Cruise studied French horn at Drake University and performed as a singer and actress in New York, where she also worked as a talent scout for Angelo Badalamenti. In 1985, Badalamenti was composing the score for David Lynch's Blue Velvet, as well as serving as the vocal coach for the film's star, Isabella Rossellini. A key scene in Blue Velvet was intended to feature Song to the Siren by This Mortal Coil, but when the rights to the song proved prohibitively expensive, it was suggested that Badalamenti compose a pop song in the same style, with lyrics written by Lynch. Because the song required a vocalist with a haunting, ethereal voice, Badalamenti recommended Julee Cruise, who had sung "like an angel" in a New York theater workshop that Badalamenti had produced. The result of their initial collaboration was "Mysteries of Love", which figures prominently in Blue Velvet's closing scenes.
Positive reaction to "Mysteries of Love" led Badalamenti and Lynch to write and produce additional songs for Cruise, most of which were featured in her debut album, Floating Into the Night. The album was released on 12 September 1989 by Warner Bros. Records, and charted on Billboard the following year. A moody, tightly structured collection of pop songs with lush, idiosyncratic orchestrations and intentionally retro lyrics, Floating Into the Night became a favorite of such musicians as Tim Booth, lead singer of the band James, and techno artist Moby, who would go on to collaborate with Cruise on the unreleased track "Drown Disco". It also provided musical material for two of Lynch's other projects. The first was Industrial Symphony No. 1, a dark, intentionally obscure performance piece in which Cruise performed while "floating" from a harness dozens of feet above a stage at the Brooklyn Academy of Music.
The second, more significant project was the soundtrack to Lynch's Twin Peaks, for which Badalamenti composed the original score. The song "Falling", which became the orchestral theme for the television series, caused a minor sensation, winning a Grammy for Best Pop Instrumental, while the Twin Peaks soundtrack, featuring Cruise on the songs "Into the Night" and "The Nightingale" as well as on the vocal version of "Falling", eventually became the best-selling television soundtrack of all time. Cruise made a number of appearances on Twin Peaks as a girl singer at a local bar, and was prominently featured in the show's landmark pilot episode, as well as in 1992's Twin Peaks: Fire Walk With Me.
The campy but unsettling "Rockin' Back Inside My Heart", the second single from Floating Into the Night, was released in 1990. Cruise also made a controversial appearance on Saturday Night Live on 12 May 1990, when scheduled performer Sinéad O'Connor refused to appear on the same show as guest host Andrew Dice Clay. The following year, Cruise recorded a Lynch- and Badalamenti-produced cover of the Elvis Presley song "Summer Kisses, Winter Tears" for the soundtrack of Wim Wenders's Until the End of the World. Afterwards, Cruise maintained a relatively low profile until her second album, The Voice of Love, was released in 1993. To many listeners and reviewers, this album suffered in comparison to its predecessor, possibly due to the numerous other projects competing for Lynch and Badalamenti's attention. Many of the tracks were little more than instrumentals from Wild at Heart or Twin Peaks: Fire Walk With Me with added vocals. However, several songs, notably "Questions in a World of Blue", are ranked by fans among Cruise's best.
Cruise's early collaborations with Angelo Badalamenti and David Lynch were closely related to Lynch's film work, and their lyrics often reflect this. For example, "Into the Night" begins with the whispered words "Now it's dark", a line which was repeatedly spoken by Frank Booth, Dennis Hopper's character, in Blue Velvet. Lynch also photographed Cruise for the liner notes of Floating Into the Night and The Voice of Love, and created the sculptures featured on the covers of both albums.
The following decade found Cruise lending her vocals to works by a more miscellaneous list of collaborators, mostly in techno and dance music. She provided vocals and lyrics to several of the songs on Wide Angle, the debut album by Welsh electronic music group Hybrid, notably the epic techno track "If I Survive". She also appeared on two albums by dance artist Khan. The lyrics for many of these songs, such as "Body Dump", reflect Cruise's own interest in true crime. She appears on a number of tracks on the 2003 album "Dreams Top Rock" by German post-rock act Pluramon.
Cruise also acted and sang in the Off Broadway cast of Return to the Forbidden Planet, a spoof of William Shakespeare's The Tempest, and toured with the B-52s in 1992 and 1993.
Cruise's long-delayed third album, The Art of Being a Girl, was released in 2002. This was the first of her albums for which Badalamenti and Lynch did not produce or write any of the music, with music and lyrics for each of the songs being written by Cruise herself (with the exception of an updated version of her classic single "Falling") and guest produced by Rick Strom and Mocean Worker. The following year, Cruise's song "The World Spins" was featured in an extended ballet sequence in Robert Altman's The Company.
Cruise passed away on June 9, 2022 at age 65.
Movin' in on You
Julee Cruise Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tell her she's through
You can't stop me
If I can't stop myself
Don't stop me
If I can't stop myself
I'm movin' in on you
I'm movin' in on you
You'll never find a girl like me
My love is your love
Wait and see
I'm movin' in on you
I'm movin' in on you
Say goodbye to her, boy
Tell her she's through
You can't stop me
If I can't stop myself
Don't stop me
If I can't stop myself
I'm movin' in on you
I'm movin' in on you
The lyrics to Julee Cruise's "Movin' in on You" depict a woman who is determined to win over the object of her affection, regardless of the consequences for anyone else involved. The repeated refrain of "Say goodbye to her, boy, tell her she's through" makes it clear that this woman is not interested in any kind of love triangle, and is prepared to do whatever it takes to make the man she desires hers alone.
The lyrics suggest that the woman's love is all-encompassing and undeniable: "You'll never find a girl like me, my love is your love, wait and see." The implication is that the man in question will come to realize that his feelings for her are just as strong, if not stronger, than any he may have for the woman he is currently involved with. The repetition of the phrase "I'm movin' in on you" underscores the woman's single-minded determination to make this happen.
Overall, "Movin' in on You" is a song about the power of desire and the lengths that people will go to in pursuit of love. It presents a somewhat unsettling portrayal of a woman who is willing to disregard the feelings of another person in order to satisfy her own desires, and raises questions about the line between romantic persistence and obsession.
Line by Line Meaning
Say goodbye to her, boy
Admonishing the boy to let go of his current lover
Tell her she's through
Tell her that the relationship is over
You can't stop me
The boy cannot prevent the singer's advances
If I can't stop myself
Even if the singer realizes the danger, she cannot prevent herself from pursuing the boy
Don't stop me
Again emphasizing that the boy can't prevent the singer from pursuing him
I'm movin' in on you
Stating her intention to pursue the boy romantically
You'll never find a girl like me
Promising the boy that he won't find another girl like her
My love is your love
The singer loves the boy and hopes he feels the same way
Wait and see
Urging the boy to wait and see what could happen between them
I'm movin' in on you
Reiterating the singer's pursuit of the boy
I'm movin' in on you
Repeating her intention one final time
Lyrics © Universal Music Publishing Group
Written by: ANGELO BADALAMENTI, DAVID K. LYNCH
Lyrics Licensed & Provided by LyricFind