Though born in Seattle, Washington (where she spent the first ten years of her life), she moved to Denver, Colorado, in 1949. As a child Collins studied classical piano with Antonia Brico, making her public debut at age 13 performing Mozart's Concerto for Two Pianos. It was the music of Woody Guthrie and Pete Seeger, and the traditional songs of the folk revival of the early 1960s, that piqued Collins' interest and awoke in her a love of lyrics. Three years after her debut as a piano prodigy, she was playing guitar. She eventually made her way to Greenwich Village, New York City, where she busked and played in clubs until she signed with Elektra Records, a record label with which she was associated for 35 years. In 1961, Collins released her first album, A Maid of Constant Sorrow, at the age of 22.
At first she sang traditional folk songs, or songs written by others, in particular the social poets of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of seminal songs of the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn, Turn, Turn". Collins was also instrumental in bringing then little known composers to a wider public; for example, she recorded songs by Canadian poet Leonard Cohen, and Canadian singer-songwriter Joni Mitchell.
With her 1967 album Wildflowers, she began to record her own compositions, the first of which was entitled "Since You've Asked". This album also provided Collins with a major hit, and a Grammy award, with her version of Joni Mitchell's "Both Sides Now", which reached #8 on the Billboard Hot 100.
1968's Who Knows Where the Time Goes was produced by Stephen Stills (of Crosby, Stills & Nash), with whom Collins was romantically involved at the time (she is the "Judy" of the Stills-written CSN classic "Suite: Judy Blue Eyes"). It had a mellow country sound, and included Ian Tyson's "Someday Soon" and the title track, a Sandy Denny song which has been covered by several artists.
By the 1970s, Collins had a solid reputation as an art song singer and folksinger. She had also begun to stand out with her own compositions. She was also known for her broad range of material: her songs from this period include the traditional gospel song "Amazing Grace", the Stephen Sondheim Broadway ballad "Send in the Clowns" (both of which were top 20 hits as singles), and her own compositions such as "My Father" and "Born to the Breed".
In 1979 she posed nude on the album "Hard Times For Lovers".
In more recent years, Collins has taken to writing, producing a memoir, "Trust Your Heart" in 1987, and two novels. Though her record sales are not what they once were, she still records and tours. One of her more recent albums is a collection of songs based on her novel Shameless. She performed at US President Bill Clinton's first inauguration in 1993, singing "Amazing Grace" and "Chelsea Morning". (The Clintons have stated that their daughter Chelsea was named after Collins' recording of the Joni Mitchell song.)
Activism
Like other folk singers of her generation, Collins was drawn to social activism. She is a representative for UNICEF and campaigns on behalf of the abolition of landmines. Following the 1992 death of her son Clark Taylor at age 33 after a long bout with depression and substance abuse, she has also become a strong advocate of suicide prevention. Her 2003 book, Sanity & Grace, chronicles her recovery from her son's suicide and attempts to provide some comfort and guidance to other families dealing with the loss of a loved one to suicide. She describes the "Seven T's" as a means for going through this process of recovery: Truth, Therapy, Trust, Try, Treat, Treasure, and Thrive. The Truth is that there should be no guilt in suicide; Therapy helps people express their emotions and seek grief counseling; Trust is the effort to believe that one can make it through the loss and keep a belief in life and in the future; Try means to stay away from drugs and alcohol or any excess--including overeating--as a means to deal with the loss and pain; Treat means to take care of the mind, body, and spirit with exercise and meditation; Treasure means to keep the memory of the moments to be treasured, and for this Collins recommends writing and keeping a journal; and Thrive means to be positive, hopeful, open to love and others, and continuing to know that you can rebuild your life on a basis of hope.
Awards and recognition
Grammy Award, Best Folk Performance or Folk Recording, "Both Sides Now", 1968
Grammy Award, Song of the Year, "Send in the Clowns", 1975
Nominated with Jill Godmillow for an Academy Award for the documentary "Antonia: A Portrait of the Woman" (1975), about her classical piano instructor, conductor Antonia Brico.
