1. Joe Jones (1934 New … Read Full Bio ↴Joe Jones could refer to two different acts:
1. Joe Jones (1934 New York City - 1993 Wiesbaden) was an avantgarde composer associated with fluxus especially known for his creation of rhythmic music machines. Jones grew up in Greenpoint, Brooklyn and received a classical musical education at Hartnett Music School in New York City. In the late 1950s he began a short career as a jazz drummer. In 1960 Jones began to study experimental composition first briefly with John Cage and then Earle Brown. Through these associations he formed an artistic alliance with Dick Higgins, Alison Knowles, and La Monte Young. He first started experimenting with mechanical instruments in 1962, creating objects like musical boats, solar music umbrellas and a pedaled vehicle that pulled handmade instruments on wheels called "The Longest Pull Toy in the World". The following year his works were exhibited at the Betty Parsons Gallery in New York City.
Beginning in 1963 Jones participated in the fluxus art movement, taking part in a number of fluxus performance art activities with his automaton-like music machines - made from found ready-made instruments. In 1963 he performed his machinic noise music at the Yam festival in New Brunswick and a year later he performed again at the Avantgarde Music Festival in New York City. He created many machine drum exhibitions and art actions in New York City and Nice, France during this period.
In 1969 he opened his own "Music-Store" at 18 N. Moore Street in New York City. There he presented his repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machine noise music in the window. He also gave small musical installation performances by himself and musicians such as Yoko Ono and John Lennon, among others. After moving out of 18 N. Moore his store-loft space became the art studio of fluxus archivist and digital artist Joseph Nechvatal, then the once The Theatre Of Eternal Music member Jon Hassell and finally video artist Bill Viola before being merged into Walkers Restaurant.
In 1971 Jones produced the album Fly together with John Lennon and Yoko Ono and founded the 'Fluxus-Airline' with George Maciunas. Jones made automated instruments for Yoko Ono's recordings "Don't Count The Waves, You" and "Airmale" that appear on her Onobox. Soon after Jones left New York for Europe; living in Amsterdam, Asolo, Berlin, Düsseldorf and finally Wiesbaden and continued to exhibit worldwide in galleries and museums.
Since the mid-eighties Jones produced short digital art films on computer that he called "Fluxus-Home-Movies". He also devised larger orchestra-like installations with his music machines called "Solar Orchestras" that would be performed from when the sun comes up to the sun goes down by solar power.In 1988 his works could be seen at the Museum Ludwig in Cologne and in 1992-93 there was a big touring exhibition with stops in Helsinki, Nuremberg, Rotterdam and Wuppertal.
2. Joe Jones (August 12, 1926 – November 27, 2005) was an American R&B singer, songwriter and arranger, who was born in New Orleans, Louisiana. Jones is also generally credited with discovering The Dixie Cups. He also worked with B.B. King. As a singer, Jones' greatest hit was the Top Five 1960 R&B hit "You Talk Too Much", which also reached #3 on the pop chart.
Ge served in the U.S. Navy before studying music at the Juilliard Conservatory of Music. He was a valet, then pianist and arranger for B.B. King. His debut solo single was "Will Call" (1954) on Capitol Records. In 1960, "You Talk Too Much" became a national success, but his subsequent releases were less successful.
Jones claimed to have composed many songs, including the song "Iko Iko." Although his claims were originally successful, a federal jury and then Court of Appeals ruled that Jones did not write "Iko Iko," that his claims were fraudulent, and that the true writers were the band he managed, the Dixie Cups (the true original recording of this song had been released as Checker 787 by New Orleans singer and pianist Sugar Boy Crawford and his Cane Cutters in late 1953). The band hired music attorney Oren Warshavsky, who had previously won a case demonstrating that Jones fraudulently claimed ownership of another Mardi Gras classic song, "It Ain't My Fault." Jones also failed in his bid to claim ownership (though not as an author) to yet another Mardi Gras classic song, "Carnival Time." He also originally recorded "California Sun", which was made a hit by The Rivieras.
A-Tisket A-Tasket
Joe Jones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A green and yellow basket
I bought a basket for my mommie
On the way I dropped it
I dropped it, I dropped it
Yes on the way I dropped it
A little girlie picked it up
And took it to the market
Avenue without a single thing to do
She was peck, peck, peckin' all around
When she spied it on the ground
A-Tisket A-Tasket
She took my yellow basket
And if she doesn't bring it back
I think that I shall die
(Was it red?)
No, no, no, no
(Was it brown?)
No, no, no, no
(Was it blue)
No, no, no, no
Just a little yellow basket
The song A-Tisket A-Tasket by Joe Jones is a playful and humorous song about losing a basket on the way to give it as a gift to the singer's mother. The song begins with the opening line, "A-Tisket A-Tasket, a green and yellow basket," which sets the tone for the lighthearted nature of the song. The singer describes buying the basket for his mother and then accidentally dropping it on the way. He laments his mistake and worries that if it's not returned, he will "die."
However, in a twist of fate, a "little girlie" picks up the basket and takes it to the market. The singer describes her "truckin' on down the avenue without a single thing to do, peck, peck, peckin' all around," when she spots the yellow basket on the ground. She picks it up and takes it with her, much to the singer's dismay.
The song is a fun and catchy tune that reminds listeners not to take themselves too seriously. It celebrates the idea that sometimes, things don't go according to plan, but it's important to roll with the punches and find humor in life's little mishaps.
Line by Line Meaning
A-Tisket A-Tasket
I lost something important
A green and yellow basket
It was a basket with green and yellow colors
I bought a basket for my mommie
I bought the basket for my mother
On the way I dropped it
I accidentally dropped it while carrying it
I dropped it, I dropped it
I dropped it more than once
Yes on the way I dropped it
I really did drop it
A little girlie picked it up
A young girl picked it up
And took it to the market
She took it with her to the market
She was truckin' on down the Avenue without a single thing to do
She was walking down the Avenue aimlessly
She was peck, peck, peckin' all around
She was curious and exploring the area
When she spied it on the ground
When she noticed the basket on the ground
A-Tisket A-Tasket
I lost something important
She took my yellow basket
The little girl took my yellow basket
And if she doesn't bring it back
If she doesn't return the basket
I think that I shall die
I will be extremely upset
(Was it red?)
Questioning the color of the basket, but it wasn't red
(Was it brown?)
Questioning the color of the basket, but it wasn't brown
(Was it blue)
Questioning the color of the basket, but it wasn't blue
No, no, no, no
It was none of those colors
Just a little yellow basket
The basket was small and yellow
Lyrics © BMG RIGHTS MANAGEMENT US, LLC , S.A. MUSIC
Written by: HAROLD ARLEN, TED KOEHLER
Lyrics Licensed & Provided by LyricFind