon
She, she, she
Ja, det är hon
Yes, it is she
Lyrics © O/B/O APRA AMCOS
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