Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
The Shifting Whispering Sands Part I
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Whispering Sands
While prospecting in a western state
I saw the silent windmills
The crumbling water tanks
The bones of the cattle
Picked clean by buzzards
Bleached by the desert sun
Nearly covered by the sand
And stopping to rest I heard a tinkling
Whispering sound
And suddenly realized that even though
The wind was quiet
The sand did not lie still
I seemed to be surrounded be a mystery
So heavy and apperceive I
Could scarcely breath
For weeks I wondered aimlessly in the valley
Seeking answers to the many questions
That raced through my mind
Where was everyone? Why the white
Bones? The dry wells?
The barren valley where people must
Have lived and died
I sat down and buried my face in my hands
And resting I learned the
Secret of the Shifting, whispering Sands
How I managed to escape from
The valley I don't know
But now to pay my debt for being saved
I must tell you what I
Learned out on the desert so many years ago
When the day is oddly quiet
And the breeze seems not to blow
One would think the sun is resting
But you'll find this is not so
It is whispering softly whispering
As it slowly moves along
And for those who stop and listen
It will sing this mournful song
Of sidewinders and the horn toads
On the thorny chaparral
In the sunny days and moonlight lights
The lonely coyotes yell
How the stars seem they can touch you
As you lay and gaze on high
At the heavens where your hoping
You'll be going when you die
Johnny Cash's The Shifting Whispering Sands is a hauntingly beautiful yet sad song. This song narrates the story of a man discovering the valley of the shifting, whispering sands while he was prospecting for gold in one of the western states of the USA. As he explores the valley, he comes across silent windmills, crumbling water tanks, and the bones of cattle and burros picked clean by buzzards, bleached by the desert suns. He is surrounded by a mystery so heavy and oppressive he can barely breathe. He wanders aimlessly in the valley for days and weeks to find answers to the many questions that raced through his fevered mind.
As he wearily sits down with his food and water gone and his face buried in his hands, he learns the secret of the shifting, whispering sands. In the second stanza, the singer tells of how the sand whispers mournfully as it slowly moves along the desert, singing a mournful song of sidewinders and horn toads, the thorny chaparral, endless sunny days, moonlit nights, and the coyotes' lonely yell. The song paints a vivid picture of the harsh yet beautiful desert's beauty and highlights the human struggle to survive in these unforgiving conditions.
Line by Line Meaning
I discovered the valley of the shifting, whispering sands
I came across a valley where the sand moved and made whispering sounds
While prospecting for gold in one of our western States
I was searching for gold in one of the western states of the US
I saw the silent windmills, the crumbling water tanks
I spotted old, silent windmills and broken water tanks
The bones of cattle and burros, picked clean by buzzards
I saw buzzards eating the mixed remains of burros and cattle
Bleached by the desert suns
The bones had been bleached by the hot desert suns
I stumbled over a crumbling buckboard nearly covered by the sands
I came across a dilapidated buckboard wagon almost covered by the sand while walking
And stopping to rest, I heard a tinkling, whispering sound
Pausing to rest, I heard a faint tinkling and whispering sound
Then suddenly realized that even though the wind was quiet
I understood that even when it was calm, the sand still moved
The sand did not lie still
The sand was never still
I seemed to be surround by a mystery
I felt like I was in the middle of a mysterious place
So heavy and oppressive I could scarcely breath
It was so overwhelming that I nearly had trouble breathing
For days and weeks I wandered aimlessly in this valley
I roamed around this valley for days and weeks with no clear direction
Seeking answers to the many questions
Trying to find solutions to many underlying uncertainties
That raced through my fevered mind
These thoughts rushed through my mind despite my exhaustion or possible fever
Where was everyone
I wondered where all the people were
Why the white bones
I questioned why the bones were white
The dry wells
Wells in the area were bone-dry
The barren valley where people must have lived and died
The valley looked dry and empty, as though people had both lived and died there
Finally I could go no farther
I eventually hit my physical limit and could go no further
My food and water gone
I had run out of food and drink
I sat down and buried my face in my hands
Feeling hopeless, I sat down and buried my face in my hands
And resting thus, I learned the secret
During my rest, I learned the mystery
Of the Shifting, whispering sands
I learned about the sound and movement of the sand in the valley
How I managed to escape from the valley I do not know
I am unaware of how I managed to get out of the valley
But now to pay my final debt for being spared
However, to pay my final due for being saved from the valley
I must tell you what I learned out on the desert
I need to share my experience with people
So many years ago
This event happened many years back
When the day is awfully quiet
When the day is extremely silent
And the breeze seems not to blow
When there is no wind felt
One would think the sand was resting
People might assume that sand is still
But you'll find this is not so
However, sand will always be moving
It is whispering, softly whispering
The sand makes a soft, whispered sound
As it slowly moves along
As the sand moves gently
And for those who stop and listen
Those who pause to listen
It will sing this mournful song
It produces a sad melody
Of sidewinders and the horn toads
The song is of venomous snakes and horned toads
Of the thorny chaparral
The melody describes the arid, thorny chaparral
Endless sunny days and moonlit nights
The sound echoes dry daylight and nights that are lit by the moon
The coyotes lonely yell
It also includes the mournful cries of coyotes
Of the stars seem you could touch them
The song touches on the idea of being able to touch the stars
As you lay and gaze on high
While you lie and stare up
At the heavens where we're hoping
People aspire to go to the heavens after death
We'll be going when we die
That is where people will eventually go after they die
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home