Jean Redpath MBE (born 28 April 1937 in Edinburgh, Scotland; died 21 August… Read Full Bio ↴Jean Redpath MBE (born 28 April 1937 in Edinburgh, Scotland; died 21 August 2014 in Arizona, USA) was a Scottish folk singer, educator and musician. Internationally regarded as a pre-eminent interpreter of Scots song, Redpath took the ballads of her home country, and particularly the songs of Robert Burns, onto stages from the Lincoln Center, New York, to Sydney Opera House, and from Alaska to South America and Hong Kong.

Redpath was born in Edinburgh, to musical parents. Her mother knew many Scots songs and passed them on to all four of her daughters; her father played the hammer dulcimer. She was raised in Fife, Scotland, and later returned to Edinburgh, taking medieval studies at the university. Hamish Henderson was working in the School of Scottish Studies and Redpath took a keen interest in the archive of tapes and discs of music and songs. To help pay her way through her studies, she worked as a driving instructor and undertaker's assistant. She learned about 400 songs, together with the oral folklore that went with them.

In March 1961, at the age of 24, she went to the United States. Her first performance was in San Francisco. Later she met up with Rambling Jack Elliott and Bob Dylan in Greenwich Village. The natural warmth and power of her voice brought her to perform at Gerde's Folk City. In 1963, following a concert performance, she signed up with Elektra Records. In 1975 she switched to the Philo label. From 1972 to 1976 Jean was artist-in-residence at Wesleyan University in Middletown, Connecticut. She lectured in folklore and gave talks in schools.

In 1976 Redpath was embarked on a project to record all the songs of Robert Burns. Some being folk songs, some Burns' own compositions, and most a mixture of the two. Twenty-two volumes were planned, but when her collaborator, the composer Serge Hovey died after seven volumes, it came to a premature end. Hovey did the instrumental arrangements for 323 songs, and Redpath felt that no other musician could replace him. The albums won critical praise from around the world. In 1986 she recorded "Lady Nairne," a collection of songs written by Scottish women. She has sensitively reconstructed many songs that might otherwise have been lost.

Between 1974 and 1987, Redpath appeared regularly on Garrison Keillor's "Prairie Home Companion" radio show from NPR. She has also appeared on Robert J. Lurtsema's "Morning Pro Musica" from WGBH in Boston.

She has toured throughout the U.S. and to Canada, and played venues in South America, Hong Kong, and Australia, including the Sydney Opera House, and has performed often at the Edinburgh Folk Festival. In 1977, Redpath appeared at a royal banquet at Edinburgh Castle for Queen Elizabeth II, during Royal Jubilee Year. In spite of all her musical success, she has never had formal musical training.

From 1979 Redpath was a lecturer at the University of Stirling, Scotland, occasionally making a sojourn to Wesleyan University. For ten years she gave courses in Scottish Song at the "Heritage of Scotland" Summer School at Stirling University.

She was awarded the MBE, as well as being named a "Kentucky Colonel" by the Governor of Kentucky. A portrait of Redpath by Alexander Fraser hangs in the Scottish National Portrait Gallery in Edinburgh.

In 1996 she launched the Burns International Festival.

In 2009, Redpath made an appearance on the Late Show with David Letterman, singing "Some Kind of Love" by the late John Stewart of the Kingston Trio.

The Ploughman
Jean Redpath Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

The Ploughman he's a bony lad,
His mind is ever true, jo,
His garters knit below his knee,
His bonnet it is blue, jo.

ch. Then up wi't a', my Ploughman lad,
And hey, my merry Ploughman;
Of a'the trades that I do ken,

Commend me to the Ploughman.

My Ploughman he comes hame at e'en,
He's aften wat and weary:
Cast off the wat, put on the dry,
And gae to bed, my Dearie.

I will wash my Ploughman's hose,
And I will dress his o'erlay;
I will mak my Ploughman'g bed,
And cheer him late and early.

I hae been east, I hae been west,
I hae been at Saint Johnston,
The boniest sight that e'er I saw
Was th' Ploughman laddie dancin.

Snaw-white stocking on his legs,
And siller buckles glancin;
A gude blue bannet on his head,
And O but he was handsome!

Commend me to the Barn yard,
And the Corn-mou, man;

I never gat my Coggie fou
Till I met wi' the Ploughman.

Overall Meaning

Jean Redpath's song The Ploughman is an ode to the noble and hardworking ploughman. The song is a tribute to all the qualities associated with this trade - loyalty, diligence, and hard work. The Ploughman is described as a tall, lanky man with a steadfast mind who wears a blue bonnet and garters knit below his knee. The opening lines describe the Ploughman as an archetype of Scottish rural life - tall, strong, and true.

The chorus of the song extols the virtues of the ploughman and asks him to rise and be merry. The singer declares that of all the trades she has ever encountered, she favors the ploughman the most. She admires his hard work and dedication, and the way he keeps going through all weathers. The singer urges the ploughman to lay down his tools and rest for the night. She promises to wash his clothes and make his bed, ready for another day of work.

Line by Line Meaning

The Ploughman he's a bony lad,
The Ploughman is a strong and handsome lad.

His mind is ever true, jo,
He is a trustworthy person, always true to his word.

His garters knit below his knee,
He wears garters below his knee to keep his stockings up.

His bonnet it is blue, jo.
He wears a blue bonnet on his head.

Then up wi't a', my Ploughman lad,
Come on, my Ploughman, let's go!

And hey, my merry Ploughman;
Let's have fun, my cheerful Ploughman;

Of a'the trades that I do ken,
Of all the professions I know,

Commend me to the Ploughman.
The Ploughman is the best.

My Ploughman he comes hame at e'en,
My Ploughman comes home in the evening.

He's aften wat and weary:
He is often wet and tired.

Cast off the wat, put on the dry,
Take off the wet clothes and put on dry ones,