Discography
Maid of Constant Sorrow (1961)
The Golden Apples of the Sun (1962)
Judy Collins #3 (1964)
The Judy Collins Concert (1964)
Judy Collins' Fifth Album (1965)
In My Life (1966)
Wildflowers (1967)
Who Knows Where The Time Goes? (1968)
Whales and Nightingales (1970)
Both Sides Now (1971)
Living (1971) (Live)
Colors of the Day (1972) (Greatest Hits)
True Stories, and Other Dreams (1973)
Judith (1975)
Bread and Roses (1976)
So Early in the Spring (1977) (15th anniversary collection)
Hard Times for Lovers (1979)
Running for My Life (1980)
Times of Our Lives (1982)
Home Again (1984)
Trust Your Heart (1987)
The Stars Of Christmas (Selected Especially For Avon) (1988)
Sanity and Grace (1989)
Fires of Eden (1990)
Baby's Bedtime (1990)
Baby's Morningtime (1990)
Judy Sings Dylan... Just Like a Woman (1993)
Come Rejoice! A Judy Collins Christmas (1994)
Shameless (1994)
Voices (1995)
Christmas at the Biltmore Estate (1997)
Forever: An Anthology (1997)
Both Sides Now (1998)
Classic Broadway (1999)
All on a Wintry Night (2000)
Judy Collins Live at Wolf Trap (2000)
Judy Collins Sings Leonard Cohen: Democracy (2004)
The Essential Judy Collins (2004)
Portrait of an American Girl (2006)
Videography
Baby's Bedtime (1992)
Baby's Morningtime (1992)
Junior playing the operator of a home for unwed mothers opposite Arnold Schwarzenegger
Christmas at the Biltmore Estate (1998)
The Best of Judy Collins (1999)
Intimate Portrait: Judy Collins (2000)
Judy Collins Live at Wolf Trap (2003)
Wildflower Festival (2003) (DVD with guest artists Eric Andersen, Arlo Guthrie, and Tom Rush)
Bibliography
Trust Your Heart (1987)
Amazing Grace (1991)
Sanity and Grace: A Journey of Suicide, Survival and Strength (2003)
Morning Has Broken
Judy Collins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Blackbird has spoken like the first bird
Praise for the singing, praise for the morning
Praise for them springing fresh from the word
Sweet the rain's new fall, sunlit from heaven
Like the first dew fall, on the first grass
Praise for the sweetness of the wet garden
Mine is the sunlight, mine is the morning
Born of the one light, Eden saw play
Praise with elation, praise every morning
God's recreation of the new day
Morning has broken like the first morning
Of the new day
Judy Collins's song Morning Has Broken is a poetic celebration of the beauty and wonder found in the start of a new day. Through vivid imagery, Collins describes the breaking of dawn and the awakening of the natural world. The lyric "Morning has broken like the first morning" suggests that each new day brings with it the same sense of freshness and possibility as the very first day of creation. The mention of the blackbird's song is a reminder that nature is a powerful force, and that even the smallest creatures have a role to play in the world's beauty.
Collins's praise for the morning and its singing is not limited to natural phenomena, however. She also notes the sweetness of the wet garden and its completeness, as well as her own sense of joy and elation at the dawn of a new day. The line "Mine is the sunlight, mine is the morning/Born of the one light, Eden saw play" suggests that the beauty of the morning is a divine creation, and that each of us can claim a piece of it in our own lives.
Line by Line Meaning
Morning has broken like the first morning
The new day has arrived with the same beauty and wonder as the beginning of time
Blackbird has spoken like the first bird
Nature is alive and vibrant with the sounds of life starting anew
Praise for the singing, praise for the morning
We should be grateful and celebrate the gift of each new day
Praise for them springing fresh from the word
All life is a blessing that springs forth from the divine source
Sweet the rain's new fall, sunlit from heaven
The rain and sunlight are refreshing and nourishing, like a new beginning
Like the first dew fall, on the first grass
Everything is renewed and bright, like the first dew on the grass
Praise for the sweetness of the wet garden
We should appreciate the beauty and lushness of nature after a refreshing rain
Sprung in completeness where his feet pass
Nature is abundant and whole where the divine presence is felt
Mine is the sunlight, mine is the morning
I am grateful for the light and energy of each new day
Born of the one light, Eden saw play
Life is born out of the divine source, and we should celebrate it like the paradise of Eden
Praise with elation, praise every morning
We should rejoice and give thanks with great enthusiasm for each new day
God's recreation of the new day
Each new day is a beautiful recreation of the divine creation
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: MARK STEVENS
Lyrics Licensed & Provided by LyricFind